Hardwood Figurative Sculptures

Christ Crucified in boxwood and gilded loincloth, 16th-century German sculptor, height from head to foot 31 cm, width between hands 30 cm. Christ also has golden highlights on the pr...

Wooden sculpture figuring a man by a French artist, circa 1980. A very tall figurative sculpture made from roughly hewn birchwood. The features and details composing the character a...

Figurative abstract sculpture in bronze on a hardwood base. A whimsical form from the estate of Warren Davis, who was the owner of the Vintage Antique Bank in Petaluma, California. W...

These handsome but quirky brothers designed by Miguel and Ilse Silva for Wooda are the result of an engaging mix of personality, love, fun and mischievousness. Los Hermanos Calavera ...

Sculpture “Mermaid” by Johnny Mattsson, Sweden, 1950s. Pine with teak base. Dimensions: H: 28 cm/ 11" D: 7 cm/ 2 3/4" Johnny Mattsson was one of Sweden’s leading wood artists in t...

Fabulous glass sculpture of Adonis in bust form on a black glass plinth by Dino Rosin. Murano, Venice Italy. Signed in numerous places. In excellent condition.

Virgin of Nuremberg in carved boxwood in very good condition. Model after the original dating from the 16th century and attributed to the famous late Gothic sculptor Adam Kraft (c. 1...

18th century French or Italian Santo Nativity Figure, a hand carved and painted fruitwood figure for a Christmas Crèche or Krippe. Excellent and delicate details to the head and hands. The half figure stands on a dowel set into platform base, dressed in original fine linen robe...

Tim Holmes (American b. 1955), The Victorious Gladiator, Brutalist Bronze on Wood plinth, Signed © Holmes and numbered 5/20 on base. Measures 9" in width, 7.5" in depth and stands 19...

Immerse yourself in the poignant beauty of this significant carved wood and polychrome sculpture depicting the iconic scene of the Pieta. Crafted possibly in Spain during the 19th ce...

Petite 2 Scuplture by Chandler McLellan Dimensions: D 12.7 x W 19.05 x H 43,2 cm. Materials: Walnut. “Petite” made not so petite. Sculptures will be signed and dated. Please contac...

Petite Noire Scuplture by Chandler McLellan Dimensions: D 7,6 x W 10,2 x H 30,5 cm. Materials: Ebonized ash. Please expect minor differences in wood grain and other naturally occur...

Did you now the unicorn is Scotland's national animal? They could have picked Nessie, but went with the most magical creature ever conceived. We're not certain if this massive bras...

"Mycelium" is a captivating sculpture by Alexey Krupinin, inspired by mushrooms and fungi. It symbolizes the interconnectedness of all living things. Constructed with wood, urethane,...

Fabulous pair of late 20th Century sculptures of real sheep. Both are covered in wool except for the wooden hooves. In excellent vintage condition with minimal wear. Priced and sold ...

Free-Standing Art Deco African Sculptural Bust in the style of Karl Hagenauer The bust has been inspired by other sculptural Art Deco pieces made by...

Whimsical Mickey Mouse wood sculpture hand carved and painted in his blue tuxedo.

Anatomical model for class, depicting an external and inner ear, made out of painted papier mache’ mounted on black painted wood. France circa 1890.

