Fine George III Chinoiserie Four-Poster Bed Firmly Attributed to Gillows

Each cistern is in the form of a fluted vase on a rectangular pedestal. The lead-lined vases have brass handles, removable lids with pineapple finials and taps. The crossbanded pedestals have cupboard doors enclosing slatted shelves for warming plates in one and a lead-lined slops drawers, a tambour fronted shelf and a cellaret in the other. Susan Stuart, 'Gillow of Lancaster and London', 2008 vol 1 p308-315 illustrates many pedestal urns including the drawings for Workington Hall, Cumbria, dated 1788. PLates 342 and 343 show pedestals with a similar arrangement of shelves and drawers. Thomas Sheraton explained the functions of dining room pedestals in his 'Drawing Book' of 1793: 'IN spacious dining rooms the sideboards are often made without drawers of any sort, having simply a rail, a little ornament...

A fine George IV mahogany wine cooler attributed to Gillows, in the form of a classical urn with everted lip and boldly gadrooned sides, set upon a flaring, flanged support with flut...

A late George III revolving mahogany drum table attributed to Gillows, the circular top inset with a faded and gilt tooled green leather above four full and four dummy frieze drawers...

A fine Victorian mahogany wine cooler attributed to Gillows, of cylindrical form applied with two brass bands below a delicate border of floral garlands, with goat’s mask and ring handles, the cabriole legs mounted with satyr masks above cloven-hoofed feet and the original castors, the oval top with radial fluting centred on a turned, hatched knop, English, circa 1860 Footnote: This wine cooler has many design elements inspired by a George III ormolu-mounted example attributed to Samuel Norman...

An unusual George IV specimen marble backgammon table attributed to Gillows. This rectangular table is strongly attributed to Gillows. It has a rectangular top inlaid with a central chess board flanked by two backgammon fields, all inlaid with a multitude of specimen marbles. One edge carved and gilded with the Latin motto ‘Turpe est in patria vivere et patriam ignorare’. The oak base has a drawer for cards and playing pieces, all raised on a square section support with four splayed legs and the original brass castors. English, circa 1830. Provenance: Geoffrey Bennison Ltd, London, November 1983 The Mermaid House Collection, St. John’s Wood, London Property of a gentleman Private American collection The form of the base of this table is related to several known Gillows commissions from the late Regency period and the quality of the cabinet work also suggests that firm attribution to the firm. Backgammon tables, rather than more general games tables, are unusual at this date and the use of inlaid specimen marbles in the top suggests a client of wealth. Additionally, the Latin text on the edge of the table provides further clues. The text, Turpe est in patria vivere et patriam ignorare, translates as “it is shameful to live in your homeland and not know it”. This phrase dates back to antiquity but rose to prominence once again in the mid-18th century when used by the botanist and key Enlightenment figure Carl Linnaeus in his work on the native flora of Sweden. The combination of this phrase and the use of native English timbers and marbles is promoting English raw materials and craftsmanship at a time when the noble and the wealthy were focussed on European pietra dura tables. Mermaid House in St John’s Wood was re-designed by Chester Jones...

The circular tilt top has a central field of book-matched, figured rosewood within a broad band of cut brass inlay. The edge is boldly carved with an acanthus and dart border. The central support is hexagonal in section with a broad central flange, raised on three powerful and ornately carved legs. The knees are presented as bold acanthus carved and gadrooned volutes. The lions’ paw feet have clearly defined knuckles and claws and enclose the original brass castors. English, circa 1825. See also S. Stuart, Gillows of Lancaster and London 1730-1840, Antique Collectors’ Club, Woodbridge, 2008, Vol II, pl. E.5, which shows a pattern for this table in a drawing room layout designed for G.Bamford about 1820-30. The drawing also shows a pair of bergères and a sofa which correspond to a suite supplied by Gillow & Co. in 1824 to Thomas Wynn...

A very useful pair of late 18th century bedside cabinets Crafted from the finest South American mahogany With curved opposing doors and raised on tapering fluted legs in the manner...

A carved mahogany, flame mahogany veneered and parcel gilt four poster King bed, the arched headboard with a carved cornice and finely carved acan...

Queen size lucite four poster bed attributed to Charles Hollis Jones, the head and foot boards are lacquered in a black "piano" finish, the fou...

Words cannot describe this incredible Victorian walnut four poster, massive bed made in the 1860s. Massive, simple, elegant…The bed is a standard king size...

For sale is a part 18th century carved oak four poster bed, having a paneled canopy surrounded by ornate carvings, above the paneled headboard. The can...

A early 20th century George III Style Carved Crest and Flame Mahogany Twin Bed in good and sturdy antique condition.