Art Nouveau Vases and Vessels

Vase in the shape of a beaker with a straight wall and flush stand, colourless glass with reddish-yellow coloured powder fusions, overlay in moss green and violet on the outside, hyd...

An art nouveau vase in ceramics designed by Josef Ekberg at Gustavsberg in 1915, this vase is from the classic Sgrafitto-serie. The vase is 28 cm (11.2") high and in excellent condit...

An art nouveau vase in ceramics designed by Josef Ekberg at Gustavsberg in 1920, this vase is from the classic Sgrafitto-serie. The vase is 23.5 cm (9.4") high and in excellent condi...

An art nouveau vase in ceramics designed by Josef Ekberg at Gustavsberg in 1920, this vase is from the classic Sgrafitto-serie. The vase is 28 cm (11.2") high and in excellent condit...

Art Nouveau Baccarat crystal vase with ormolu base French, c. 1905 Height 32cm, diameter 14cm This stunning Baccarat glass vase is accompanied by an intriguing ormolu base. The crys...

An art nouveau vase in ceramics designed by Josef Ekberg at Gustavsberg in 1919, this vase is from the classic Sgrafitto-serie. The vase is 27.5 cm (11") high and in excellent condit...

An art nouveau vase in ceramics designed by Josef Ekberg at Gustavsberg in 1918, this vase is from the classic Sgrafitto-serie. The vase is 30.5 cm (12.2") high and in excellent cond...

Exquisite brass vases with removable hand-forged handles in an intricate leaf design, A blend of elegance and nature's beauty

Set of two W.M.F. silver plate flower vases and jardinière, Jugendstil period, Germany, circa 1900. Dimensions of the jardinière: Height 19 c...

An exceptional and rare Bohemian art nouveau Phenomen Genre 2/484 (also known as Medici) pattern Loetz vase dating from around 1902. This beautiful vase stands on a rounded spread fo...

BOHEMIAN FLUX: A VASE, kuk Fachschule für Keramik und Verwandte Kunstgewerbe, Turn-Teplitz, c. 1905; the ceramic vase with a dark underglaze ground has a matte orange peel overglaze in ochre, apricot, lapis and celadon; the shape of the vase resembles a Japanese Saki bottle with the addition of four long and slender handles at the top third; incised before firing on the base in script lettering,“P.W.”, stamped before firing with the Fachschule mark and 73, and marked “G2.” in black ink; the vase measures: 13” high. Flux- continuous moving, a glazing method, fusion- the artist who produced this remarkable vase has presented a profoundly poetic and technical meditation on this subject. Moving way beyond the pursuit of creating only functional objects, the student ceramists at Fachschule Teplitz had ingrained in them the Europeans’ fascination for Japanese objects “from the floating world” and the design aesthetic known as Japonisme. Truly modern interpretations of Japonisme had begun to evolve into an internalizing of the aesthetic principles and a shift away from imitation of Japanese style applied to a Western format. This vase is noteworthy in that it illustrates this important Modernist shift in European ceramics. The elements of the saki bottle can be divided into three key components which taken as a whole create a rather feminine line. In keeping with this approach, the Fachschule student presents a slender bare neck, like décolletage, which flares ever slightly and then narrows to a high waist before voluptuously widening down and terminating gracefully to a round base. The ceramist gives special emphasis to pleasing proportions and the complementary relationship to the number 3; the measurement at the widest section of the vase equals the same distance from that point up to where the bottoms of the handles join to the body of the vase as well as the full arms’ length. Instead of inscribing the vase with Japanese calligraphy denoting a saki shop, the student takes a radically modern approach by attaching the vase with four handles. And yet, this act is every bit a form of written identification. The arms are the embodiment of the idea of flux in that they are a substance applied to a surface by the welding together to promote their union. The handles serve a new and surprising function. They are carriers of a concept. Fluidity- flux -can be created when an artist joins disparate elements into a harmonious whole. Flux is also a substance used to promote the fusion of minerals and metals and a term describing ceramic glazing. The presence of silica in glazes creates a glassy finish when fired at high temperatures. Matte glazes result from the presence of crystals under the surface and the balance between silica, flux and alumina in the glaze materials. By deliberately under-firing this vase and playing with a combination of additives forming the flux glaze, the end result appears matte and textured. The orange peel quality and alluring color palette are transformative. The effect evokes a waterfall or another continuous moving flow of water like a stream - in flux. So not only does this artist take a Meiji Period saki bottle and the aesthetic tenets of Japonisme as the formal and theoretical points of departure, the artist infuses the work with the symbolism of skill itself where artistic mastery as the embodiment of flux becomes the subject to ponder. As a fully realized and beautifully rendered piece, the vase attests to the artistic prowess of its creator. No longer a mere student working in the shadows of the teacher and no longer simply imitating or replicating past styles, this emerging artist shows the complete fluid transfer from student to master ceramist. Seen in this light, the vase represents a significant and pivotal achievement in Modern European ceramic ware. Fachschule für Keramik und Verwandte Kunstgewerbe (the Imperial School for Ceramics and Associated Applied Arts, 1875-1917) was a powerhouse of the ceramics industry. Located in the Turn-Teplitz region of Bohemia near the German border of what is today The Czech Republic, this was Europe’s largest pottery center in the first part of the 20th century. The school played an integral role in the center’s internationally regarded success as it provided the foundation of sourcing and training new talent for noted local manufacturers such as Amphora. It was at the Fachschule that master artists from these local ceramics houses enjoyed teaching and lecturing posts, and in true synergistic spirit, the big ceramics...

