Georgia O'Keeffe Hardcover Coffee Table Book

Antique green crushed silk velvet long Bolster decorative pillow framed with 19th century black and silver metallic trims, Applique Art Deco gold, silv...

Georgia O'Keeffe. New York: The Viking Press, 1976. Unpaginated softcover. Folio size book of work by Georgia O'Keeffe with reproductions and text that cover...

Georgia O'Keeffe: Art and Letters by Jack Cowart and Juan Hamilton. Published by the National Gallery of Art, Washington, 1989. Softcover. 1st edition. Publi...

Two Georgia O'Keeffe softcover books. A Woman on Paper, published in 1988, 294 pages. The Poetry of Things, published in 1999, 158 pages.

Georgia O'Keeffe by Nancy Frazier. Hardcover book with dustjacket. Published in 2004.112 pages with 70 full color, and 15 black and white illustrations.

This is a beautifull two volume catalogue raisonne in a slip case, which presents more than 2000 works by O'Keeffe in a variety of media, displaying her innovative use of colour and ...

American Modern presents a fresh look at The Museum of Modern Art’s holdings of American art made between 1915 and 1950, and considers the cultural preoccupations of a rapidly changing American society in the first half of the twentieth century. Organized thematically and featuring paintings, drawings, prints, photographs and sculpture, the publication brings together some of the Museum’s most celebrated masterworks, contextualizing them across mediums and amidst lesser-seen but revelatory works. The selection of works by artists such as Edward Hopper, Georgia O’Keeffe, Charles Sheeler, Charles Burchfield and Stuart Davis includes urban and rural landscapes, scenes of industry, still-life compositions and portraiture. Although varying in style and specifics, they share certain underlying visual and emotional tendencies. Cityscapes and factories are shown eerily emptied of the crush of residents that flocked to them, becoming both a celebration of clean modern forms and technological advances, as in Sheeler’s paintings and photographs, and a reflection of anxiety about increasingly urban lifestyles and their consequences for the American individual, as in Hopper’s iconic “Night Windows.” Equally silent rural scenes are no less haunting, but perhaps reflect a nostalgia for seemingly simpler times, and a celebration of early American traditions and values. Featured still lifes are as diverse: Stuart Davis’ bright, angular compositions marry fractured form with logos and patterns taken from modern advertising...