Pair of French 19th Century Patinated and Gilt Bronze Cherub Lamps

Beautiful and large pair of 19th century French patinated bronze and gilt bronze figures of cupid and a maiden. Elaborate gilt bronze bases with flowers and scroll design. Louis Phil...

A fine pair of 19th century French Clodion style patinated bronze cherub candelabra lamps with gilt bronze details and rouge marble bases.

Fine quality 19th century French gilt bronze urn lamp on a rouge marble base.

A very fine pair of 19th century French celadon porcelain and gilt bronze mounted lamps . Finest quality . Large size

A pair of 19th century bronze patinated classical urns signed F. Barbedienne. Custom made into lamps.

A fine pair of 19th century French gilt bronze and breche Violette marble urn lamps. Ram's head details.

A very elegant true pair of French 19th century patinated bronze and ormolu lamps. Each lamp is raised by handsome paw feet below a roaring lion's head. The rectangular base has a co...

A pair of handsome French mid 19th century patinated bronze statues mounted into lamps. Each lamp is raised on a black Belgian and Vert de Patricia marble base with a black Belgian m...

A handsome pair of French 19th century Neo-Greek st. patinated bronze and gilt lamps. Each lamp is raised on ormolu ball supports below a square ebonized fruitwood mottled base with ...

A handsome and unusually larger scale true pair of French 19th century Renaissance st. patinated bronze lamps signed F. Levillain & F. Barbedienne. Each lamp is raised by a tripod wi...

A beautifully cast pair of French 19th century neoclassical patinated figural bronze nine arm candelabra after a model by Jaen Jacques Pradier They are signed J. Pradier and were converted into lamps in the 20th century. Each candelabra is cast as classically draped maiden with one representing Phyrne and the other unknown, standing on a circular stepped dark green marble socle base. There are no visible foundry marks on the bronzes. Born in Geneva in 1792 in Switzerland, Pradier was the son of a Protestant family from Toulouse. He left for Paris in 1807 to work with his elder brother, Charles-Simon Pradier, an engraver, and also attended the École des Beaux-Arts beginning in 1808. He won a Prix de Rome that enabled him to study in Rome from 1814-1818 at the Villa Médici. Pradier made his debut at the Salon in 1819 and quickly acquired a reputation as a competent artist. He studied under Jean-Auguste-Dominique Ingres in Paris. In 1827 he became a member of the Académie des beaux-arts and a professor at the École des Beaux-Arts. At the Salon of 1834, Pradier's Satyr and Bacchante...

A handsome pair of French 19th century Renaissance st. patinated bronze and marble lamps. Each lamp is raised by ormolu ball feet below the triangular Black Belgian marble base with ...