ESPIGA MOBILE-LAMP , by Rebeca Cors

Rebeca Cors (México,1988). Cors' work oscillates between sculpture and function, studying its limits and meeting points. As a result, Cors creates Abstract Sculptures -and- Utility S...

The word "ARIA" comes from the word air. Air, over time, sculpts the surface of the earth to create what we call mountains. ARIA seeks to be a timeless object by mimicking what is co...

I. ABOUT REBECA CORS Rebeca Cors (México, 1988). Her work oscillates between sculpture and utility object, studying the limits and meeting points between these two concepts. The intention of her work is to question paradigms in order to reinterpret objects from It’s established forms.? As a result, her practice approaches sculpture as: Abstract Sculpture - and - Utility Sculpture. The materialized compositions embody simplicity and balance, inspired by anthropometric proportions and nature’s forms. Simplicity is not a lack of content – but  the synthesis of the complex. A balanced and simple composition conveys peace. The art work’s origin comes from a place of inner peace, the materials and hands that materialize the piece add the same intention – as a result, the works emanate and propagates this serenity. Human beings surround themselves with objects through their existence, some for simple necessity or function, and -these others- that virtuate the space they inhabit, transmitting emotions that words simple fall short to describe; emotions that lead us to a state of contemplative meditation, in which the world around us seems to disappear for an instant, time vanishes and we enter this intimate human-object ritual, where a dialogue with the sculptural piece begins, words are not necessary. All hand-made in Mexico. All Mexican...

I. ABOUT REBECA CORS Rebeca Cors (México, 1988). Her work oscillates between sculpture and utility object, studying the limits and meeting points between these two concepts. The int...

I. ABOUT REBECA CORS Rebeca Cors (México, 1988). Her work oscillates between sculpture and utility object, studying the limits and meeting points between these two concepts. The intention of her work is to question paradigms in order to reinterpret objects from It’s established forms.? As a result, her practice approaches sculpture as: Abstract Sculpture - and - Utility Sculpture. The materialized compositions embody simplicity and balance, inspired by anthropometric proportions and nature’s forms. Simplicity is not a lack of content – but  the synthesis of the complex. A balanced and simple composition conveys peace. The art work’s origin comes from a place of inner peace, the materials and hands that materialize the piece add the same intention – as a result, the works emanate and propagates this serenity. Human beings surround themselves with objects through their existence, some for simple necessity or function, and -these others- that virtuate the space they inhabit, transmitting emotions that words simple fall short to describe; emotions that lead us to a state of contemplative meditation, in which the world around us seems to disappear for an instant, time vanishes and we enter this intimate human-object ritual, where a dialogue with the sculptural piece begins, words are not necessary. All hand-made in Mexico. All Mexican...

I. ABOUT REBECA CORS Rebeca Cors (México, 1988). Her work oscillates between sculpture and utility object, studying the limits and meeting points between these two concepts.
 The in...

Soluz mobile pendant lamp by Ángel Mombiedro. Measures: cm 8 x 116 x 78 (+ pole) cm. Inches 3 x 46 x 30.75 (+ pole) in RAL metallic structure C...

Continuing her exploration into the subtleties of light, Deborah Ehrlich’s Mobile poetically reflects and projects its environment. Constructed from a linear series of suspended, translucent panels...

Inspired by Italian midcentury lighting design this mobile like chandelier features a brass piping with counter balanced light arms and en...

Michael Anastassiades is a London-based company specializing in the design and manufacturing of high-quality lighting and objects. Established in 2007, it was founded to increase the...

The Mobile Chandeliers are delicate structures balanced in perfect equilibrium. Constructed following the principles of a mobile, these are arrangements of linear tubes, geometric li...

Gynoecium light mobile by Agustina Bottoni One of a kind. Materials: solid brass, frosted glass, LED lighting and textile cord. Dimensions: W 15 x D 24 x H 90 cm. A suspended sculptural lamp with delicate forms inspired by the botanical universe. Handmade in Italy. Signed by the Designer. Agustina Bottoni is an independent Argentinian designer based in Milan. She works for companies, private clients and self-productions of objects, textiles and furniture. Graduated at the University of Buenos Aires, and after years of working in the fashion industry, she transferred to Milan, graduating with honors of the MA in product design at the Nuova Accademia di Belle Arti. Following, she collaborated with design studios in Italy and the Netherlands before dedicating since 2015 to her independent design practice. Exploring the language of everyday objects, these projects tell stories through a gentle use of shape. Agustina’s multicultural experience influences the research of different materials and techniques. They also encourage an emotional perception, considering objects as companions in our lives. Her works have been exhibited at Triennale Design Museum in Milan, Salone del Mobile, Maison&Objet and others. Since 2016, she is a co-founder of design collective The Ladies’ Room. — Selected exhibitions 2017: Operæ Design Fair, Lingotto, Turin 2017: Fenoména by The Ladies’ Room, 5Vie Milan, Italy 2017: Ambiente Fair with Il Coccio Design Edition, Frankfurt 2016: W. Women in Italian...