Streamliner Train Art Deco Cabin Lights

Nice round original frosted tube glass. Chrome backplate and upper/lower supports all connected. Back plate mounts directly to the wall with four screws or bolts. Shown here with sma...

A pair of Art Deco wall lights, with flame effect glass shades and mounted in attractive butterscotch and yellow phenolic. The back plates...

Unique pair of art deco sconces, long narrow design with a stunning art deco design. These are period and show the age, see photos. They are extremely rare and collectible as well as...

Ezan, suite of 4 art deco wall lights circa 1935. Opalescent molded glass, wrought iron frame. Electrified, E14 socket, screw bulb. In perfect condition, note some micro scratches. ...

Suite of 4 wall lights signed Ezan circa 1935. Opalescent molded glass tulip. Wrought iron frame. In perfect condition. Electrified, B22 socket, bayonet bulb. Total height: 20 cm Wi...

Zadounaïsky Suite of 4 Art Deco Wall Lights Elegant Art Deco sconces, circa 1930, in wrought iron. Electrified and in perfect condition. Mounted with lampshade clipped on the bulb. The 4 sconces are stamped Zadounaisky Height : 33 cm Width : 22 cm Depth : 12 cm Total weight : 6 kg You can contact me for more information and shipping costs. Son of Russian emigrants, Michel Zadounaïsky settled in France in 1916. I In 1920, he discovered the work of wrought iron by joining the Fournet chandelier factory. He also devoted himself to repoussage en ronde bosse, that is to say the confrontation with the metal with only a hammer for a tool, and with the help of fire, techniques in which he became a master. In 1924, he opened his first workshop in Lyon and worked there until 1953, becoming one of the emblematic figures of Lyon's decorative arts. Michel Zadounaïsky regularly exhibited pieces influenced by the Art Deco style in the Lyon Salons. From the 1930s onwards, his themes became more personal, and a whole bestiary of animals appeared, sometimes bordering on the fantastic and the strange. Naturalized in 1948, Michel Zadounaïsky continues to realize, in close and intimate collaboration with Buer (bookbinder) and Dumaine (glassmaker), objects intended for a wealthy and enlightened clientele. Desiring to abolish the frontier between the liberal arts and the useful arts, he is a craftsman, an artist, and perhaps the only iron sculptor...