Exceptionally Fine Wooden Sarcophagus Mask Third Intermediate Period, 21st Dynasty, circa 1069-945 BC. Acacia wood, rosewood, hippopotamus ivory Masterfully carved from a single piece of fine-grained hardwood, the present mask is characteristic of the most exquisite funerary art made during the 21st Dynasty, and was probably commissioned for a particularly high-ranking individual. The oval face displays a gently smiling mouth with full, outlined lips, furrows at the corners and a bow-shaped philtrum. The straight nose with rounded nostrils, the cheeks full and fleshy and the large, almond shaped eyes with heavy lids and tapering cosmetic lines, set below long, sweeping eyebrows. Social collapse across the Mediterranean in the Late Bronze Age meant that the 21st Dynasty in Egypt was a period of great turmoil. Trade routes were disrupted, governments collapsed, and mass migration occurred. Economic scarcity meant that traditional funerary practices in Egypt were also affected, with a lack of material and financial resources leading to the reuse of preexisting material. As a result, during the 21st Dynasty, 19th and 20th Dynasty coffins changed ownership rapidly and were heavily recycled for new purposes. Tombs were also unmarked allowing them to be shared by many people. These new practices brought forth a shift in the understanding of funerary paraphernalia. No longer important objects owned forever by the deceased, they were now simply seen as short-term transformative devices, whose symbolic and ritualistic meaning could be appropriated for others. However, paradoxically, the art of coffin-making also reached new heights during this period, and many of the richly dec- orated “yellow” coffins, characteristic of the 21st Dynasty, are remarkable works of art in their own right. Indeed, knowing that coffins were being reused throughout Egypt, the Egyptian élite set themself apart by commissioning lavish sarcophagi decorated with the images and texts meant to help guide them to the afterlife, and which would otherwise have adorned the tomb walls. As coffins were the chief funerary element which now identified the dead and allowed them a physical presence in the world of the living, their quality and appearance were of the utmost importance. The traditional coffin ensemble was made of three parts: a wooden mummy cover, which laid directly atop the mummy, an inner coffin, and an outer coffin, both made of a lid and case. Additional decorative elements, such as masks, were carved out separately and later glued or pegged to the lids. After the completion of the painted decoration, the sarcophagus was covered in a varnish to give it its yellow colour. Gilding was sometimes used for the coffins of the high priests’ families, notably on parts representing naked skin, such as the face mask. However, some of the élite tactically avoided gilding altogether as to ensure that their coffin would not be looted. When manufacturing the inner and outer coffins, particular attention was paid to the woodwork. Displaying the skill of the carpenter, this type of funerary art has largely remained unparalleled throughout Egyptian history. The principal wood used to craft the present mask is Acacia nilotica. The evergreen Egyptian acacia was considered sacred and said to be the tree of life, the birthplace of the god Horus, as well as symbolic of Osiris, the god of the dead and resurrection. The modelling of the face in the wood is superb, but the inlays also help mark this mask out as exceptional. Inlaid eyes and eyebrows were extremely rare and reserved to the finest and most expensive coffins. Traditionally, eyes were made of calcite, obsidian, or quartz, and eyebrows of coloured glass paste or bronze. Here, the pupils, eyebrows, and cosmetic lines are inlaid with Dalbergia melanoxylon, a rare type of wood which belongs to the rosewood genus. In antiquity, however, it was known as Ebony of the Pharaohs, from the Egyptian word “hbny”, meaning dark timber, because of its black, lustrous appearance. An extremely dense and hard wood requiring significant skill to work with, ebony was a luxury material highly coveted by the pharaohs themselves, to make furniture, decorative and funerary objects. The wood was imported with great effort from the southern Land of Punt, most likely modern Sudan, Ethiopia, Djibouti, and Eritrea, alongside other luxury goods such as gold and ivory. A magnificent ebony throne, recovered in the tomb of King Tutankhamun, illustrates the incredible aesthetic potential of this material and why it was so highly valued by Egyptian royalty. Only élite members of Egyptian society could have afford- ed Ebony of the Pharaoh inlays for their funerary mask. The sclerae on the present piece were once both inlaid with hippopotamus ivory. Whiter than elephant ivory, this type of ivory is also denser, and more difficult to carve. The use of this luxury material, reputed for its gleaming appearance, enhances the lifelikeness of the eyes. For the Egyptians, hippopotamus ivory was imbued with magic powers. The hippopotamus was indeed both feared and venerated due to its aggressive behaviour. Whilst the male hippopotamus was associated with danger and chaos, the female was benevolent and invoked for protection, especially of the house and of mothers and their children, through the hippopotamus goddess Tawaret. Thus, not only was hippopotamus ivory used as an inlay and to make practical objects, such as combs and clappers, but it was also used to make talismans like apotropaic wands or knives. Made during a time of scarcity where few could afford made-to-order coffins, the present mask could have only belonged to one of the highest-ranking individuals in society. Undoubtedly one of the finest Egyptian coffin...

