Delft, Purple and Yellow Chinoiserie Jug, circa 1680-1700

Purple and yellow chinoiserie wine jug. Delft, circa 1680 The ovoid wine jug stands on a low spreading foot, has a conical neck with spout and a pewter mount and cover. The ear-shaped handle has a rat tail finish. The jug is painted in purple and yellow with a continuous chinoiserie landscape with three Chinese figures. A band with scroll ornaments is applied to the shoulder just below the neck, the neck itself is decorated with two types of stylized leaves. Another band with block ornaments is painted above the foot. The handle is decorated with stripes, dots and scroll ornaments. Dimensions: height 22 cm / 8.66 in. Multi-coloured chinoiserie landscapes on Delftware were only made for a short period of time, roughly between about 1680 and 1690. Most of the decors have been applied on dishes, lobed dishes, butter pots...

The ovoid jar stands on a slightly spreading foot, has a short upright neck, and is painted in blue with a floral decor. Three large cartouches containing flower bouquets have been a...

Pair of blue and white chinoiserie dishes. Delft 1680-1700. [attributed to] The Three Porcelain Ash Barrels pottery Pair of blue and white dishes with a wide-spreading flange, t...

The polychrome wine jug has an ovoid body on a low spreading foot, a conical neck with spout and a handle with a scroll finish. The jug is painted in purple, yellow and green with a continuous chinoiserie landscape with three Chinese figures. A band with scroll ornaments and circles is applied to the shoulder just below the neck, the neck itself is decorated with two stylized flowers and scroll ornaments. The handle is decorated with stripes and scroll ornaments. Dimensions: height 19 cm / 7.48 in. Multi-coloured chinoiserie landscapes on Delftware were only made for a short period of time, roughly between about 1680 and 1690. Most of the decors have been applied on dishes, lobed dishes, butter pots...

Blue and white chinoiserie altar vase. Delft, circa 1685 The ovoid altar vase stands on a high-waisted foot. The flaring cylindrical neck ends in an outward sloping mouth rim. The two blue coloured lion-shaped handles have suspending rings in their jaws. The body is painted with a continuous oriental landscape with banana and pine trees, Chinese figures and houses, while the neck is painted with three bands of different ornaments. The mouth rim is decorated with rectangular ornaments, the foot with leaves under a band around the ankle. Altar vases are also called vases à chimères. The oldest faience examples were made in the sixteen-twenties in Nevers, France and are attributed to the Conrade potters family, who originated from Italy. The shape is based on metal vases used during the services in Catholic churches. Therefore it is no wonder that many altar vases are painted with the Christogram IHS. Altar vases were made in Delft from about 1675 onwards and production continued well into the eighteenth century. Marked examples are known from multiple manufacturers, such as The Greek A and The Moor’s Head potteries (Aronson 2011, pp. 14-15). A pair of eighteenth century vases was made between 1700 and 1716 at The Three Porcelain Ash Barrells pottery. They are marked with PK for the owner Pieter Kam or, after 1705, by his widow (Blazy & Boyazoglu 1983, p. 110). The pair is painted with a dense parsley decor. A miniature example was excavated from a cesspit in the grounds of the former Porcelain Bottle pottery in Delft. At the same location a larger fragment was also found, decorated with a triple-tulip design in blue and yellow (Eliëns, Schledorn, Van Aken-Fehmers, pp. 31 , 36, 45). Three altar vases with similar tulip and flower decoration in blue and yellow are in the collection of the Dutch Open Air Museum in Arnhem and can also be attributed to the Porcelain Bottle pottery (Klein, p. 152). Official Catholic services were not allowed in the seventeenth century in the Dutch republic, however Catholic conventicles were tolerated. At first sight it might be surprising that a Catholic object...

Blue and white beer mug with peacock in garden. Delft, 1680-1700. The pear-shaped beer mug with pewter lid stands on a short foot and has an ear-shaped handle that ends in a rat t...

Blue and white Delft handled chinoiserie vase. Antique Dutch porcelain vase with rich blue flowers and chinoiserie fencing in a lustrous glaze; with scro...

A 3 pieces garniture of Dutch Delftware Royal Delft vases - Urns. Tall decorative covered baluster vases on an octagonal foot with 2 matching beaker vases The vases are hand crafted ...

An important 17th century Delft chinoiserie three-piece garniture The Netherlands, Delft. Last quarter of the 17th century An important and rare Delft garniture of three pieces. The shape and decoration are inspired on the Chinese Transitional porcelain...

An Early Dutch Delftware lidded jar with chinoiserie decoration. Origine: Delft, The Netherlands Date: Early 18th century Workshop: Unknown. A genuine blue and white lidded j...

This charming blue and white Dutch Delft jar is decorated in shades of cobalt blue. Hand-painted in the late 18th century circa 1780, the jar mixes rococo and chinoiserie design elem...

A Rare and Very Large, Early Dutch Delftware vase with chinoiserie decoration. Origine: Delft, The Netherlands Date: 1724 - 1757 Workshop: De Metaale Pot under the management of Cornelis Koppens. Marked CK for Cornelis Koppens. The very large vase...