Pair of Ormolu-Mounted Theodore Deck Faience Persian-Blue Vases with Lampshades

Large pair of ormolu-mounted Chinese celadon-glazed blue and white vases. 20th Century.

A matching pair of 19th century Italian faience covered vases of flattened baluster form, hand-painted with figures from the Commedia dell'arte. The main body of each piece features ...

A rustic Italian faience vase molded in relief from the 19th century. The body of flattened circular form is topped by a tall cylindrical neck with a flaring rim flanked by rope-like...

A pair of Japanese underglaze blue and white porcelain baluster vases from the late 19th century painted with shaped panels of flowers, insects and birds. Formerly in the Kentshire collection, each piece features a round panel with a fly on a prunus branch, naturalistically painted in cobalt blue on a white ground. Another shaped panel presents two charming birds on a branch painted by a free, fluid hand with shading and brushstrokes. Watery blue peonies, auspicious symbols of springtime and prosperity, emerge from a dense cobalt blue background of tight arabesques motifs arranged in a most delicate composition. The lip of the vase presents a thunder pattern frieze, symbol of life, and a mark on the bottom. This pair of Japanese blue and white porcelain vases...

A pair of matching Japanese bronze vases from the 20th century finely cast with dragon figures. A high relief cast decoration of a three-clawed dragon is wrapped around the body of e...

A pair of French gilt-metal clear crystal vases with cobalt-blue overlay from the mid-20th century. Each piece presents a waisted body over a swollen base atop a short baluster-shape...

Extremely rare pair of Gu-shaped turquoise enamelled ceramic vases, carried by elephants and resting on an openwork base ending in four flared feet. Some lack of enamel otherwise ver...

Theodore Deck (1823-1891) A deep green enameled faience miniature pair of vases molded in the Chinese Archaistic Taste. Coves in the shape of elepha...

Theodore Deck (1823-1891) A Polychromed Faience quadrangular vase, decorated in a cartouche with butterfly and birds on branches of prunus and peonies in the Japanese Taste on a pu...

Théodore DECK (1823-1891) A polychromatic enamelled earthenware soliflore and quadrangular shape vase with Sino-Japanese inspiration design of flowers and geometrical friezes all around. Impressed uppercase mark "TH.DECK" under the base. Circa 1875 Born in Guebwiller in Alsace, Théodore Deck trained as a ceramist in his home region, then in Germany. He went into partnership with his brother, Xavier Deck, to create his own factory in Paris in 1858. At the Exhibition of Industrial Arts in 1864, he presented pieces covered with transparent enamels that were not cracked, and then made his first attempts at reliefs under transparent enamels. He developed a bright turquoise color, famously renowned as "Bleu Deck". It is this nuance that we find on the salamander represented on this vase. In 1887 he published a treatise entitled "La Faïence", in which he explained some of his discoveries. That same year, he became director of the Manufacture de Sèvres. Theodore Deck (1823-1891) is a French ceramist born in Guebwiller in Alsace. He is passionate about chemistry and the physical sciences. In 1841, he joined the master stove maker Hügelin father as an apprentice in Strasbourg. In two years, he learned of the methods inherited from the 16th century, such as the encrustation of colored pastes in the style of Saint-Porchaire. This apprenticeship did not prevent him from spending his free time draw-ing or modeling clay in the studio of sculptor André Friederich. Escaping military service, he made a tour of Germany as is the tradition with fellow Alsatian stove-makers. The quality of his work allows him to obtain important orders in Austria for the castles of the provinces and the imperial palaces, in particular for the palace of Schönbrunn. He continues his journey in Hungary to Pest, to Prague, then, going north through Dresden, Leipzig, Berlin and Hamburg. On the strength of his apprenticeship, he arrived in Paris in 1847. Recommended by Hügelin, he went to the stove factory of the Bavarian potter Vogt, located rue de la Roquette. The Revolution of 1848 interrupts production and Deck decides to return to his hometown. His family then advised him to set up a small terracotta workshop: he made a few busts, statuettes, vases, lamps and copies of famous antiques there. Aware that this situation would not allow him to provide for himself properly, he returned to Paris in 1851 where he was employed by the widow Dumas, daughter of the earthenware maker Vogt for whom he had worked. Hired as a foreman, he supplied the drawings and models to the workers, while working the land himself. The following year, he made the decision to settle not far from his former employer at 20, rue de la Fontaine-au-Roi, probably using his ovens. His brother, Xavier Deck, joins him. It was officially in 1858 that the Deck brothers created their business and settled in Paris at 46, boulevard Saint-Jacques. Initially, the brothers only carry out coatings for stoves. But the business is going so well that barely a year after their installation, they want to diversify their production and engage in ceramics for the cladding of buildings as well as in shaped parts. Deck is interested in politics. In 1870, he opted for French nationality and was elect-ed deputy mayor in the 15th arrondissement of Paris. In 1861, at the Salon des arts et industries de Paris, which was held on the Champs-Élysées, Théodore Deck exhibited his works for the first time: these were pieces with an inlay decoration called “Henri II” and others. pieces covered with turquoise blue enamel or decoration in the style of Iznik ceramics.If he wins a silver medal, reviews are mixed, however. The following year, on the occasion of the Universal Exhibition of 1862 in London, he won over English customers. He surprised by presenting, like the previous year, his Alhambra Vase...

These beautiful table lamps are by Théodore deck, one of the most important ceramicists of the 19th Century, and Gagneau Frères, a leading bronzier. Deck was the director of a presti...

Théodore Deck (1823-1891), ceramic vase, signed, circa 1870.