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Stoneware "Farsta" Vase by Wilhelm Kåge for Gustavsberg, Sweden, 1940s

US$5,799.03

About

Simple yet striking “Farsta” vase by Wilhelm Kåge with clean lines and a subtle checkered pattern in the dark, patinated copper colored glaze. “Farsta” stoneware is recognized as being the best and most exclusive that has come out of Swedish arts and crafts. The series represents the pinnacle of Wilhelm Kåge’s artistry, expressing the full width of his creativity and skill. It dates from the 1920s, when Kåge started experimenting with a new stoneware technique that he named “Farsta” after the location of the Gustavsberg factory, Farstalandet. He kept working with the series into the 1950s, creating different “Farsta” families with various shapes and glazes, among them “Farsta Rust”, “Farsta Blue” and “Terra Spirea”. The shared characteristics are the heavy-set solid designs and contrast between glazed and unglazed areas, as well as forceful glazes and irregularities. The pieces were cast rather than thrown and unlike stoneware from other series, Kåge worked and glazed the “Farsta” pieces himself. The production was small and the stoneware was sold as exclusive gifts and to museums and collectors. “Farsta” is held in equal esteem today.

Details

  • Creator
    Gustavsberg (Maker),Wilhelm Kage (Designer),
  • Dimensions
    Height: 7.68 in. (19.5 cm)Diameter: 5.52 in. (14 cm)
  • Style
    Scandinavian Modern (Of the Period)
  • Materials and Techniques
  • Place of Origin
  • Period
  • Date of Manufacture
    1940s
  • Condition
    Wear consistent with age and use. Very good vintage condition consistent with age and use.
  • Seller Location
    Stockholm, SE
  • Reference Number
    1stDibs: LU1638224255812

Shipping & Returns

  • Shipping
    Rates vary by destination and complexity. We recommend this shipping type based on item size, type and fragility.
    Customs Duties & Taxes May Apply.
    Ships From: Stockholm, Sweden
  • Return Policy

    A return for this item may be initiated within 14 days of delivery.

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About the Maker

Gustavsberg

The Gustavsberg porcelain factory was, for many decades, the largest ceramics maker in Sweden and home to some of the most innovative and ingenious makers of the past century. The company, founded in 1825, mass-produced a wide range of products: first decorative household items and tableware in the English style and later bathroom fixtures, including the first pressed-steel bathtubs that would oust heavy cast iron. But of first interest to collectors are the remarkable decorative works created in the Gustavsberg art pottery studio, in particular those by master ceramists Wilhelm Kåge, Berndt Friberg and Stig Lindberg. Gustavsberg began producing some individually crafted, highly decorated and richly glazed pieces in the 1860s. While the forms of their mass-produced vessels and plates derived from English, Continental and Asian styles, a select few painters won acclaim for their personal artistry. Gunnar Wennerberg became known for his work in the organic Art Nouveau style, and Josef Ekberg, the company’s design chief from 1908 to 1917, was revered for his expert use of iridescent lusterware glazes and the sgraffito technique, in which a decorative pattern is incised in the surface of a clay pot before it is glazed and fired. It was not until Ekberg’s successor, Wilhelm Kåge, opened Gustavsberg’s first dedicated art pottery studio that the work became widely recognized. Kåge’s “Argenta” series, which encompasses a variety of vessels coated with an oxidized green glaze and decorated in silver motifs, remains popular. Though perhaps his most striking works are his “Surrea” vases — white bisque porcelain in off-kilter forms inspired by Cubist paintings — and his “Farsta” wares, which include totemic, spindly footed stoneware vases and bowls with textured surfaces, glazed in brown, green and blue. Kåge’s finest protégés, Berndt Friberg and Stig Lindberg, took over from Kåge as Gustavsberg’s design directors in 1945. Friberg was a master potter. He threw elegant, simple, symmetrical vases and bowls painstakingly coated in layer after layer of matte glazing to achieve a classic striated effect known as “rabbit’s fur.” Lindberg’s highly collectible studio ceramics fall into two principal categories: The first is made of white porcelain pieces in round, biomorphic or stylized natural forms. The second includes weightier vases — many with textured bodies and applied decorations — glazed in deep, earthy colors. As you will see from the works on these pages, Gustavsberg was a bastion of creativity and precise artistry that turned out a remarkable range of works whose style still resonates with lovers of Scandinavian design.
About the Seller
5 / 5
Located in Stockholm, Sweden
Recognized Seller
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Established in 1973
1stDibs seller since 2015
250 sales on 1stDibs
Typical response time: <1 hour
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