Camera TOTEM III by Laurence Poole

An assemblage of vintage still & movie cameras, flash units and light meters, mounted on a board support. The artwork is Wall-mounted and enclosed in a Perspex display case. A vintag...

"John" console table by Stephane Ducatteau, Signed by Artist, France, 2010. All Ducatteau pieces are available exclusively from Decoratum and are To Order only. Please allow 6-8 w...

‘Stick2’ steel light structure by Stephane Ducatteau, France 2007. Signed. All Ducatteau pieces are available exclusively from Decoratum and are to orde...

"Biblio John"; steel bookcase by Stephane Ducatteau, signed by artist, France, 2011 This bookcase rejects the idea that books and magazines should either ...

'Cadre' Steel Chair by Stephane Ducatteau, France, 2005. Signed. Don't be put off about the thought of sitting on a steel chair, this is perfectly proportioned and very comfortab...

Assorted Raku fired faces, all with their own expressions, happy or sad, strong and sure, tragic or comic, by Johan Thunell. Raku is a pottery technique in which pots are raw-glazed ...

For its premiere collection, exhibited at the 2011 Milan furniture fair, Oeuffice proposed “totems for living”, a series of monolithic objects that dominate the habitat, yet remain e...

For its premiere collection, exhibited at the 2011 Milan furniture fair, Oeuffice proposed “totems for living”, a series of monolithic objects that dominate the habitat, yet remain e...

For its premiere collection, exhibited at the 2011 Milan furniture fair, Oeuffice proposed “totems for living”, a series of monolithic objects that dominate the habitat, yet remain e...

I. ABOUT REBECA CORS Rebeca Cors (México, 1988). Her work oscillates between sculpture and utility object, studying the limits and meeting points between these two concepts. The intention of her work is to question paradigms in order to reinterpret objects from It’s established forms.? As a result, her practice approaches sculpture as: Abstract Sculpture - and - Utility Sculpture. The materialized compositions embody simplicity and balance, inspired by anthropometric proportions and nature’s forms. Simplicity is not a lack of content – but  the synthesis of the complex. A balanced and simple composition conveys peace. The art work’s origin comes from a place of inner peace, the materials and hands that materialize the piece add the same intention – as a result, the works emanate and propagates this serenity. Human beings surround themselves with objects through their existence, some for simple necessity or function, and -these others- that virtuate the space they inhabit, transmitting emotions that words simple fall short to describe; emotions that lead us to a state of contemplative meditation, in which the world around us seems to disappear for an instant, time vanishes and we enter this intimate human-object ritual, where a dialogue with the sculptural piece begins, words are not necessary. All hand-made in Mexico. All Mexican...

I. ABOUT REBECA CORS Rebeca Cors (México, 1988). Her work oscillates between sculpture and utility object, studying the limits and meeting points between these two concepts. The int...

I. ABOUT REBECA CORS Rebeca Cors (México, 1988). Her work oscillates between sculpture and utility object, studying the limits and meeting points between these two concepts. The intention of her work is to question paradigms in order to reinterpret objects from It’s established forms.? As a result, her practice approaches sculpture as: Abstract Sculpture - and - Utility Sculpture. The materialized compositions embody simplicity and balance, inspired by anthropometric proportions and nature’s forms. Simplicity is not a lack of content – but  the synthesis of the complex. A balanced and simple composition conveys peace. The art work’s origin comes from a place of inner peace, the materials and hands that materialize the piece add the same intention – as a result, the works emanate and propagates this serenity. Human beings surround themselves with objects through their existence, some for simple necessity or function, and -these others- that virtuate the space they inhabit, transmitting emotions that words simple fall short to describe; emotions that lead us to a state of contemplative meditation, in which the world around us seems to disappear for an instant, time vanishes and we enter this intimate human-object ritual, where a dialogue with the sculptural piece begins, words are not necessary. All hand-made in Mexico. All Mexican...