Floor Lamp 'Onyx' by Touche-Touche

Contemporary chair, pouf, ottoman, touche-touche, France, 2020. Planet B is a contemporary functional art object created by the duo touche-touche. The one of a kind item was part ...

Design Miami; Art design; Art Basel; Atelier Lionel Jadot; Stools; Everyday Gallery; Contemporary; Belgian design; Belgian Art; floor lamp; Functional Sculpture; Artwork; Collectible...

Design Miami; art design; Art Basel; Atelier Lionel Jadot; stools; Everyday Gallery; Contemporary; Belgian design; Belgian art; Lamp; Functional Sculpture; Artwork; Collectible Design; Everyday Gallery; Design Culture; Contextual Design; Functional art; Floor Lamp; Table Lamp; Artwork / collectible design / functional art/ floor lamp named 'Marble Tree...

Maison Jansen, travertine, brass and chrome, France, 1970s These tall lamps in travertine brass and chrome can be used as floor lamps or as table lamps due to their size. Both la...

Open eyes floor lamp by Lionel Jadot. Functional art; Lionel Jadot; Belgian art Born in Brussels in 1969, Lionel Jadot is an interior designer, artist, designer, filmmaker, adventurer. But all at once, preferably. Lionel Jadot is firing on all cylinders. ‘I never throw anything, I pick up everything. Not having a green thumb, I’m trying cuttings, weddings against nature. I never forget a line.’ He’s inviting us in subtle, off-beat worlds, on the edge of reality. Its material is made of dilated time. A wandering spirit, he seeks a protective balance in a hostile world. It is his constant questioning: what happens to the place where we live? For Lionel Jadot, everything is object, everything is history. He draws from other places, other times, and seeks what’s linking them. He sews, stitches, unpicks, blends materials, combines eras. He will enshrine some wood essence in metal, some mineral in a plant, the old in the new. ‘I take extra care to the joint between two materials.’ With him, there is always some play in the parts, as in a piece of machinery. From a kingdom to another, he provokes organic, viral growths, generating energy. Linking past and future, he never forgets a line. ‘I accumulate them.’ He’s inviting us in subtle worlds, off-beat, on the edge of reality. Are we in 1930 or in 2030? Both, no doubt. Its material is made of dilated time. The eye goes hand in hand with the ear. ‘When I walk into a place, I listen to the good (or bad) it does to me. An ineffable feeling.’ He recreates mutant buildings, like the future Royal Botanique, a 5 stars hotel housed in the Church of the Gesu, a former convent behind a 1940 façade. He talks about a ‘hotel object’, which he holds and turns around in his hand. A wandering spirit, he’s flirting with retro-futurism. The Jam, another hotel, is intended for urban travelers, fans of swiftness, fluidity and hospitality. He designs interiors as a set of objects: a motorcycle cut in concrete becomes a bar counter. He finds gothic cartoon echoes, from the likes of Moebius, Alejandro Jodorowsky, Enki Bilal, sets from Garage Hermétique and Blade Runner, a protective balance in a hostile world. Discovering Jadot’s little cosmos of collected and accumulated goods, it becomes clear that every element has its own story. I tried to collect them and in turn, devour them in the coming paragraphs. But first: the show is best experienced seated, barring the distinction between object of use and object of attention, they invite for different types of conversation. The seats, chairs, thrones all make us think of our own physical comportment, and of how the seat lends grandeur to the person sitting on it, by crowning its presence. The crackling floor, the felt walls and the diffuse light slow you down into an oddly absorbing environment, in which you are left puzzled. In the eclectic collages of objects, bits and pieces collected all over the world come together in ways practical, and logical, though possibly only in the artist’s mind. All his finds eventually seem to fall into place. Starting with the mere conception of a chair, rather than with a set-out plan or sketch, the works are intuitively construed out of an archive that one can only imagine the dimensions of. Things forgotten by others, precious for him, were all once designed for their own purpose. Here they find their fit as a base, a closing system or a balancing element. The first piece that opens the exhibition, the most throne-like of all seats in the show, builds around a chair of his grandmother, protected by mops, and harassed with bed springs. As you enter the space, you pass by a shell leaning over a yellow seat that stems from his old Mustang, and find a white stool piece with Mexican leather dog training whips, the white building blocks of which turn out to be dried molding material, as found and broken out of a bucket by workers every morning. Further, the stone piece that reminds one of the stone age, is indeed made of 400 million old rocks, and the soft seats are lent from construction, where these strokes of textile carry up the heaviest goods. In the corner, but as you walk this walk please be seated on any of the thrones and experience the work for a moment, the green fluffy cover is made by XXXX who remakes cartographies of warzones, one of which is here mounted on a flexible fishing chair. On an experience level, the conversation chair enhances self-confidence, while putting you literally in a good spot with the person you’re conversing with. The lamp perfectly shows the playful Cadavre Exquis...

