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Early and Large Poul Henningsen Pendant 5/5 Pat, Appl, in Copper, Denmark, 1928

US$21,597.64

About

POUL HENNINGSEN & LOUIS POULSEN, SCANDINAVIAN MODERN Large PH Pendant 5/5 in copper and brass, designed by Poul Henningsen and manufactured by Louis Poulsen. Early model. Stamped Pat. Appl, Ca. 1928 Pendant with three shades that gives a beautiful light distribution. Excellent original condition with patina and a stunning attribution to any interior. Literature: Tina Jørstian and Poul Erik Munk Nielsen, eds., Light Years Ahead, The Story of the PH Lamp, Copenhagen, 1994, pp. 159, 20 Erik Steffensen, Poul Henningsen, Denmark, 2005, p. 79 Poul Henningsen: Poul Henningsen (9 September 1894-31 January 1967) was a Danish author, critic, architect, and designer, who was one of the leading figures of the cultural life of Denmark between the World Wars. In Denmark, he often is referred to, simply, as PH. PH's most valuable contribution to design was in the field of lighting. He designed the PH-lamp in 1925, which, like his later designs, used carefully analyzed reflecting and baffling of the light rays from the bulb to achieve glare-free and uniform illumination. His works are featured in the world's leading museums.

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    Ships From: Copenhagen, Denmark
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About the Designer

Poul Henningsen

The name Poul Henningsen is synonymous with the best and most innovative modern Scandinavian lighting. The Danish designer created a signature vocabulary of fixtures with tiered and layered shades in sculptural arrangements that are at once naturalistic and geometric. Henningsen grew up in a town on the outskirts of Copenhagen and studied architecture at the Technical University of Denmark. He would become a noted art critic, journalist and screenwriter, but his first love was lighting design. Henningsen’s childhood home was illuminated by oil lamps. When his family switched to electrified lighting, he was alarmed and repelled by the harsh glare cast by an incandescent bulb, and in his late teens he began conducting quasi-scientific experiments to measure which materials and methods best diffused or reflected light to give it a warm brightness. His work came to the attention of the lighting-fixtures firm Louis Poulsen, which sponsored the development of a prototype lamp. The design won a gold medal at the 1925 Paris Expositions Internationales des Arts Decóratifs et Industriels Modernes — from which the term Art Deco derives. The lamp, whose three-part shade is said to be inspired by the arrangement of a dinner plate atop a soup bowl atop a teacup, became the basis for Henningsen’s most successful design, the PH 4/3 desk lamp. All told, Henningsen would design some 100 lighting fixtures in his career. Some of his most notable creations are hanging lamps, which include the “Septima” (1929), a pendant composed of seven graduated frosted-glass layers; the “Spiral” (1942), made of a single ribbon of enameled aluminum; and the “Artichoke” (1958), whose 70 glass or metal fins in a staggered and graduated arrangement on a central steel frame resemble those of its namesake. The last is likely Henningsen’s masterwork and an icon of mid-20th-century design. Like all Henningsen lighting designs, it is striking, sculptural and — thanks to his insistence on the primacy of the quality of the light cast — superbly functional.
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