Rubboli Lustre Majolica Double-Handled Compote with Mask Head Detail

This antique ABP H.P. Sinclaire and Company wheel cut-glass centerpiece bowl has a floral motif and rests on a domed Gorham sterling silver base. The bowl features an ornate engraved pattern consisting of large roses in bloom which are located along intertwined thorny stems studded with clusters of serrated leaves. The domed sterling base echoes the rose motif found on the bowl and is decorated with repoussé...

This ceramic vase and lidded jar were designed by Aldo Londi, art director for Bitossi ceramiche in Montelupo, Italy. Both pieces feature large stylized flowers and have been finished in Bitossi's rich Rimini blu glaze reminiscent of the Adriatic. The underside of the jar and vase bear stamped and hand-painted manufacturer marks and retain their original Rosenthal-Netter paper labels. The lidded jar measures 16.5" tall with the lid, 5.5" wide at the base and 4.5" across at the mouth. The vase stands 8.5" tall, 6.5" at its widest point and 4.375" across at the mouth and foot. The combined set is substantial and weighs 10lbs. A great addition to an existing Bitossi collection...

This outstanding hand painted 19th century French ceramic charger was made by Hautin Boulenger & Cie at Creil & Montereau. The highly detailed Aesthetic Movement charger features polychrome decoration depicting a Japanese quail perched in a flowering cherry tree bearing vivid green foliage. The bird's gaze is fixed on a colorful butterfly with intricately patterned wings which is located off to one side. The image is set on a gilt ground which bears a series of repeating raised gilt motifs. The charger's shoulder is finished in cobalt blue with stylized gilt hearts separated by light blue floral and foliate elements. The 4lb 11oz charger bears an impressed mark used by Creil et Montereau between 1876-1884. The foot rim is not pierced. This beautifully executed hand painted French charger...

This late 19th century glazed earthenware mug was crafted in the studios of Cincinnati Ohio's renowned Rookwood Pottery Company and has a traditional form with an ear-shaped handle having a thumb rest. The exterior of the piece is finished in standard glaze and features hand painted decoration executed by highly regarded artist William Purcell McDonald (1864-1931). The decor has an appealing wine harvest theme consisting of grape vines that snake across the surface. The vines are studded with leaves in various shades of green along with two dangling clusters of plump reddish grapes. McDonald's application of paint is slightly raised in places giving the image a dimensional quality. The mug is further ornamented with an ornate silver overlay manufactured by Gorham. The silver decoration covers the handle and rim and includes a series of large etched foliate scrolls and flowers that extend across the body. There is also an eye-catching latticed area that provides a strong visual contrast with the gentle curving motifs found on the other parts of the silver overlay. The underside of the mug has an impressed RP mark along with shape 422 and the letter W. It also carries the incised initials of the artist - W. P. McD - and the letter L. The underside of the silver foot rim is stamped Gorham Manufacturing Co. along with a hand engraved mark reading S 1274 S. This highly collectible Rookwood silver...

This striking enameled pottery vase was made by Amphora and is decorated with stylized floral decoration set against a textured ground made up of variegated blue enamel paint on a me...

Vintage Georg Jensen sterling silver tazza compote with grape motif. This fabulous Georg Jensen sterling silver tazza features Jensen's iconic grape motif, a celebrated range of pieces which were inspired by the Art Nouveau aesthetic coupled with time the artist spent traveling in Italy. Georg Jensen was born in 1866 and trained as a sculptor at the Royal Danish Academy of Fine Arts, graduating in 1892. Jensen began his artistic career in ceramics and started working with silver in 1904. He went on to establish his own smithy in Copenhagen and like many others working during the Art Nouveau period, was strongly influenced by natural forms and structure found in flowers and plants. As mentioned above, Jensen spent time in Italy shortly after the turn of the century and developed an appreciation for ancient Roman silver work. He was also struck by the work of more recent Italian artists and was particularly influenced by those pieces which drew upon classical mythology, such as Baroque painter Caravaggio's 'Bacchus'. Jensen combined these influences with emerging Art Nouveau organic motifs, leading him to utilize the malleable qualities of silver to create his renowned Grape Collection. This form of this silver tazza was initially designed by Jensen in 1918. The piece has a round pedestal foot which rises to a thick columnar stem reminiscent of the twisting trunk...

Hugo Lonitz Majolica figural table Jardinière stand, naturalistically molded as an oak tree, with a pair of partridges nesting among bulrushes and grasses, on a rustic mound-form, lo...

Positive – 1882 Ltd. with Snarkitecture. The idea for the collaboration with 1882 Ltd. was to reveal an otherwise unseen aspect of the process behind creating a bone china piece. Pos...

Made in Italy, 1980s. This catchall is made in ceramic and features hand painted parts. It might show slight traces of use since it's vintage, but it can be considered as in excelle...

Our fancy ceramic plate is handmade and hand-painted in Italy following the original Renaissance painting technique, unchanged over time, which we observe to the letter: it is decorated in majolica painted in a monochromatic antique blue and decorated by a platinum luster, comprising a wavy mixtilinear rim which is divided by eight bands which are arranged on the following with a radial structure: half of them, the largest ones, are painted with refined floral motifs; the others, which alternate with the previous ones, are devoid of ornaments. The same decorations present in the brim are shown in the large cable, which are characterized by natural elements such as flowers, leaves and berries. This beautiful piece can be hung as a decorative wall dish...

George Jones Majolica large 'Rose Basket' 9.5-in wide in cobalt blue, circa 1872. Impressed British Registry mark stamp to reverse for 17 February 1872. George Jones pattern number '...

Majolica Figural Rooster, naturalistically modeled as an alert cockerel, the feathers with mottled gold, brown and blue glazes, the comb and wattle glazed in pink and red, on an oval...