Goffredo Reggiani; Italian Design; Modernist; Modern; 1970s; Italy; Chrome floor lamp by Italian designer Goffredo Reggiani, a true masterpiece that combines functionality with fasc...

Although there are a few other places in the world where the semi-precious stone Onyx exist, we found our collection in Mexico. A Bit Of Information On The Semi-Precious Stone Onyx. While it is often thought of as the black gemstone capable of transforming negative energy in positive energy, onyx is in fact a multicolor stone resulting from the metamorphism of limestone rich in Magnesium and Calcium, a process that takes thousands of years. During these years, climate change, natural disasters and wildlife have contributed to the various colors of each layer of sediments. In its primary stage, the rock does not reveal its beauty. However, once it is cut, carved, shaped and polished, the outcome is breathtaking. There is simply no designer like Mother Earth herself. We have been very grateful to visit two workshops where the stones are sliced, cut, carved, or otherwise shaped into their final forms. Watching these artisans covered in thick layers of dust, handling these blocks of stone was truly fascinating. A Word About the Onyx Lamps An onyx lamp is intrinsically beautiful. But when the light comes on, words cannot describe the magic. Pictures cannot capture its beauty. Our business is known primarily for selling the entire collection of Serge Mouille lighting in the USA. In our journey to find another exciting lighting product, we could not have found lamps that are more contrasting to the Mouille lamps. The onyx lamp is translucent and colorful, heavy, centered and stable, the perfect ambient lamp. The Mouille lamp on the other hand is elongated, thin, elegant, either black or white, weighs less than a feather and diffuses a bright functional light. Yet, they are both organic, eye-catching, gorgeous, and timeless. In fact, they complement each other very well. About this particular lamp: At 60" high, this is an Onyx rectangular shaped ambient floor lamp...

Although there are a few other places in the world where the semi-precious stone Onyx exist, we found our collection in Mexico. A Bit Of Information On The Semi-Precious Stone Onyx. While it is often thought of as the black gemstone capable of transforming negative energy in positive energy, onyx is in fact a multicolor stone resulting from the metamorphism of limestone rich in Magnesium and Calcium, a process that takes thousands of years. During these years, climate change, natural disasters and wildlife have contributed to the various colors of each layer of sediments. In its primary stage, the rock does not reveal its beauty. However, once it is cut, carved, shaped and polished, the outcome is breathtaking. There is simply no designer like Mother Earth herself. We have been very grateful to visit two workshops where the stones are sliced, cut, carved, or otherwise shaped into their final forms. Watching these artisans covered in thick layers of dust, handling these blocks of stone was truly fascinating. A Word About the Onyx Lamps An onyx lamp is intrinsically beautiful. But when the light comes on, words cannot describe the magic. Pictures cannot capture its beauty. Our business is known primarily for selling the entire collection of Serge Mouille lighting in the USA. In our journey to find another exciting lighting product, we could not have found lamps that are more contrasting to the Mouille lamps. The onyx lamp is translucent and colorful, heavy, centered and stable, the perfect ambient lamp. The Mouille lamp on the other hand is elongated, thin, elegant, either black or white, weighs less than a feather and diffuses a bright functional light. Yet, they are both organic, eye-catching, gorgeous, and timeless. In fact, they complement each other very well. About this particular lamp: At 60" high, this is an Onyx rectangular shaped ambient floor lamp...

Round base ambient floor lamp in onyx.

67, Floor lamp, white onyx by Sissy Daniele Dimensions: W60 x D50 x H72 cm Materials: white onyx, glass All our lamps can be wired according to each country. If sold to the USA ...

White Onyx Floor Lamp by Victoria Yakusha Limited Edition Of 8 Pieces. Dimensions: D 40 x W 40 x H 82 cm. Materials: White onyx. All our lamps c...

Floor Lamp Onyx Polished Totem with all structure in pure onyx, carved piece in polished finish. Including LED lighting system with a plug, exceptional and unique piece. Also available in custom sized...