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Arteluce Midcentury White Metal Italy Set of 4 Wall Lamps Sconces, 1960s

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  • Mid-Century Barovier & Toso Murano "rugiada" Glass Sconces, 60s Italy, Set of 2
    By Barovier&Toso
    Located in Palermo, IT
    Very stylish set of 2 shell sconces in "rugiada" Murano glass with vertical ribbing and gold fusion, embellished with wavy side applications in relief. Golden brass support and finis...
    Category

    Vintage 1960s Italian Mid-Century Modern Wall Lights and Sconces

    Materials

    Brass

  • Midcentury Ico & Luisa Parisi for Stildomus Vertical Wall Mirror, Italy, 1960s
    By Ico & Luisa Parisi, Stildomus
    Located in Palermo, IT
    Beautiful wall mirror with vertical development composed of three square mirrors on a wooden panel covered in green fabric, supported by a structure with a wooden frame. By Ico & Lui...
    Category

    Vintage 1960s Italian Mid-Century Modern Wall Mirrors

    Materials

    Mirror, Wood, Fabric

  • Midcentury G. Coslin for 3V Padova Skai, Metal and Teak Armchair, 1960s, Italy
    By George Coslin
    Located in Palermo, IT
    Pair of geometric armchairs in red skai, satin metal with teak elements. Attributable to George Coslin for 3V Arredamenti Padova, 1970s. Pr...
    Category

    Vintage 1960s Italian Mid-Century Modern Armchairs

    Materials

    Metal

  • Midcentury Fly Line Set of 2 Black Metal Coat Racks, Italy 70s
    By Fly Line
    Located in Palermo, IT
    Stylish pair of coat racks - valet stand in black lacquered metal with arrow curved at the top and additional support rod with ball from vertical to horizontal with joint. Production by Fly Line...
    Category

    Vintage 1970s Italian Mid-Century Modern Coat Racks and Stands

    Materials

    Metal

  • Mid-Century V. Dassi, E. Palutari Set of 4 Wooden Chairs, Italy, 1960s
    By Edmondo Palutari, Vittorio Dassi
    Located in Palermo, IT
    Wonderful and elegant set of four chairs with a harmonious and geometric design with shaped and wooden structure and padding covered in burgundy faux leather. Attributed to Edmondo P...
    Category

    Vintage 1960s Italian Mid-Century Modern Chairs

    Materials

    Faux Leather, Wood

  • Midcentury Bonacina Oval Bamboo and Wicker Mirror, Italy, 1960s
    By Bonacina
    Located in Palermo, IT
    Stylish oval mirror with double frame and chain in curved bamboo cane and wicker band elements. Italian manufacture attributable to Bonacina, 1960s. Wear consistent with age and use.
    Category

    Vintage 1960s Italian Mid-Century Modern Wall Mirrors

    Materials

    Mirror, Bamboo, Wicker

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  • Ico Parisi Sconce, Lacquered Metal, Glass, Arteluce, Italy, C. 1960s
    By Arteluce, Ico Parisi
    Located in High Point, NC
    A lacquered metal and glass sconce / wall light designed by Ico Parisi and produced by Arteluce, Italy, c. 1960s. Dimensions of back plate (inches) : 4.14 x 2.36 x 0.89 (height x ...
    Category

