Large Sommerso Vase Flavio Poli for Seguso Vetri d´Arte

Italian glass artist Flavio Poli’s innovative use of the sommerso technique during the 1950s added a dimension of exquisite beauty and refined elegance to mid-century-era Murano glass design. Today Poli’s vintage table lamps, glass vases, ashtrays and other objects are highly collectible.

Born in Chioggia in 1900, Poli attended the prestigious Istituto d’Arte di Venezia where he trained as a ceramist before turning his attention toward glass art. His career in glass began in 1929 when he worked at the Industrie Vetrerie Artistiche Murano, designing and creating large-scale glass sculptures, urns and bowls.

During the 1930s, Poli was a glass artist for manufacturer Barovier, Seguso and Ferro (later known as Seguso Vetri d’Arte), where he worked alongside pioneering glass master Archimede Seguso. Poli was later appointed artistic director at the Venetian glassworks.

Inspired by Seguso, Poli began to experiment with his own glassblowing techniques. In the 1950s, he helped popularize the decades-old sommerso style, which sees overlapping layers of transparent handblown glass melded through a heating process and immersed in pots of molten colored glass. The style yields a sophisticated and mesmerizing effect — it's as if colored fluids have been trapped inside the layers of clear glass. Poli made use of variations on the technique in many of his pieces, including in designs for vases, bowls, sculptures and more.

Poli’s unparalleled designs and innovative work with the sommerso technique garnered numerous awards and accolades throughout his career. He won five Grand Prix awards at the Milan Triennale and was awarded the Compasso d’Oro prize in 1954. Poli’s designs were also presented at the World’s Fair in Brussels and the Venice Biennale in 1958.

Today, Poli’s work can be found in museums around the world, including the Museum of Modern Art in New York, Murano Glass Museum in Venice, Museo Boncompagni Ludovisi in Rome and the National Gallery of Victoria in Australia.

Find vintage Flavio Poli decorative objects, serveware and lighting on 1stDibs.

Beginning in the 1930s — and throughout the postwar years especially — Venini & Co. played a leading role in the revival of Italy’s high-end glass industry, pairing innovative modernist designers with the skilled artisans in the centuries-old glass workshops on the Venetian island of Murano. While the company’s founder, Paolo Venini (1895–1959), was himself a highly talented glassware designer, his true genius was to invite forward-thinking Italian and international designers to Murano’s hallowed workshops to create Venini pieces — among them Giò Ponti, Massimo Vignelli, Finnish designer Tapio Wirkkala, Thomas Stearnsof the United States and Fulvio Bianconi.

Paolo Venini trained and practiced as a lawyer for a time, though his family had been involved with glassmaking for generations. After initially buying a share in a Venetian glass firm, he took over the company as his own in 1925, and under his direction it produced mainly classical Baroque designs. In 1932, he hired the young Carlo Scarpa— who would later distinguish himself as an architect — as his lead designer. Scarpa, working in concert with practiced glass artisans, completely modernized Venini, introducing simple, pared-down forms; bright primary colors; and bold patterns such as stripes, banding and abstract compositions that utilized cross sections of murrine (glass rods).

Paolo Venini’s best designs are thought to be his two-color Clessidre hourglasses, produced from 1957 onward, and the Fazzoletto (“handkerchief”) vase, designed with Bianconi in 1949. Bianconi’s masterworks are considered by many to be his Pezzato works — colorful vases with patterns that resemble those of a patchwork quilt. Other noteworthy and highly collectible vintage Venini works include Ponti’s dual-tone stoppered bottles (circa 1948); rare glass sculptures from the Doge series by Stearns, the first American to design for the firm; Vignelli’s striped lanterns of the 1960s; the Occhi vases with eyelet-shaped patterns by Tobia Scarpa (son of Carlo); and, with their almost zen purity, the Bolle (“bubbles”) bottles designed by Wirkkala in 1968. 

With these works — and many others by some of the creative titans of the 20th and 21st century — Venini has produced one of the truly great bodies of work in modern design.