British Art Deco Bedroom Suite in a Figured Brown Walnut Skyscraper Style

A super three piece Art Deco quarter-sawn oak & marquetry bedroom suite attributed to ‘Gaylayde’ by B Cohen & Sons of London. Dating to c.1930 and of super qua...

Art Deco Bedroom Suite Queen Size Figured Walnut and restored. Unique original set with modernist carved triangle designs on the doors of the nightstands, vanity, and bed footboard...

For your consideration is this fabulously styled Art Deco wardrobe dating to the 1930's. Small and well proportioned this wardrobe has stunning Walnut grain with book paged veneers w...

French Art Deco suite made of Macassar ebony and walnut. Suite includes: 1-Armoire with 3 large doors that open to interior shelves, center door is mirrored. 84 H x 69 W x 20 ...

If you're looking for something spectacular for your bedroom without compromising quality and functionality then this Original Art Deco single wardrobe might just be for you! Really the pictures speak for themselves here, the doors and the figuring are absolutely exquisite and very unusual. Perfectly integrating with both modern and period settings this wardrobe features heavily figured mirror book paged veneers with it's original lock and key which is fully functioning. A interior, featuring a generously sized half hanging space, open cube shelving...

Bruce Talbert (1838-1881) for Gillow and co., a rare and important walnut, amboyna, ebonized, and gilt bedroom suite, each with differing carved rosettes, comprising: a triple mirror door wardrobe, 208cm high, 208cm wide, 58cm deep; a pair of bedside lockers, 85cm high, 38cm wide; and a pair of single bedsteads, 124cm wide Provenance: The famous Argentinian writer and suffragette Victoria Ocampo (1890-1979), bought from her estate and shipped back from Argentina. Bruce James Talbert originally trained as a carver and then an architect, and he became an influential and very successful furniture designer. He served an apprenticeship in Dundee and had his own carving business for two years where he learned the skills to apply carved details to furniture and then joined the architectural offices of Charles Edward. In 1856 he moved to Glasgow and worked for the architects W. N. Tait and Campbell Douglas. He moved to Manchester in the early 1860s, where he gained employment with the cabinetmakers Doveston, Bird, and Hull, which was short-lived, then moved to Coventry gaining work with Skidmore's Art Manufactures. In 1863 he won the competition to design the masthead for 'The Building News and in the mid-1860s moved to London, where he started designing furniture for Holland and Sons. His 'Pericles' Gothic sideboard was displayed on their stand at the Paris Exposition Universelle of 1867 where it was the Grand Prix winner. It was at this point that his most prolific period began and also when he started designing furniture for Gillows of Lancaster in 1868. in the same year, he published his very influential first book 'Gothic Forms Applied to Furniture, Metal Work and Decoration for Domestic Purposes', which he dedicated to George Edmund Street. This was followed in 1876 by 'Examples of Ancient and Modern Furniture, Metalwork, Tapestries and Modern Furniture' and in 1881 by 'Fashionable Furniture. Other companies he designed for were Marsh, Jones and Cribb, Jackson and Graham, and for a short time, was a partner with Daniel Cottier. He designed textiles for Templeton's, Warner's, Cowlishaw, and Barbour and Miller; carpet designs for Templeton's and Brinton and Co.; and his wallpaper designs were printed by Jeffrey and Co. He also designed church metalwork and furniture for Cox and Sons...