Franco Albini Midcentury Italian Riviera Rattan and Bamboo Round Mirror, 1950s

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Franco Albini Midcentury Italian Riviera Rattan and Bamboo Round Mirror, 1950s

About the Item

Wonderful round Italian riviera mirror with curved rattan beams and bamboo frame. This mirror is attributed to Franco Albini ad was produced in Italy, during 1950s. It has a diameter of 48 cm and with its light surface, it will add deepness to a midcentury living room. Others oval and teardrop mirrors by Franco Albini with this same design are available. A native of Robbiate, near Milan, Albini obtained his degree in architecture at Politecnico di Milano University in 1929 and began his professional career working for Gio Ponti. He started displaying his works at Milan Triennale In 1930 he opened his own practice. Through his creations, the modern furniture design merged the Italian traditional artisanship with the new forms of modernism. In his creations, he used raw, inexpensive materials. He exploited the very skilled Italian craftsmanship. This also meant an elegant design based on a minimalist aesthetic. One of his first successful works in 1939 was a radio, encased in glass, so to show its internal components. In 1928 Albini designed the now-iconic "Albini Desk", combining steel, glass and wood with a striking minimalistic balance, and introduced by Knoll in 1949. In 1950 he designed the famous and fashionable "Margherita" and "Gala" chairs, made of woven cane. In 1952 he created the "Fiorenza" armchair for Arflex; in 1955 the "Luisa" chair; in 1956 the "Rocking chaise" for Poggi. In the 1960s he worked on industrial design as well as important architectural projects. In 1961 he designed the Rome Rinascente building. Three years later he designed with Franca Helg and Bob Noorda the Milan Metro Line 1 subway stations, and from 1969 also Milan Metro Line 2 subway stations. In 1964 the television set he created for Brionvega was displayed at the Milan Triennial XIII. In the same year, he created various lamps for Arteluce. Albini worked for companies including Brionvega, Cassina, Arflex, Arteluce and Poggi. He was also an architect and interior designer. Among others, in 1945 he created the Zanini Fur Shop located in Milan. As writer and editor, from 1945 to 1946 he worked for the Italian magazine Casabella. In the 1950s and 1960s he taught interior design at the Venice School of Architecture (Università Iuav di Venezia). From 1963 to 1977 he taught design at Milan Polytechnic (Politecnico di Milano). Albini obtained three Compasso d'Oro awards, the most prestigious Italian design prize.

Creator:
Franco Albini (Designer)
Dimensions:
Height: 1.19 in (3 cm)Diameter: 18.9 in (48 cm)
Style:
Mid-Century Modern (Of the Period)
Materials and Techniques:
Bamboo,Cane,Mirror,Rattan
Place of Origin:
Italy
Period:
1950-1959
Date of Manufacture:
1950s
Condition:
Wear consistent with age and use. Minor losses.
Seller Location:
Roma, IT
Reference Number:
1stDibs: LU3067318959982

Shop All Franco Albini

Franco Albini

While working under the polymath Gio Ponti — arguably the most important figure in 20th-century Italian modernism — furniture designer Franco Albini nurtured a love for modern forms combined with traditional craft techniques.

Albini is widely known for working with organic materials such as rattan and cane for his chairs and other seating, but he also played a pivotal role in the Italian rationalist movement of the early 20th century, which saw architects and furniture makers applying a strict emphasis on geometry in their work. Rationalists drew on Ancient Roman architecture but rejected ornament, much in the way that Le Corbusier and celebrated Bauhaus figures such as Ludwig Mies van der Rohe had in their modernist furniture.

Albini received his degree in architecture from the Polytechnic University of Milan in 1929, and, in 1931, he founded his practice in Milan, where he tackled workers’ housing and other reconstruction projects. A gifted urban planner, he also developed the Palazzo Bianco, Palazzo Rosso and Tesoro di San Lorenzo museums in Genoa. While Albini is revered for his Margherita chair — a Triennale Milano award winner created for Bonacina in 1951 — he also collaborated with manufacturers Poggi and Cassina in the 1940s on seating, tables and more that embodied his artistic vision. Of that mid-century work, the one piece that perhaps best captures this vision is the iconic Luisa chair.

With its cherry red upholstery and sinuous wooden legs that seem to float aboveground, the Luisa is a genuine masterpiece. It is also a testament to Albini’s perfectionism, as it endured several prototypes — including one made by Knoll in the late 1940s — and took approximately 15 years to design. Poggi launched the final version of the armchair in 1955, earning Albini the prestigious Compasso d’Oro from Italy’s Association for Industrial Design. It is produced today by Cassina. Albini named the chair for someone who likely saw the process firsthand: his personal secretary of two decades, Luisa Colombini.

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