Silver vintage necklace Leaf shaped by Heribert Engelbert AB, Sweden 1957

Pair of elegant silver ear rings made as an oval wavedshaped leaf. Made by Swedish mid-century designer Stigbert for Heribert Engelbert AB Stockholm, Sweden in 1957. These beautiful vintage earrings are stamped Sterling Sweden, HE Stigbert B9. Measure each: length 2,5 cmL, 1.5 cmW and 1.7 cmD. Good vintage condition. Engelbert is an upmarket, exclusive jeweler...

Lovely flower silver necklace made by Bronsil AB in Köping, Sweden, 1970s. The pendant has shape as a water lily with seven petals. Marked: SGP 925. Size: Total length including the...

Beautiful pair of vintage triangle sterling silver ear rings by Rey Urban, Stockholm, Sweden, 1957. These beautiful ear rings are decorated with a small pink stone in the middle and ...

Beautiful blue round 'Bergslagen stone' necklace by Skreij JE Ab 1970s. Sweden. The stone has various shades of blue color and are originally the "leftovers" or slag of the iron pro...

A circular and practical silver necklace in which can also be used as a brooch if you wish. This jewelry is made by Smycka Kumla (company established 1926, Sweden) in 1979. Nice pati...

Beautiful vintage circle shaped bronze necklace with arms spread out from the middle with small round bronze decor balls. Designed and made by Chris...

Vintage emerald oak leaf necklace by Lisner, 1960s Currently, one of the most coveted vintage Lisner lines is the molded plastic oak-leaf jewelry,...

A Scandinavian Modern sterling silver necklace with adjustable panel. Made by S.G. Hellstrom, Gnesta, Sweden, 1965. Measures: Opening diameter: 5" x 5". Overall height...

What makes this piece unique is well.... everything! First, this piece is up-cycled, which means I liked the shape but it needed to be rescued. The rescue plan included 22K leaf which is from Manetti of Florence. This color is Rosenoble. It is made of 92%Gold8%Copper all noble metals. Next I used Artist's canvas fabric and made the Cally-Lily petals which were embossed by my flower Artisan. Both the bowl and the petals were given to the next Artisan. This is a French gilder with 25 years of experience of working on outdoor sculptures to interior restorations of the most important buildings in NYC as well as along the East Coast. After the bowl and petals were leafed, it was then transported covered in a wool/cotton batting for protection. At this stage a top coat is applied 2-3 times as needed for surface protection. Once this had dried it was ready to commence with the crystal application called pave. This is setting the crystals as close together as possible. My next Artisan has 28 years experience working in the technique of Pave. This was done with 3 colors, of the best crystals made in the world. These are Light Rose, Light Siam and Hyacinth all with the Aurora Borealis treatment. These 3 colors blended together have a magical quality sparkling in a majestic and mystical way. After the pave work was finished Ostrich feathers were sporadically placed inside.The flutter of the feathers by the slightest movement causes them to dance. This is easily transported in your home for your own rotating Art show. The main photo the bowl was shot on it's side which is the position I like best. All positions work as well. Imagine this on your make up dresser...

A bespoken sterling silver necklace with five roundel bell shape of gradual sizes linked by joint chains, designed and made by Graziella Laffi, Lima, Peru, circa 1965. The subtly hammered roundels evoke a sense of history with the form found in pre-Columbian culture, yet the necklace appears beyond ethnic, it exuberates a confident and bold modernism. The necklace with Peruvian Cultural Ministry label to verso. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...

Sterling silver modernist rock crystal set collar / necklace attributed to K.E. Palmberg for Alton Sweden. Stamped; Pege ALTON F for Falköping, S9 for 196...

Silver bracelet with acid treated surface by Theresia Hvorslev and stamped 'Mema', Lidkoping, Sweden, 1976. Measures: Depth: 2.75". Height: 1.5". Width: 2.5".