1960s English Bernard Rooke Abstract Sculptural Pottery Ceramic Table Lamp

A large 1960s vintage Studio Pottery early brutalist cylindrical ceramic vase by British ceramicist Bernard Rooke. The upper two-thirds features an incised abstract design which is ...

1960s vintage French Daum crystal glass table lamp. Lynx range Model 73. An elegant teardrop shape fused onto a rock formation base. PAT tested...

1970s German handcrafted matte chocolate brown pottery table lamp. The table lamp is interestingly constructed from very thin clay coiled into a bulbous shaped lamp, fired and glazed...

Val Saint Lambert, clear crystal hand blown "Swan" glass, lamp base. The lamp was made in the 1950s in Belgium. The lamp is fitted with a chrome mounted bulb socket and bears the...

1950s Belgium Val Saint Lambert clear crystal glass lamp base with a turned tapering form at the towards the top of the lamp. A chrome mounted socket with an on/off switch included within it and can be accessed underneath the shade.. the lamp has been rewired with a silver twisted silk flex. In the past the bulb holder has come loose and has been siliconed back on to the glass base unfortunately some of this white silicon...

A large clear glass Belgium table lamp. The conical base section is made from solid glass and is very heavy. A small Val Saint Lambert original foil label has been sellotaped onto ...

A very large, rare 1960s Bernard Rooke circular brutalist stoneware table lamp in excellent vintage condition, stamped "Rooke" on the side at the base. The piece is a lovely earthy m...

A lovely 1960s studio pottery vase by Bernard Rooke with circular design detail, stamped on the base "Rooke" rewired with antique cord flex, switch and PAT tested. With new bespoke n...

A large an very interesting handformed table lamp from the studio of noted British ceramicist, Bernard Rooke in the 1960s England. This special and sculptural table lamp is comprise...

Brutalist table lamp by Bernard Rooke, green glaze with brown undertone over a cubist pattern. The size is for the base only. Shade is not included.

Brutalist table lamp by Bernard Rooke in a Mayan pattern with a textured finish and a nuanced green and ochre glaze. Size of the base only. No shade included.

An organic and Brutalist style Butterly table lamp. No chips or cracks. Has been professionally rewired and PAT tested. Easily rewired for all regions. Bernard Rooke (born 1938) is a British artist and studio potter. Rooke has exhibited his "Brutalist" ceramics and painting both in the UK and abroad with work in many collections both public and private including the Victoria and Albert Museum, Cleveland Museum of Art, Nuffield Foundation, Röhsska Museum in Sweden and the Trondheim Kunstmuseum in Norway. Bernard Rooke attended Ipswich School of Art studying painting and lithography before going on to study at Goldsmiths College of Art. It was while studying here that he decided to take up pottery. Although unfamiliar with this craft and tradition, he found that working with clay provided new opportunities for freedom of interpretation and creativity. In 1960 Rooke set up his first pottery in Forest Hill in South London along with Alan Wallwork. It was a very small room with enough space for a small electric kiln. He was initially using mainly hand building, coiling, blocking and slabbing techniques. While researching ideas, he was supporting himself by part-time lecturing at London University, Goldsmiths College and St Mary's College. In addition, Rooke's membership of 'The Craftsman Potters' Association' enabled him to show his work in a shop in Carnaby Street in London. In 1967, both the need for a larger working space and becoming disillusioned with living in London spurred Rooke into moving out of the city and to an old mill building in Swilland in Suffolk. Rooke wanted to widen the range of work so as to become more commercial. With the birth of his son, Aaron, and much needed work to be done on the mill, it was important to be able to make a living. In 1968, the Grand Metropolitan Hotel commissioned Rooke to make 120 standard lamps, 120 table lamps as well as a 24 foot long ceramic mural and another 9 foot high, which incorporated interior lighting. The money from the commission helped to pay for much needed restoration work on the mill. By the 1970s, a gallery space was opened in the windmill and run by Susan Rooke, Bernard's wife, selling work to locals and tourists as well as to American airmen based nearby. The vision for Mill Gallery was beginning to develop and alongside this a reputation was building bringing in a good source of income. Sons Aaron and Felix were becoming more involved with the running of the pottery, giving Bernard more time to develop new ideas and designs and more time to continue with his painting. In 2004, the Rooke family decided not to sell to the public through the gallery anymore and close the pottery to concentrate more on painting and printmaking. In 2017 Bernard's lighting was featured in the Exhibition: “Glass, Light, Paint & Clay” at the Peterborough Museum and Art Gallery. The exhibition featured four artists: Bernard Rooke, John Maltby...