Modernist Bowl

A molded sea foam blue melamine bowl in the Florence pattern from the Prolon series designed for George Nelson and Associates.

A long rare hand-carved wood bowl with an indented rim, from the "Oceana" series.

An interesting and finely crafted undulating and scalloped bowl made from a solid block of figured walnut.

A Scandinavian Modern large scaled and beautifully crafted staved teak bowl having a subtly flaring round form. Designed and manufactured by Richard Nissen in Denmark, circa 1960s.

A turned bowl in stained mahogany with a flaring conical form. Signed by the artist.

A thin walled lathe turned active grained wood bowl having flaring conical form.

1960s WMF Cromargan Fraser's Stainless Box 11.75 long x 5.25 d x 1.88 h Bowl 12.25 x 4.38 w x 1.5 h Original vintage condition with original box included. See all images.

A very nice modernist chrome fruit bowl by Lino Sabattini, circa 1970s. The design features a long clean look with round swirls on each end. The pie...

Broached monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenou...

Broached monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenous myths, including post-colonial myths and precolonial dreaming stories, and non-indigenous Australian myths, including the bush legend, ANZAC tradition and convict legend, focus on the historical role that the race of authorship has played in building the nation. However, a contemporary understanding of Australian history acknowledges the contribution of both Indigenous and non-indigenous Australians in forging the nation, and the national identity which accompanies it. Instead of perpetuating the same exclusive national myths, perhaps Australians should adopt a national mythology that acknowledges this inclusive understanding of Australian history, a mythology that unites Australians of many backgrounds under a shared Australian identity. In his book on Australia’s Folklore of Fear, Robert Holden explores pre-colonial ideas of Australia as a Great Southern Land – an imaginary landmass conjured up to counterbalance the continents in the northern hemisphere, as far removed as possible from Britain, the center of the Christian world (Holden, 2001). Holden speaks of Australia as an imaginary world, occupied by unimaginable creatures and monsters. Holden is commenting in part on the mythical creatures that originated in both British and Aboriginal Australian folklore and were shared by the Aboriginal and non-Aboriginal inhabitants of Sydney during the early years of colonisation. Stories of the yahoo, a creature that resembled a slender man, with long white straight hair, extraordinarily long arms and great talons (Unknown 1842), captured the imaginations of the new British settlers, and soon a fear of the yahoo became a common ground between Aboriginal people and British settlers. is fear of a gruesome and vicious creature gained its potency from the folkloric tales that were used to substantiate its existence. These tales were suitably vague, their lack of detail attributed to the fierce nature of these creatures and the assumption that no one had survived an encounter (Holden, Thomas et al. 2001). The yahoo “became one of the very few Aboriginal legends to be embraced by the Europeans” (Holden, Thomas et al. 2001, p16), providing a catalyst for conversation between individuals from these two culturally disparate societies and forming some personal links between these communities. Could creature myths like the yahoo once again form the foundation of a united national...

We are delighted to offer this sterling silver bowl by Gorham Silver Company of Providence, Rhode Island. It has a fluted rim with a scalloped edge. Manufactured after WWII, it refle...

This sterling silver bowl has a scalloped edge with raised-work along the rim. Four medallion-like designs surrounded by the same type of raised-work. It’s an impressive looking piec...