Guillerme & Chambron Lounge Chair and J.T. Kalmar 'Pelikan' Floor Lamp

Robert Guillerme and Jacques Chambron, the French creative duo behind Votre Maison, met under unusual circumstances: They discussed design while imprisoned in a forced labor camp. The pair’s combined talents later resulted in modern, sculptural furniture — today, vintage Guillerme et Chambron desks, dining tables, chairs and other pieces still look conceptually playful and vibrant but could fit harmoniously into any home.

Guillerme had graduated from the École Boulle in 1934 with a degree in design and architecture, and Chambron had studied at the School of Applied Arts in Reims. They were captured by the Germans in East Prussia during the Second World War and struck up a friendship over their mutual love for all things design. After the war ended, Guillerme moved to Lille in northern France; Chambron left his job as a painter and decorator in Paris and joined him in 1948. In 1949, the pair met Émile Dariosecq, a skilled cabinetmaker who enthusiastically agreed to manufacture the duo’s designs, leading to the start of Votre Maison.

Guillerme and Chambron were as prolific as they were detailed, producing more than 2,000 pieces in the second half of the 20th century out of a former gun factory. Their furniture, which was mostly made with different tones of waxed oak, adhered to the trends of design that emerged after the war: mid-century modernism.

European furniture in the postwar period largely prioritized function as much as it did form and lacked any unnecessary ornamentation. Guillerme and Chambron wanted people to actually use their furniture, not just look at it. That design philosophy was a pillar of their company, its name translating to “your house” in French. Their signature touches included ornate tiles, hidden drawers and vibrant textiles on pieces such as desks, tables, shelving, lighting, benches and other seating. One of Votre Maison’s most famous and popular pieces was the Grand Repos armchair, a stately, high-backed wide piece with a skeletal oak frame, six spindles and plush cushions.

While Guillerme and Chambron were a team, they handled different aspects of the business: Guillerme designed much of the furniture and Chambron concentrated on decor. Votre Maison was a full-service design business. In 1983, the dynamic duo passed on their company to Chambron’s son, Hervé, a designer and graduate of École Boulle.

Find a collection of vintage Guillerme et Chambron furniture on 1stDibs.

In 1881, Julius August Kalmar founded Kalmar, a Viennese company that produced handcrafted objects of cast bronze. Kalmar developed a fine reputation and exhibited internationally often, but it was Kalmar’s son, Julius Theodor (J.T.) Kalmar, who took over in 1913 and made the company shine with its modernist lighting.

Having studied at the Birmingham School of Art and Design and under the Austrian architect Josef Hoffmann at the Vienna School of Applied Arts, J.T. was deeply inspired by the shift to modernity taking place in Europe and sought to work with the leading architects and designers of his time, including Austrian Werkbund architects Josef Frank and Oskar Wlach as well as Ernst Plischke, Clemens Holzmeister and Oswald Haerdtl. Similar to the Wiener Werkstätte cooperative cofounded by Hoffmann that prized materials, form and function, Kalmar viewed his company’s lighting fixtures as “quite humble things” meant to “fit in and serve their purpose of functionally illuminating spaces without glare.”

In 1925, Kalmar began selling in Haus und Garten, the forward-looking decor shop founded by Frank and Wlach. By 1931, a close partnership with the Austrian Werkbund association of architects, artists and craftsmen allowed the company to realize its vision of early 20th-century modernity — a distinctly Viennese pairing of traditional workmanship with contemporary technology. These collaborations included chandeliers and other fixtures using traditional materials such as glass, bronze and brass while focusing on function over ornamentation. As the company grew, so too did the scope of its projects, and soon Kalmar was installing extravagant chandeliers for the Vienna State Opera, the Burgtheater, Vienna stock exchange and other sites.

Under the guidance of Rudolf Calice, J.T. Kalmar’s son-in-law, the 1960s saw Kalmar’s popularity grow, thanks in part to the success of more decorative pieces like the ice-glass fixtures created with Austrian sculptor Karl Gruber. Thomas Calice, the great-grandson of Kalmar’s founder, led the company in the 1990s and its expansion to international lighting projects while shifting away from serial production. In 2009, Thomas’s son August Chalice established Kalmar Werkstätten to produce fixtures that reference the Kalmar archives but also feature updates on the iconic designs. Kalmar continues to produce bespoke fixtures while also working on custom lighting projects around the world, from cruise ships to the Burj Khalifa.

On 1stDibs, find a collection of vintage J.T. Kalmar lighting that includes chandeliers, wall lights, floor lamps and other fixtures.