18th Century Delft Blue and White Vase Mounted as a Lamp

Featuring a floral wreath of roses, hydrangea, and daffodils encircling a classical maiden in deshabille, set below a morning glory, on a periwinkle ground; mounted on a turned giltw...

The baluster form terra cotta vase decorated with Chinoiserie decoration including a Court figure waving a banner with an attendant, persimmons, orchids, peonies and other emblems of...

Of archaistic form with brown craquelure overall and broad matte band with low relief decoration; mounted on a turned giltwood base and fitted with gold-lacquered brass adjustable ro...

Of square tapering form; decorated with a peacock and tree peony branch in a bold polychrome palette; mounted on a black wood square base. Fitted with a brass adjustable rod and two ...

With craquelure finish, exaggerated long neck and silvered wood base. Height to top of vase is 24".

Each of square tapering form mounted on a turned gilt base, fitted with adjustable brass rod and two-light sockets, height of vase is 15.5".

17th Century Dutch Delft Octagonal Faience Vase mounted in brass and decorated with a chinoiserie décor of fighting warriors and exotic landscape. The dimensions indicated herein are those of the vase with the fittings and lampshade. The mounted vase only is approximately 10in. high and 7in. diameter. The arrival in Western Europe of the first shiploads of Chinese porcelain, lacquerware, ivory and silk in the 17th century stimulated interest in China, or Cathay, as it was then called. Europeans soon began copying the Chinese artworks and decorative objects. These decorative arts inspired by China, which enjoyed their heyday in the late 17th, 18th and early 19th centuries, are known as chinoiserie. Soon after the introduction of expensive Chinese...

Late 17th Century Dutch Delft Faience Blue and White Chinoiserie Baluster Vase Mounted as a Lamp and newly electrified. Decorated in imitation of a Chinese Ming vase with a sage, rocks and vegetation, mounted on a wood base. The dimensions noted include the lampshade and electrical fittings. The vase as mounted in wood is approximately 10in. high and 6in. diameter. The arrival in Western Europe of the first shiploads of Chinese porcelain, lacquerware, ivory and silk in the 17th century stimulated interest in China, or Cathay, as it was then called. Europeans soon began copying the Chinese artworks and decorative objects. These decorative arts inspired by China, which enjoyed their heyday in the late 17th, 18th and early 19th centuries, are known as chinoiserie. Soon after the introduction of expensive Chinese...

An extremely rare, superb large pair of antique 18th-century Dutch Delft faience knobble vases mounted as lamps, circa 1770s by Van Duijn. A classic blue and...

A fine early Dutch delftware vase with chinoiserie decoration converted into a lamp. Origine: Delft, The Netherlands Date: circa 1720 Workshop: Unknown. This 18th century Dut...

An early twentieth century blue and white glazed Delft pottery vase, of hexagonal baluster form and decorated throughout with chinoiseries. Now mounted as a lamp on a water gilded ba...

A mid nineteenth century blue and white Delft lamp decorated with oriental scenes and floral motifs, mounted on a brass base and converted a...