Art Nouveau Pewter Vase, Early 20th Century, France. This beautiful Art Nouveau period conical vase on 4 leaf-like feet features tall, flowering plant-shaped elongated handles and en...

This venerable piece is from the collection of Linda Ronstadt. Purchased sometime in the 1970s. This highly prized Sauterelles pattern vase is adorned with frolicking grasshoppers a...

Gorham sterling silver vase with red glass insert, beautifully crafted with dimensional floral and natural motifs in relief and in Art Nouveau style from the early 20th century. It m...

A fine English porcelain vase. Made in 1900 by George Grainger & Company, a subsidiary of Royal Worcester from 1889 - 1902. With painted floral decor...

A magnificent early 20th Century Art Nouveau cameo glass vase etched and enamelled with flowering Datura in a vibrant landscape. The design heightened with gilded design on the surfa...

A highly attractive early 20th Century Art Nouveau cameo glass vase etched and enamelled with flowering poppies against a warm yellow to orange field. The design heightened with gild...

This exquisite piece of art is a signed Emile Galle cameo glass windowpane floral Art Nouveau vase that looks like it has been transformed to a table lamp, although we are unclear wh...

Gustavsberg, Art Nouveau Iridescent vase, artist signed, 1904 Sweden, 1904 An exquisite Gustavsberg Art Nouveau iridescent vase from 1904,...

Large French Majolica Carnation Cache Pot Jérôme Massier Fils , Circa 1890 Height / 9.3 inches. Diameter / 12 inches.

Lovely, early 20th century glass vase with frilly edge coming from the famous Art Nouveau period in Austria around 1900. The mouthblown light pink flashed...

Great condition

Hand-crafted Danish Art Nouveau flower decorated vase by P. Ipsens Enke The hand-crafted art nouveau vase was designed by Axel Sørensen in 1927 and feature flowers, leafs, berries ...

Beautiful bamboo vase by Emilio Robba for the Daum Maison, France 2000s. Signed by the artist and manufacture. In very good condition, in its original box, the box has some wear. D...

The firm, JOHANN LOETZ WITWE, was a producer of decorative glass located in a Southern Bohemian town which is today known as Kláštersky Milyn in the Czech Republic. Under various own...

Ipsens, Denmark. Ceramic vase in Art Nouveau style. Design depicting plant growth. Glaze in orange and green tones. Model number 710. From the 1930s/40s. In excellent condition with ...

A William Moorcroft Pottery Ginger Jar and Cover, c1918 Additional Information: Heading : A William Moorcroft Pottery Ginger Jar and Cover Date : Circa 1918 Origin : Burslem, Staffo...

Vase in upright drum shape on an oval, flush stand, short neck piece raised at the top centre with slightly flared, raised rim, two handles fused onto the sides of the outer rim and ...

Designed by Palena Furniture.

Rare and large lidded jar from the Danish ceramic studio L. Hjorth. Most likely made ca 1930s. The jar features stylized figurines in ornamental movements and reminds of a mytholog...

Multilayered glass vase, in cameo technique. Cylindrical form in mottled orange, red, and brown, circa 1910. The decor of flowers and leaves is engraved in reserve and taken up on th...

Designed by Palena Furniture.

These matching green pillar vases' bases are painted black and contain various geometric designs that work their way up the shaft of the vase, eventually becoming less concentrated....

