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European Plug (up to 250V)
Iconic modern "Pao" table saucer lamp designed by Matteo Thun in 1991 for Flos. Lamp base of opal blown glass with cherrywood stem and hand blown satin milk glass shade, accented by matte silver metal.
Dimensions 17" W × 12.5" D × 73.5" L
Each project has its own identity – the genius loci creates the architectural style. To build with the Genius Loci, to respect the soul of the place is what we do. We like a multicultural, holistic approach both in small- and large-scale projects. This interdisciplinary process focuses on aesthetic consistency, durability and the future lifespan of our buildings and products.- Matteo Thun
Architect-designer Matteo Thun was born in Bolzano in 1952. He studied at the Salzburg Academy with Oskar Kokoschka and at the University of Florence. After meeting Ettore Sottsass, he was invited to become a cofounder of the Memphis group in Milan, and was a partner at Sottsass Associati from 1980 to 1984. He was a professor of design at the University of Applied Arts in Vienna from 1983 to 2000. In 1984, he opened his own studio in Milan. Between 1990 and 1993, Thun was also the art director at the Swatch watch company.
In 2001, Thun joined forces with Luca Colombo, Herbert Rathmaier, and Antonio Rodriguez to found Matteo Thun & Partners in Milan. The company was later organized into the companies MTLC, MTDR, and Matteo Thun & Partners China. These various creative entities develop projects in the architectural, interior design, and product design arenas. Cumulatively, they employ approximately 60 professionals, including architects, designers, and graphic designers.
Thun has worked with numerous brands, including Artemide, Fontana Arte, Missoni, Porsche, Philips Electronics, Driade, and Zucchetti. Notable projects include, among many others, the iconic illy Espresso Cup (1991), the playful Chad and Rara Avis teapots for Memphis (both 1982), and the interior design of Hamburg’s Side Hotel, one of the first design hotels in the world, which won the Hotel des Jahres award in 2001. Thun and his studio have received several other honors as well, including, but not limited to: Red Dot Awards for Product Design for the Zucchetti Isy System (2002), the Porsche Design Store (2006), and Wood & Laminate Edition 1 (2009); multiple Good Design Awards (2003, 2007, 2009, 2010, 2012, 2013); Wallpaper Design Awards for Vigilius Mountain Resort interiors (2004), TVS Terra Cookware (2010), and Rapsel Ofurò Bath (2010); an ICFF Editors Award for Rapsel Il bango che non c'è (2009); and a Compasso d’Oro for the Girly System (2004).
Italian lighting design company Arteluce was established in 1939 by the young Venetian designer-entrepreneur Gino Sarfatti. Political upheaval at the time forced Sarfatti to abandon his aeronautical engineering degree in Genoa and move with his family to Milan. There, despite a lack of formal design training, Sarfatti embarked on a lighting career. Yet it is arguably because he was wholly self-taught that Sarfatti immersed himself in the full lifecycle of the design process, from conception to production, collaborating with artisans and architects to create stronger, lighter, and cheaper modernist lamps than Italy has seen before.
During the Second World War, Sarfatti fled to Switzerland, returning to Milan after the war to restart his company. In 1951, Arteluce’s first retail outlet opened on the bustling Corso Vittorio in central Milan (now named Corso Matteotti). The shop was re-designed by Marco Zanuso in 1953. Arteluce's second outlet, located on the glamorous Via della Spiga, was designed by Sarfatti's lifelong friend and fellow lighting designer Vittoriano Viganò in 1961.
Arteluce quickly established itself as a successful and visionary lighting brand thanks to Sarfatti’s commitment to technical, material, and production research. He designed over 400 lamps in his lifetime (though some sources say it was as many as 700), which are celebrated for their minimalist yet expressive aesthetic and experimental materials. In the mid-1950s, he began to work with Plexiglas, and, in the early 1970s, he pioneered the use of halogen bulbs into fixtures. Sarfatti also dedicated himself to improving every single element of a light fitting, from the switch to the wiring and the reflectors. The ultra-minimal Model 1063 (1954) would influence Italian floor lamp design for years to come. It was awarded the prestigious “Grand Prix” at the Milan Triennale and is known as the most eloquent example of Sarfatti's purist vision of beauty in everyday objects. In the same year, Arteluce was awarded the ADI Compasso d’Oro for the Model 559 and again the following year for the Model 1055.
In the 1960s, Arteluce became a creative hub for Italy’s most talented designers, producing designs by major talents, such as Franco Albini, Cini Boeri, Franca Helg, Ico Parisi, and Massimo Vignelli. The lighting installation for the Teatro Regio opera house in Turin—one of Arteluce's last projects, which comprised hundreds of pendant plexiglas tubes installed under the direction of legendary architect Carlo Mollino in 1972—is considered one of the company's greatest achievements.
In 1973, Sarfatti sold his business to Flos and retired to Lake Como. Many Arteluce creations are still in production today, and several original models are housed permanently in important museums like MoMA in New York. Somewhat forgotten after merging with Flos, Sarfatti’s designs are experiencing a renaissance amongst vintage collectors following the first retrospective exhibition of his work at the Triennale Design Museum in Milan in 2012.