Japanese Contemporary Large Blue White Porcelain Charger by Master Artist

Extraordinary Japanese contemporary very large decorative porcelain charger in blue underglaze, extremely intricately hand painted, a stunning masterpiece by widely acclaimed award-w...

Extraordinary Japanese contemporary museum quality signed porcelain charger, magnificently hand painted in mesmerizing shades of the artist's signature green, blue and yellow on a st...

Exquisite very large gilded Japanese contemporary decorative porcelain vase, hand painted in beautiful shades of blue on an elegantly shaped ovoid porcelain body with generous gold d...

Exquisite very large contemporary Japanese porcelain decorative three-piece raised lidded jar, hand painted in underglaze blue and white , depicting a landscape from Japan's countrys...

Exquisite very large contemporary ceramic deep charger/centerpiece, hand painted in green, blue and white on an attractive silver/gray background to feature a stunning bold flower an...

Japanese Contemporary porcelain decorative vase, extremely intricately hand painted in underglaze cobalt blue on an elegant bottle shape porcelain body, a signed piece by widely accl...

Very large ovoid shaped porcelain vase with a beautiful blue and white mountainscape design accentuated by a low relief details. The top of the vase ends in an elegant small neck. Y...

Very large rotund-shaped porcelain vase with horizontal ribs and a covering underglaze design of overlapping swirls with a canvas pattern on a white ground. Heightened by gold lustre...

With organic abstract design. Artist signature on the bottom and on original storage box: Hasegawa Isamu. This vase exhibited at the 2nd Nitten in 1970. Hasegawa Isamu was born in 1925 in Kyoto, son of famed porcelain artist Hasegawa Hakuho...

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama around 1870s and later became one of the appointed artist to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. With a relative large size, this vase is decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting), in order to achieve the striking dimensional misty winter landscape. The pine trees with upright trunks and down-sweeping branches appear receding into the depth of the mist, forming an visually unending forest. Known as one of the most creative ceramists, around 1880s, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama...

I bought a very nice vase with white porcelain and blue dye. This is a sake bottle called Imari ware in Japan. Imari ware is a kiln with a long history that began in the 17th cen...

A Japanese Meiji period blue and white porcelain planter from the 19th century, with landscape scenes. Created in Japan during the Meiji period, this circular planter features a blue and white decor depicting exquisite landscape scenes with architectures surrounded...