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Decorative Dish in Polychrome Ceramic Irregular Shape

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    Limited edition Elgin ceramic statuette entirely realized in ceramic from the 12 Columns series designed by Alessandro Mendini for Superego, 2008. Black...
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  • Gio Ponti Cutlery Set for Six in Nickel Silver by Krupp Italy 1950s
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    Vintage 1950s Italian Mid-Century Modern Tableware

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  • Gio Ponti Silver Cutlery Set for Twelve by Krupp Italy 1950s
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    Cutlery silver set for twelve in nickel silver or German silver, this set includes a total of 36 pieces; 12 spoons, 12 forks, and 12 knives with a steel blade. Set designed by Gio ...
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    Vintage 1950s Italian Mid-Century Modern Tableware

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  • Angelo Ungania Round Shaped Decorative Vase in Blue Ceramic 1940s Italy
    By Angelo Ungania
    Located in Montecatini Terme, IT
    Round-shaped decorative vase in blue ceramic with marine-themed decorations on the surface like fish, octopus and starfish. It was realized by Angelo Ungania during the 1940s, the au...
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  • Gio Ponti Set of Two Decorative Bottles in Ceramic by Cooperativa Ceramica Imola
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    Set of two decorative blue bottles in ceramic with gold lusters decorations (realized by Bottega Gatti in Faenza) from the Bottiglie Abitate series which is designed by Gio Ponti in the 1950s and manufactured during the 1990s by Cooperativa Ceramica Imola. The manufacturer's brand and signature are visible under the bases. Dimensions: A buttoned bottle H36 cm A decorated bottle H30 cm Gio Ponti was an icon of the modernist movement: the Italian designer, architect, artist and publisher contributed significantly to the worlds of architecture and design with his extensive work in fine furniture and ceramics, education, office and residential buildings, and everything in between. Giovanni, known as Gio Ponti was born in 1891 in Milan. It was there that he spent his childhood, and in 1921 he began to study architecture at the Politecnico di Milano. From 1923 to 1930 he served as the artistic director of the Richard-Ginori porcelain factory. In 1927, Ponti started his first architectural office, together with Emilio Lancia, and in 1928 he started the magazine Domus, which is still regarded as one of the most influential European magazines for architecture and design. He was also very influential during the period as a curator of the Milan Triennale. After his collaboration with Emilio Lancia had come to an end, upon completion of the Torre Rasini, he began to work as an architect together with the engineers Antonio Fornaroli and Eugenio Soncini...
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