Items Similar to Pair of Snake Handled Meissen Urns View More
Pair of Snake Handled Meissen Urns For Sale
Want more images?
Request additional images from the seller
1 of 9 images

Pair of Snake Handled Meissen Urns

About

Stylish and chic pair of Meissen urns in Classic glazed white porcelain with gold accents. These urns are classical in form and feature entwined snakes as handles. A timeless design that works well in both Classic and contemporary interiors. The Meissen snake handled urn designed by Leuteritz and made by Meissen Made circa 1870 Hallmarked: Meissen Mark with Pommels on Hilts (19th century) First quality model number E 153 / former's number 61 / painter's number 29 Material: white porcelain with Gold accents and a glossy finish to the handmade porcelain Neo - Empire Style, designed by E.A. Leuteritz (circa 1861).

Details

  • Condition
    Good
  • Dimensions
    H 10.75 in. x W 6.75 in. x D 4.75 in.H 27.31 cm x W 17.15 cm x D 12.07 cm
  • Seller Location
    Los Angeles, CA
  • Reference Number
    LU797713410991
Buyer Protection Guaranteed
Our Promise To You: If you're not happy with the way an item arrived, we'll work with you and the seller to reach an optimal resolution. Read more

Shipping, Returns & Payment

  • Shipping
    Rates vary by destination and complexity
    Shipping methods are determined by item size, type, fragility and specific characteristics.
    Shipping costs are calculated based on carrier rates, delivery distance and packing complexity.
  • Return Policy

    This item can be returned within 7 days of delivery.

    View details
  • Online Payment Methods
    1stdibs accepts the following payment methods
  • Item Invoice
    Generate an invoice that you can customize and print.

About Meissen Porcelain (Maker)

Meissen Porcelain (Staatliche Porzellan-Manufaktur Meissen) is one of the preeminent porcelain factories in Europe and was the first to produce true porcelain outside of Asia. It was established in 1710 under the auspices of King Augustus II “the Strong” of Saxony-Poland (1670–1733), a keen collector of Asian ceramics, particularly Ming porcelain. In pursuing his passion, which he termed his “maladie de porcelaine,” Augustus spent vast sums, amassing some 20,000 pieces of Japanese and Chinese ceramics. These, along with examples of early Meissen, comprise the Porzellansammlung, or porcelain collection, of the Zwinger Palace, in Dresden.


The king was determined, however, to free the European market from its dependence on Asian imports and to give European artisans the freedom to create their own porcelain designs. To this end, he charged the scientist Ehrenfried Walther von Tschirnhaus and aspiring alchemist Johann Friedrich Böttger with the task of using local materials to produce true, hard-paste porcelain (as opposed to the soft-paste variety European ceramists in the Netherlands, Germany, France, Italy and Spain had been producing since the late Renaissance). In 1709, the pair succeeded in doing just that, employing kaolin, or “china clay.” A year later, the Meissen factory was born.


In its first decades, Meissen mostly looked to Asian models, producing wares based on Japanese Kakiemon ceramics and pieces with Chinese-inflected decorations, called chinoiseries. During the 1720s its painters drew inspiration from the works of Watteau, and the scenes of courtly life, fruits and flowers that adorned fashionable textiles and wallpaper. It was in this period that Meissen introduced its famous cobalt-blue crossed swords logo—derived from the arms of the Elector of Saxony as Arch-Marshal of the Holy Roman Empire—to distinguish its products from those of competing factories that were beginning to spring up around Europe.


By the 1730s, Meissen’s modelers and decorators had mastered the style of Asian ceramics, and Augustus encouraged them to develop a new, original aesthetic. The factory’s director, Count Heinrich von Brühl, used Johann Wilhelm Weinmann’s botanical drawings as the basis for a new line of wares with European-style surface decoration. The Blue Onion pattern (Zwiebelmuster), first produced in 1739, melded Asian and European influences, closely following patterns used in Chinese underglaze-blue porcelain, but replacing exotic flora and fruits with Western varieties (likely peaches and pomegranates, not onions) along with peonies and asters.


During the same period, head modeler Joachim Kändler (1706–75) began crafting delicate porcelain figures derived from the Italian commedia dell’arte. Often used as centerpieces on banquet tables and decorated to reflect the latest fashions in courtly dress for men and women, these figurines, they were popular in their day, and are still considered among of Meissen’s most iconic creations. Kändler also created the Swan Service, which, with its complex low-relief surface design and minimal decoration is considered a masterpiece of Baroque ceramics.


The rise of Neoclassicism in the latter half of the 18th century forced Meissen to change artistic direction and begin producing monumental vases, clocks, chandeliers and candelabra. In the 20th century, Meissen added to its 18th-century repertoire decidedly modern designs, including ones in the Art Nouveau style. The 1920s saw the introduction of numerous animal figures, such as the popular sea otter (Fischotter), which graced an East German postage stamp in the 1960s. Starting in 1933, artistic freedom was limited at the factory under the Nazi regime, and after World War II, when the region became part of East Germany, it struggled to reconcile its elite past with the values of the Communist government. In 1969, however, new artistic director Karl Petermann reintroduced the early designs and fostered a new degree of artistic license. Meissen became one of the few companies to prosper in East Germany.


Owned by the State of Saxony since reunification, in 1990, Meissen continues to produce its classic designs together with new ones developed collaboratively with artists from all over the world. In addition, through its artCAMPUS program, the factory has invited distinguished ceramic artists, such as Chris Antemann and Arlene Shechet, to work in its studios in collaboration with its skilled modelers and painters. The resulting works of contemporary sculpture are inspired by Meissen’s rich and complex legacy.

About the Seller

5 / 5
Vetted
Recognized
1stdibs seller since 2004
Located in Los Angeles, CA
Associations:
20th Century Specialists
More From This Seller
Pair of Japanese Mixed Metal and Bronze Urns
Pair of Japanese Mixed Metal and Bronze Urns
Early 20th Century Japanese Metalwork
Mixed Metal, Bronze
A beautiful pair of early 20th century Japanese bronze vases with a chrysanthemums, leaves and birds in various metals and relief incised into the vases.
Pair of Yellow Glazed Porcelain Gilt Decorated Vases
Pair of Yellow Glazed Porcelain Gilt Decorated ...
Mid-20th Century Japanese Japonisme Ceramics
Porcelain
A pair of beautiful vibrant yellow glazed Japanese export porcelain vases, hand decorated with painted gilt lotus flowers emerging from water. The underside bears export mark "Made i...
Turn-of-the-Century Art Nouveau Vase
Turn-of-the-Century Art Nouveau Vase
Early 20th Century Austrian Art Nouveau Vases
Ceramic
A lovely turn-of-the-century Austrian Art Nouveau vase with an iridescent glaze and naturalistic form. Vase is unsigned, but have several numbers incised to the bottom.
Set of Streamline Moderne Accessories by Avedis Baghsarian
Set of Streamline Moderne Accessories by Avedis...
Avedis Baghsarian
Late 20th Century American Streamlined Moderne Candle Holders
Stainless Steel
Set of three candleholders, in a Streamline Moderne design, made from brushed and polished stainless steel by artist and designer, Avedis Baghsarian. "After 30 years as a respe...

Why Shop on 1stdibs?

Learn More

Only Vetted, Professional Sellers

Buyer Protection Guaranteed

Fully Insured Global Deliveries