    Vintage 1960s Italian Mid-Century Modern Wall Lights and Sconces

    Materials

    Metal

  • Castiglioni Metal "Light Ball" Italian Sconce for Arteluce and Flos, 1960s
    By Flos, Arteluce, Achille Castiglioni
    Located in Roma, IT
    Incredibly rare first edition of the famous "Light Ball" applique by Castiglioni in white metal and opal glass. This fantastic lamp was designed by Castiglioni for Arteluce and produced in Italy by Flos in the 1960s. This fantastic lamp was designed by Castiglioni for Arteluce and produced in Italy by Flos in the 1960s. This fantastic light is unique because of the materials, made of white enameled metal and opal glass. It can be mounted on the wall or on the ceiling. The wall light has been tested, it uses an E27 light bulb. It is signed on the backplate by both Arteluce and Flos. A fantastic piece that will grace a mid-century living room or bathroom. Measures (cms): diameter - 42 height - 32 Literature: Casa Amica, 27 June 1972, p. 105 Octagon 30 September 1973, p. 149 Sergio Polano, Achille Castiglioni all the works, Electa, Milano, 2001, p. 224 Giuliana Gramigna, repertoire 1950-2000, Allemandi, Torino, 2003, p. 121. The beginnings of Flos (meaning “flower” in Latin) blossomed from a brilliant idea: to create objects, starting with a light bulb, that would change the way of life for both the Italian market and the foreign markets. Dino Gavina and the small Eisenkeil manufacturing facility in Merano, had already been creating furniture alongside design masters such as Achille and Pier Giacomo Castiglioni, Afra and Tobia Scarpa. But by the early 1960s, Gavina became convinced the time had come to create new lamps. Using the same technology – conceived in the USA and tested at Eisenkeil – used for the Cocoon lampthe Castiglioni brothers and the Scarpa duo began creating lamps such as the Taraxacum or the Fantasma, with many other beautiful and surprising lamps to follow. And so, from day one, Flos was already reinventing the idea of artificial lighting. Achille Castiglioni (born February 16, 1918, Milan–died December 2, 2002, Milan) was a prolific furniture, lighting, and product Italian designer renown for his ironic, joyful, creative and functional designs that, at times, intersected with ideas explored by conceptual artists. Achille Castiglioni was born into a family with deep appreciation for the arts, as he was the third son of sculptor and coin engraver Giannino Castiglioni and his wife Livia Bolla. He first studied the classics at the Liceo Classico Giuseppe Parini, but then switched to study art at the Accademia di Belle Arti di Brera in Milan. In 1937, he decided to follow the steps of his two elder brothers, architects Livio and Pier Giacomo Castiglioni, by enrolling in the Faculty of Architecture at the Politecnico di Milano, graduating in 1944–after having to interrupt his studies when he was stationed in Greece and Sicily during World War II. In 1944, immediately after graduating, Achille Castiglioni joined his brothers Livio and Pier Giacomo in the design studio that they had founded with Livio’s classmate Luigi Caccia Dominioni in 1937 in Milan. Fortunately for Achille, from the very beginning Livio and Pier Giacomo decided to focus almost entirely on designing exhibitions, furniture, housewares, and appliances since architectural commissions were difficult to come by during the war. This product-design focus, and the deep fraternal bound among the three brothers, would later allow the young Achille to experiment early in his career with emerging techniques and new materials that could communicate a fresh aesthetic sensibility suited for the positive outlook of the post-war European market. The Castiglioni brothers’ important collaboration with Phonola and Brionvega In 1940, Pier Giacomo Castiglioni, Livio Castiglioni, and Luigi Caccia Dominioni, in collaboration withe the Phonola company, presented in the VII Triennale di Milano (Milan Triennial), titled Exhibition of the Radio, a research study of radio devices that included the Fimi Phonola 547 radio, the first radio encased in Bakelite instead of wood. Shortly after the exhibition, Luigi Caccia Dominioni suspended his professional activity to serve in the military during World War II and left the studio. The development of the FImi Phonola 547 radio would prove fruitful for the three brothers, as it allowed Livio Castiglioni to cement his role as the leading design consultant for Phonola from 1940 until 1960, and for Brionvega, from 1960 until 1964. These relationships brought in further collaboration among the three brothers, and would eventually result in several designs for radio and sound appliances with innovative materials and shapes for which Achille Castiglioni played a key role, such as the RR 226 stereo system for Brinovega (1965), the radio phonograph RR 126 for Brinovega (1965), and the radio and record player RR 128 for Brionvega (1966) In 1952, Livio decided to build his own practice, independent from Achille and Pier Giacomo, to pursue a deeper exploration of radio waves, music, and technology. But the three brothers would continued to collaborate closely in several projects, and the partnership between Achille and Pier Giacomo became so tight that from 1952 until 1968, when Pier Giacomo died, they co-authored most of their designs. Achille Castiglioni Long Career as Light Designer During this period, the Castiglioni brothers participated in the Italian Exhibition of Furniture (RIMA), where they successfully introduced a series of curved-plywood furniture, and presented important designs, such as the Tubino lamp (1949), originally produced by Italian light maker Arteluce from 1949 until 1974, and reintroduced by FLOS since the late 1970s; and the Luminator lamp (1955), originally produced by Gilardi & Barzaghi, but reintroduced by FLOS in the late 1960s. A new, successful, and long-lasting collaboration developed in 1960, when Pier Giacomo and Achille Castiglioni were reached by entrepreneurial Italian designer Dino Gavina and business man Arturo Eisenkeil with the idea to create a completely new kind of lighting fixtures utilizing a polyamide. The material, which they called “cocoon,” in the hands of the Castiglioni brothers would become a popular and iconic innovation in the 1960s and serve as the successful foundation of Italian lighting company FLOS–founded by Gavina and Eisenkeil in 1962. Pier Giacomo and Achille Castiglioni designed a series of “cocoon” lights utilizing the spray-on polyamide plastic as a coating layer onto a metal frame. Among the most popular Castiglioni “cocoon” lights are: the Taraxacum and the Viscontea ceiling lamps (1960), and the Gatto table lamp (1961). Other of the important lamp designs by Pier Giacomo and Achille Castiglioni for FLOS are the Beehive -or Splügen Braü lamp (1961), Toio –or Toy lamp...
    Category

