Large Contemporary Japanese Gilded Red Yellow Ceramic Vase by Master Artist

Outstanding very large Japanese contemporary dimpled Imari Porcelain vase, hand painted in vivid red, platinum and gold on a gracefully shaped porcelain body, a stunning piece by wid...

Exquisite large contemporary Japanese gilded porcelain decorative three-piece raised lidded jar, hand painted in red and green with generous gold details, depicting scalopped panels ...

Mesmerizing Japanese contemporary large porcelain decorative vase hand-painted on an elegant bottle shape body, depicting plum blossom in red and medieval palaces in shades of blue a...

Exceptional large Japanese porcelain vase uniquely gilded in platinum inside, and hand-painted intricately hand painted in red on outside...

Exquisite Japanese contemporary decorative porcelain vase in an extraordinary shape featuring two fascinating and detailed geometric progression patterns extremely intricately hand p...

Exceptional Japanese contemporary museum quality decorative porcelain vase, a signed masterpiece by an award-winning master artist and the younger of a two-brother team of master por...

3-674 Japanese artist made glazed ceramic vase.

A large Japanese ceramic vase from the end of Meiji period circa 1890-1910s by Kinkozan (1645-1927). One of the largest studio manufacturers of the export ceramics at the time based in Kyoto. In the typical style of satsuma made at the turn of 20th century, the vase is elaborately decorated with a rather unusual kinran-de (gold paint) and green enamel highlight on a mottled brown background. The painterly decoration depicts a large seasonal floral arrangement in a circular fashion. Besides the obviously superb craftsmanship, what sets this particular vase apart from many lower quality and mass-produced pieces is its tone-on-tone color pallet that is visually somber and the small and sensitive details that heralds the change of the seasons. When the viewer goes beyond the first casual glimpse of the blossom and foliage, one would notice that on the edges of certain leaves as well as along the stalks, there accumulates a very thin layer of the white dust that represents the frost. The flower in bloom are chrysanthemums. Despite of being splendid, they are the messengers of the autumn. The large lotus leaf was subtly rendered in a bended and slightly withered manner, just past its prime. Although the lotus is still in bloom, the prominent seed pod indicates it may be the last for the season. The sentimental capture of the change of the seasons is not unusual in Japanese art. This vase poetically represents such a subtle transition from summer to fall, perhaps depicting the very first frost. The neck of the vase is also slightly unusual with two rolled rings...

A large glazed white porcelain vase in the jar-form by Japanese ceramic artist Inoue Manji (Japanese, b. 1929). Minimalistic in form, the vase is pure white with a very subtle blue h...

A large Japanese ceramic vase by the celebrated Meiji imperial potter Makuzu Kozan (1842-1916) circa 1880-1890s. Dated to his underglaze phase post 1887 after he successfully mastered the new colors available from the west and used them to the best advantage in his work deeply rooted in Japanese aesthetics. The vase has an impressive size and was potted in the classic baluster form with an elegant proportion. The surface is decorated using a combination of techniques of low relief sculpturing...

Very unique Japanese vase with abstract pattern in a variety of brown tones. The deepest brown glaze is raised, giving the vase a wonderful tactile texture.

Modern Japanese ceramic vase, the title of this piece is "Kaki yu" or "Persimmon glaze". Rectangular vase, with abstract design and heavy glazin...