Midcentury Blown Glass & 22-Karat Gold Drinks Set by, Briard & Blenko Set of 11

A producer of hand-blown glass since 1893, Blenko Glass is currently headquartered in Milton, West Virginia, where it has operated since 1921. Among its many illustrious projects are the stained-glass windows it produced for St. Patrick’s Cathedral and the Washington National Cathedral. Blenko is known today for the brilliant colors of its glass vessels and objects—particularly those produced in the 1950s and ’60s—which range from jewel-like blues and greens to brilliant reds and yellows.

The company was founded by William J. Blenko, an English immigrant who was apprenticed to a glassmaker in his native London as a young man. Blenko developed expertise in the production of rondels, the round panes used in stained glass windows. His interest in the potential of natural gas to fire glass furnaces led him to Milton, where abundant reserves of the fuel had attracted a pool of skilled glassblowers. Under the name Eureka Glass, his company began making window glass in 1923, and in 1925, he was joined in the business by his son, William H. Blenko.

When the Great Depression quelled demand for stained glass, William J. Blenko brought local Milton glassblowers into the company to begin producing stem- and tableware, products for which the company, which changed its name to Blenko in 1930, is now best known. Up until the end of World War II, Blenko’s tableware designs were fairly straightforward, and they sold well at American department such as Gump’s, in San Francisco. The company was also commissioned in 1930 to produce a line of reproductions for Colonial Williamsburg.

In 1947, the company hired as its art director Winslow Anderson, who introduced artful, fanciful and modern vessels and objects in vibrant colors. This began what collectors refer to as Blenko’s “historic period.” A number of Anderson’s designs were honored by the Museum of Modern Art’s Good Design Awards in 1950, and throughout the 1950’s and ‘60s, the company enjoyed robust sales and critical acclaim. The forms Blenko produced during this period followed the contemporary vogue for biomorphism, or organic modernism, which favored rounded and fluid shapes inspired by nature.

One of Blenko’s most influential designers, Wayne Husted, who was active from 1953 to ’63, is credited with aligning Blenko’s products with the prevailing mid-century modern aesthetic by pushing the envelope on both form and color, particularly in his wedge-cut and Spool decanters and his Echoes series. Joel Philip Myers, who designed for Blenko in the 1960s, brought a sense of whimsy and visual excess to the product line, in keeping with the psychedelic look favored during the period.

Blenko Glass still produces many of its classic designs in items ranging from stemware and tableware to decorative objects and ornamental decanters. Among collectors, pieces created under Husted’s creative direction are of special interest. The company has come to the attention of younger audiences through the documentaries Blenko: Hearts of Glass and Blenko Retro: Three Designers of American Glass, both of which aired on PBS. Blenko also designed the glass award trophy for the Country Music Awards.

Artist and designer Georges Briard (1917–2005) — a name that has for more than a century been a marker of spectacular and stylish vintage glassware, serveware and other household objects — was born Jascha Brojdo in Russian Ukraine.

Brojdo grew up in Poland and moved to the United States in the 1930s, studying art at the University of Chicago and the Art Institute of Chicago before serving in the U.S. Army during World War II. After the war, he began hand-painting metal serving trays while working for Max Wille of M. Wille Company, where Wille suggested changing his name to distinguish his commercial work from his fine art.

As Georges Briard, Brojdo created award-winning designs for items including glasses, trays, coffeepots and dishes in materials like glass, ceramics, metal and wood; he even created gold-plated serveware. His serveware was especially popular from the 1950s to ’70s. It was produced by companies including Culver, Pfaltzgraff and Mdina Glass and sold at high-end department stores like Neiman Marcus and Bonwit Teller. His designs have a signature opulence, evoking the mid-century modern aesthetic of his time as well as borrowing elements from Art Nouveau and Venetian styles, while the quirky, playful barware pieces he produced featured peacock feathers, skulls and tennis balls.

With colorful, intricate patterns and motifs such as butterflies, Christmas trees and Piet Mondrian-esque geometric abstractions, Georges Briard glasses and dishes were found in the homes of the most fashionable hosts of the mid-century. Today, they are highly prized by collectors.

Find a collection of Georges Briard vintage bar glasses, serving trays and other goods on 1stDibs.