Lustrous Mother-of-Pearl and Sterling Silver Large 'LOVE' Heart Pendant Necklace

A large Holy Land mother-of-pearl, abalone shell and olive wood icon Jerusalem, early 20th century Icon: height 55.5cm, width 52cm, depth 18cm Case: height 15.5cm, width 61.5cm, depth 57.5cm In fitted case, presented by the President of the Senate...

Seamlessly mixing influences from around the world, Werner works with oft-overlooked materials--including her signature black iron--to create bold pieces of striking beauty. "I am am...

A vintage Native American Navajo turquoise stone necklace with authentic 26 pearls and two carved cross pendants in sterling silver. The necklace is attributed to the Jewelry designer T-Foree. This vintage necklace will make a statement and is a collectible piece. To the Navajo tribe, the color turquoise represents happiness, luck, and health. ... Black, white, blue, and green were the colors within the turquoise stone which represent the colors of the natural world. A horseshoe-shaped symbol or a symbol called “Naja” appeared often in tradition Navajo jewelry...

A bespoken sterling silver chocker necklace very bold design by Graziella Laffi, Lima, Peru, circa 1970s. The chocker features six subtly hammered roundels radiating into a trio of Axe-shaped fixed pendants, with two smaller ones flanking a large central one. The shape of the axe was often found in the Pre-Columbian art. As a bronze age tool, it symbolizes power. The necklace is not chain link but cast and joined as a solid chocker with box clasp mechanism. The design radiates a sense of history with the primitive tribal geometry in form, yet the necklace appears beyond ethnic, it exuberates a confident and bold modernistic aesthetic. The drop of the necklace on the mannequin (not included) is 11". It has an approximate 16" circumference and weighs 320 grams (10.3 troy ounces). It was tested as 900 purity with XRF analyzer. There is a Peruvian Cultural Ministry label applied and a catalog sticker on verso as shown. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...

An Art Deco silver mother of pearl green enamel neckless circa 1920 This beautiful and very eye catching Art Deco necklace/pendant is a delicate and stylish piece which is made from unmarked silver (tested). It has a fine chain from which suspends the main circular silver pendant inlaid with a bright iridescent ring...

A stunning choker style necklace in sterling silver by Graziella Laffi (1926-2009) Lima, Peru, circa 1960s. The bold necklace showcases an oversized plate...