19th Century C. M. Hutschenreuther Hand-Painted Porcelain Plaque "Ruth"

Antique hand-painted porcelain plaque, "Flora" after Titian signed by Rau. This beautifully executed 19th century porcelain plaque has been hand-painted with a luminous version of Renaissance painter Tiziano Vecellio's famous oil painting...

This charming 19th century KPM porcelain plaque depicts a painting after German artist Christian Leberecht Vogel's popular work Die Söhne des Künstlers, executed in 1793. The beautif...

This outstanding hand painted 19th century French ceramic charger was made by Hautin Boulenger & Cie at Creil & Montereau. The highly detailed Aesthetic Movement charger features polychrome decoration depicting a Japanese quail perched in a flowering cherry tree bearing vivid green foliage. The bird's gaze is fixed on a colorful butterfly with intricately patterned wings which is located off to one side. The image is set on a gilt ground which bears a series of repeating raised gilt motifs. The charger's shoulder is finished in cobalt blue with stylized gilt hearts separated by light blue floral and foliate elements. The 4lb 11oz charger bears an impressed mark used by Creil et Montereau between 1876-1884. The foot rim is not pierced. This beautifully executed hand painted French charger...

This large hand-painted charger was made by Mintons Art Pottery Studio of Kensington Gore, London. The studio traces its origins to the renowned earthenware and fine bone china factory Minton, located in Stoke-on-Trent, Staffordshire England. Colin Minton Campbell, descendant of founder Thomas Minton, took over company management in 1858 and went on to establish Mintons Art Pottery Studio in 1871 for the purpose of hand decorating pottery and tiles. The studio initially operated under the direction of painter and book illustrator William Stephen Coleman and drew upon the talents of artists studying at the Kensington's National Art Training School, now known as the Royal College of Art, as well as those of well-regarded Continental artists. The company was short lived as it was destroyed by an accidental fire in 1875 and was not rebuilt. This large earthenware charger has been hand-painted in polychrome enamel and depicts two young children at play in the nursery. The scene includes multiple colors and textures and features a cherubic toddler seated upon a bed alongside a young girl standing on a blue footstool...

This outstanding late 19th century Japanese Satsuma porcelain covered temple jar has a traditional form with a domed lid. The piece features exquisite hand painted decoration which includes brightly hued flowers and associated foliage along with highly detailed jewel-toned butterflies with gilt highlights, all of which are on a shaded blue ground. The jar and lid also bear large chrysanthemums executed in heavy white enamel with underlying hints of green. The collar of the jar and edge of the lid have wide gilt bands finished with fine incised linear decoration that has been accented with blue, black and white enamel. The underside of the jar is hand lettered with characters reading Dai Nippon...

This fabulous rectangular sterling silver box was made in 1887 by English silversmiths William Thomas Wright and Frederick Davies and has been fitted with a hand painted enamel plaque on the lid that features a genre scene. The delightful image is set within an elegantly appointed salon and depicts an artist seated in front of a gilt-framed canvas that bears a partially completed portrait of a baby. The painter is surrounded by an entourage of sumptuously attired women who are attempting to capture the baby's attention and direct it toward the artist. The lid opens with a tapering tab at the front. The child's nurse holds her charge upright on a table that is covered by an ornate embroidered cloth trimmed in fringe. A lady dressed in purple stands next to her and leans toward the child in an attempt to cajole the baby into cooperating with the task at hand. The artist is seated opposite the child on an upholstered bench and holds his paintbrush in his right hand while simultaneously pointing up to a cluster of fruit. The fruit cluster is dangled by a lady dressed in a patterned yellow gown who wears a bemused expression on her face as she attempts to focus the baby's attention. Another woman dressed in blue and pink is seated in a green upholstered chair...

This is a superb portrait of Christ. It is hand painted in extraordinary quality with polychrome enamel on an oval porcelain plaque after the original painting -Head of Christ...

19th century hand painted oval German porcelain plaque KPM? German porcelain plaque of the Vestal Virgin after the painting by Angelica Kauf...

SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). Mary and Joseph and various other ...

This beautifully crafted and decorated porcelain huqqa (or hookah) base is of Continental, possibly Russian origin. It was created in the late 19th century for the Persian market. The huqqa base...

This beautiful porcelain huqqa (or hookah) is of Continental, possibly Russian, origin and was created in the late 19th Century. The item is finely painted and decorated with photo-r...

19th century German Porcelain Plaque Queen Louise of Prussia Hand painted rectangular porcelain plaque of Queen Louise of Prussia in half pr...