Floor Lamp by Gae Aulenti and Livio Castiglioni for Stilnovo, Italy, 1972

Though Bruno Gatta (1904–76) founded Stilnovo way back in 1946, it is still one of the most instantly recognizable names in lighting. Gatta began his business in Milan, and, like many European creatives designing furniture and decor in the wake of World War II, Stilnovo leaned toward the new wave of mass-market and streamlined styles. In fact, Stilnovo loosely translates to “new style” in Italian, and vintage Stilnovo lighting has endured as a practical choice for those looking to bring innovative and forward-thinking design into their homes.

Soon after Stilnovo was established, Gatta’s lighting fixtures were applauded throughout Europe for their novel industrial materials as well as their unique yet functional shapes. Italy in the 1950s was forming a completely revolutionized look, and Bruno Gatta and Stilnovo’s head designer, Angelo Gaetano Sciolari, helped shape it. When the 1960s arrived, Stilnovo was experiencing such a boom that the company opened a new production plant in Lainate. One of the brand’s most famous pieces, Giovanni Luigi Gorgoni’s quirky 1965 Buonanotte spherical table lamp, became a best seller.

Gatta partnered with some of the most well-known names in design, including Ettore Sottsass, Achille and Pier Giacomo Castiglioni, Joe Colombo and Gae Aulenti. Sottsass’s pieces for Stilnovo, including the 1977 Valigia four-legged table lamp, the 1968 Lampros chandelier and Manifesto ceiling light, and the Castiglionis’ 1957 Saliscendi pendant light fixtures are some of the brand’s most recognizable to date. In 1978, De Pas, D’Urbino and Lomazzi designed the Fante lamp with an adjustable reflector that playfully recalls a broad-brimmed hat.

Stilnovo’s designs, including Danilo and Corrado Aroldi’s flexible Periscope table lamp, were featured in the 1972 exhibition “Italy: The New Domestic Landscape” at the Museum of Modern Art. While Stilnovo continued to operate with new designer collaborations after Gatta’s death, it closed its doors in 1988. Italian art director Massimo Anselmi acquired the company in 2012 and rereleased several of Stilnovo’s most celebrated pieces. Then in 2019, lighting giant Linea Light Group purchased Stilnovo and relaunched its classic designs with contemporary touches like LED lighting systems.

Find vintage Stilnovo chandeliers and pendants, wall lights, floor lamps and other fixtures and furniture on 1stDibs.

The Italian architect and designer Gae Aulenti will forever be best remembered for her work with museums, in particular her 1980–86 renovation of a Beaux Arts Paris train station to create the galleries of the Musée d’Orsay. Aulenti — whose first name, short for Gaetana, is pronounced “guy” — should also be recalled for her tough intellectual spirit and for working steadily when few women found successful architectural careers in postwar Italy.

After she graduated from the Milan Polytechic in 1954, Aulenti opened an architectural office. She also joined the staff of the progressive architectural magazine Casabella, whose editorial line was that the establishment, orthodox modernism of Le Corbusier and the Bauhaus, had outlived it usefulness. When their movement for fresh approaches to architecture and design received a sympathetic hearing, Aulenti found patrons — most prominently Gianni Agnelli, of Fiat, who later employed her to renovate the Palazzo Grassi in Venice for use as an arts exhibition space.

Commissions for showrooms and other corporate spaces brought Aulenti to furniture design. She felt that furniture should never dominate a room. Her chairs and sofas — low-slung, with rounded enameled metal frames and ample seats — and tables, particularly her 1972 marble Jumbo coffee table for Knoll, project solidity and sturdiness. In lighting design, however, Aulenti is bravura. Each work has a marvelous sculptural presence. Pieces such as her Pipistrello table lamp and Quadrifoglio pendant are a perfect marriage of organically shaped glass and high-tech fixtures. Others have a futuristic elegance — and some even have a touch of personality. Aulenti’s Pileino and La Ruspa table lamps each look almost like little robots. Her lighting pieces are an artful grace note in the career of a woman who believed in strength.