1910 Vintage Art Pottery Floral Ceramic Umbrella Holder. Gorgeous deep greens and golds.

100-year old Swedish Art Nouveau vase handmade by artist Edgar Böckman in the 1920s. Warm grey, rose, magenta colored lustre glaze covering the slender shape with large organic decor...

Theodor Hermann Schmuz-Baudiss for Konigliche Porzellan-Manufaktur. This monumental vase features a winter landscape at the edge of a forest. A stunning example of this artist's work.

An encounter with Massier’s luster-glazed ceramics is an embarkation on an acid-colored trip, the sort of exploration which inspires deep reflection and requires transparency. Clemen...

Art Nouveau ceramic fruit bowl stamped with a crown by, AUSTRIA AMPHORA 390042. Austria, CIRCA 1900.

Émile Gallé (1846-1904) Impressive Gallé French Cameo Glass Vase Large vase cone shape on pedestal Cased glass, opalescent, colorless, yellow and blue, acid-etched design with "Big...

4-piece set consisting of two vases and a centerpiece for flowers, made of silver-plated bronze with cut glass, manufactured by WMF-Württembergische Metallwarenfabrik (1853 to the pr...

4.5 inch iridescent gold vase with hand painted Art Nouveau style leaves, in gilt and etched blue, slight flared rim. Beautiful color Locat...

Art Nouveau Cookie jar iridescent glass by Loetz' with Lid Subtle, hand blown glass vase in the Art Art Nouveau style. Special color and technique for any collector. Looks simply ...

Theodor Hermann Schmuz-Baudiss for Konigliche Porzellan-Manufaktur. This vase features a geometric thistle at the neck and variations of animals at the shoulders, a hawk and a lion/...

Small baluster vase, flush round stand, bulbous body with attached funnel-shaped neck, colorless glass with flaky color powder enamels in white and yellow, in lower part in red, over...

Art nouveau in design and era, a fabulously glazed ceramic vase by Horsens Danico Denmark A super little vase to collect Circa 1920's Signed Danico, 221 Denmark Height 4.25 inch, Dia...

Antique Art Nouveau/Arts & Crafts Doulton Lambeth stoneware pottery jardiniere, circa 1890. The jardiniere is decorated in archtypical style with tubelined trailing sage green leaves and flowers on a deep burgundy colored background. The jardiniere is stamped to the base with the Doulton Lambeth mark, this jardiniere is probably decorated by Mark Marshall...

Large Baluster Vase by the Artist André Delatte, Art Nouveau. Glass vase by André Delatte, Art Nouveau period, circa 1900. H: 48cm , D: 13cm

Model $21008 The firm, JOHANN LOETZ WITWE, was a producer of decorative glass located in a Southern Bohemian town which is today known as Kláštersky Milyn in the Czech Republic. Und...

This wonderful, elegantly shaped with a flared rim vase , by Daum Nancy, features wheel-carved cameo glass of the highest quality detailing an amazing pink roses, or rose of France ...

19th Century large rectangular brass Art Nouveau planter with strap handles. Pad feet and original metal liner.

Attributed to Lucien Levy Dhurmer for Clement Massier. An encounter with Massier’s luster-glazed ceramics is an embarkation on an acid-colored trip, the sort of exploration which in...

A fine Daum Frères Vase with Coreopsis flowers, made in Nancy, France circa 1914. This example of French cameo glass, was mottled with glass powder, c...

Art nouveau in design and era, a fabulously glazed ceramic vase by Horsens Danico Denmark A super little vase to collect Circa 1920's Signed Danico, 221 Denmark Height 4.25 inch, Dia...

Grande garniture de cheminée en barbotine vers 1900 Composée d’une grande jardinière (Hauteur 29 cm, longueur 45 cm) et de deux vases (Hauteur 29 cm) Riche décor de fleurs en haut-re...

Émile Gallé (1846-1904) Rare and Important Galle French Cameo Glass Vase Cased glass, opalescent, colorless, yellow and blue, acid-etched design with the Basilica of St Nicolas de P...

Vase in the style of Daum in a baluster shape in green granite glass, acid-etched decoration with a motif of flowers and leaves enhanced with gilding. This vase has a brass frame ver...

Large vase on a round stand, widening like a bulge and then narrowing to a slightly conical, long, wide neck, opening with slightly flared mouth rim, colourless glass with orange-bro...

A Tudric pewter twin handled vase with a tall cylindrical neck and everted rim, the handles of sinuous organic form fashioned with Celtic entrelac motifs. Stamped - TUDRIC 0214 Des...