Pair of Kashmiri Indo-Persian Lacquered Metal Copper Vases

Large fine antique Islamic 19th century Indo Persian Mughal hand-etched and inlaid tined copper brass bowl. Large Mamluk copper basin finely etched and i...

19th century Middle Eastern Persian tinned copper water jar with handle. Moorish Arabic water ewer, hand tooled, hand-hammered heavy metal tinned copper ve...

Large heavy tinned copper tray with hand chased designs of figure, animals and geometric designs. Wall hanging decorative Indo Persian tray with in...

Indo Persian Mughal tinned copper vessel. Large Middle Eastern Persian Mameluke style tinned copper jar with lid. Heavily hand-hammered and chased with ...

Large 19th century tinned copper Indo Persian Mughal copper bowl vessel. Great patina on handcrafted and embossed metal tin copper bowl with floral geo...

Middle Eastern Turkish copper vase, urn with traditional Islamic Moorish embossed design. Handmade Islamic Moorish style engraved solid copper metal wa...

A rare and exceptionally large pair of Kashimiri Indo-Persian lacquered copper baluster-form vases; each tall vase adorned with 3 reserves depicting sc...

Pair of Silvered Metal Vases, Asia, early 20th century. Decorated with dragons and birds. Measures H: 31. 5, W: 23 cm, D: 16 cm.

This pair of vases on stands are unsigned, but presumed to have originated from China and dating to approximately 1960 and done in a period Chinese Export style. The vases are compos...

Pair of oriental vases from 20th century. Objects in chiselled metal in cloisonné style of beautiful line and pleasant decor. Vases with side h...

A fine antique Japanese flower vase. In hand-hammered copper (or possibly a thin-bodied bronze) with applied silver bands to rim, footrim, shaped edge, and with a lotus petal border at the joint of neck and body. Having the usubata form with a wide flared neck and mouth. The 'usubata' vase is a form favored for large scale floral arrangements by the Ikenobo school, the oldest and largest school of Japanese ikebana founded in the 15th century by Buddhist monk Senno Ikenobo. It is believed that the wide and shallow rim of an usubata vase which displays the surface of the water best imitates natural conditions of growth while also contributing to the longevity of an arrangement with the increased surface area of the water better oxygenating the plants. The base retains still retains hand-hammered marks. There is evidence of seams and folds throughout from the construction, and the surface has a cloud-like brown patina throughout. Simply a wonderful Japanese mixed metal vase...

This beautifully paired set of Aesthetic Movement Japanese bronze vases are decorated all around the body featuring birds and foliage. The ...