Vintage Noguchi Style Corrugated Paper Floor Lamp by Roland Simmons, Usa, 2005

Postmodern geometric sculptural floor lamp rendered in spun aluminum base comprised of two intersecting cones with a suspended fabric shade, USA, 1980s.

Mid-Century Modern chrome and Lucite floor lamp designed by Paul Mayen for Habitat. Square outlined boxed chrome frame with integrated square white lucite, persplex, plexiglass shade...

Torchiere floor lamp with a white fan shaped bowl diffuser style of Pierre Cardin.

Mid-century abstract sculptural mushroom shaped floor lamp rendered in chrome plated brass, USA, 1970's.

Post-Modern torchiere uplighter floor lamp rendered in powder coated and painted steel with geometric forms reminiscent of Ettore Sottsass Memphis Milano designs, by Robert Sonneman.

Rare Postmodern white floor lamp designed by Gianfranco Frattini for Luci Italia.

'Yoruba Rose' Japanese Washi paper & stainless steel floor lamp for Ingo Maurer Designed by Dagmar Mombach and produced by Ingo Maurer, one of the most ce...

Stunning cactus floor lamp made of California pine. Designed and manufactured by Modeline in California during the 1970s. Four branches with dimmable sockets and Edison bulbs. Four o...

'Wo-Tum-Bu 1' Japanese paper & hand poured concrete floor lamp for Ingo Maurer Designed and produced by Ingo Maurer, one of the most celebrated German lighting icons since 1966. Wit...

Italian 1950s tripod floor lamp handwoven plastic shade.

"Monk" Contemporary floor lamp by Stephen Downes with a hand-carved reversible alabaster shade and patinated steel base.

Akari Light Sculptures by Isamu Noguchi are considered icons of 1950s modern design. Designed by Noguchi beginning in 1951 and handmade for a half century by the original manufacturer in Gifu, Japan, the paper lanterns are a harmonious blend of Japanese handcraft and modernist form. The lamps are created from handmade washi paper and bamboo ribbing, supported by a metal frame. Noguchi adopted the term Akari, a Japanese word meaning ‘light,’ with associations to both illumination and weightlessness. As part of the marketing for Akari, Noguchi came up with a logo that combined a stylized sun and crescent moon like the Japanese ideograph it is based on (明). The ideograph became synonymous with Akari, featured on the early envelopes and packaging and in the form of a red stamp at the base of each lantern. Early 1980s production. Isamu Noguchi signed...