    Vintage 1960s Italian Mid-Century Modern Flush Mount

    Materials

    Metal

  • Gino Sarfatti model 595/P wall lamp for Arteluce, Italy, 1960s
    By Gino Sarfatti, Arteluce
    Located in Skokie, IL
    Gino Sarfatti model 595/P wall lamp for Arteluce, Italy, 1960s in all original condition retaining original sticker label to shade. Additional Information: Materials: Chrome plated ...
    Category

    20th Century Italian Mid-Century Modern Wall Lights and Sconces

    Materials

    Steel

  • Gino Sarfatti for Arteluce Model 237/2 Wall Lamp, Italy 1960s
    By Gino Sarfatti, Arteluce
    Located in Naples, IT
    Stunning three-light wall lamp model 238/3 by Gino Sarfatti for Arteluce 1950s. In excellent original condition. The brass wall plate with arms bent to form circles houses translucen...
    Category

    Vintage 1960s Italian Mid-Century Modern Wall Lights and Sconces

    Materials

    Metal

  • Gino Sarfatti for Arteluce Model 237 Wall Lamps, Italy 1960s
    By Gino Sarfatti, Arteluce
    Located in Naples, IT
    An original wall lamp Mod. 237 designed by Gino Sarfatti. Arteluce 1960 edition. Blown opaline glass on enameled ring that allows the sphere to be positioned downward or upward. Exce...
    Category

    Vintage 1960s Italian Mid-Century Modern Wall Lights and Sconces

    Materials

    Metal

  • Gino Sarfatti for Arteluce Pair of Model 238/2 Wall Lamp, Italy 1960s
    By Gino Sarfatti, Arteluce
    Located in Naples, IT
    Rare and Original pair of vintage wall sconces, model 238/2 by Gino Sarfatti for Arteluce, Milan. Italy, 1960 Two spherical diffusers with clear glass, resting on black lacquered iro...
    Category

    Vintage 1960s Italian Mid-Century Modern Wall Lights and Sconces

    Materials

    Metal

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