We are very pleased to offer a Folk Art wooden articulated man, circa the 1950s. This nearly 5-foot tall, handcrafted piece, epitomizing Mid-century American craftsmanship, is made ...

Original designed Pop Art Lipstick Vanity made from solid cherry wood. Has 5" x 7" mirror with small bevel around the edge. Meant as a fun but practica...

Mid 20th century sounvenir reproduction of an ancient Roman sun dial. Fan shaped metal dial plate, decoratively aged, with etched / gilded rays and Roman numerals indicating the hour...

This beautiful sculpture realized in China in the 18th century depicts Guanyin, a Bodhisattva associated with compassion. The female form holds a pot in her hands. She appears draped...

Original hand carved sculpture of person holding their hands in front of their face. Carved from solid ailanthus and allowed to naturally spalt ...

A hand-carved effigy of mother and child from the Dayak tribe in Borneo, mounted on a black metal stand. Ancestral figures were important in Dayak culture as a means of spiritual p...

Lovely Set of 7 Scandinavian Wooden Woodpecker Corkscrews + 2 WIne Corks, 1960s

Product Description: Artist: Johann Heinrich von Dannecker (1758-1841) Title of the Sculpture: "Ariadne on the Panther" Material: Carved from fruitw...

Pair of gothic revival carved cherubs circa 1970. Good quality pair of hardwood cherubs which are coloured to match walnut. Each figure seated on a plinth base of carved rock, tree...

A monumental African female fertility standing sculpture associated with the Zulu people in South Africa. The female form is exquisitely carved in the teakwood. A unique collector’s ...

Exquisite C.1900 Articulated Wooden Hand on stand Unleash your creativity or add a touch of history to your space with these captivating antique articulated wooden hands.Carved from warm beech wood, their timeless design whispers of a bygone era. Originally crafted for artists' models or store glove...

A late 17th-century figure in polychromed chestnut wood with excellent carving and gilding, dressed in a flowing veil and cashew hair down the shoulders. The cheekbones and nose are ...

David Nyzio "Scaled Form" Sculpture, circa 1980s. Features a iridescent trench or rain coat on a wooden stand. Includes original crate David Nyzio (born 1958) is an American artist...

A scarce 17th century Spanish Colonial carved wood santo with provenance from the National Museum of the Philippines Manila. circa late 1600s A large part of what makes this example so very rare is not just the age and condition, but the saint depicted, San Roque. The Hispano-Philippine (Spanish-Filipinos) hand carved hard wood religious altar figure presents splendidly, with scattered remnants of original gesso and polychrome pigments, the exceptionally sculpted religious folk art depicting San Roque (Saint Roch or Rocco), the 14th century Catholic patron saint frequently invoked against the plaque, various infectious disease, as well as patron saint of dogs, invalids, of falsely accused people, and of bachelors, amongst others. Provenance / Acquisition: Retaining registration - identification label to verso from The Republic of the Philippines (RP) National Museum of the Philippines Manila with hand written registration number. Acquired from highly reputable auction house, Austin Auction Gallery, est. 1982, Austin, Texas. February 2022 catalog. Dimensions: (approx) Overall: 15.75" High, 5" Wide, 4" Deep. Figure: 14" High 1.5lbs Great original antique condition, especially considering it's around 350 years old. Nicely aged patina over the whole. Presented on a later wood plinth base. Typical loss to right arm, minor finish losses, old tiny metal plate added to prevent age related splitting, all wear consistent with age, and only adds to the overall sophisticated character, authenticity, and charming rustic warmth that can only be acquired over long periods of time. We here at Lynx Hollow Antiques absolutely love religious antiques, from an antique altar, church architectural salvaged building and ornamental elements, reliquary, tabernacle cabinet...

Eskimo with seal and spear produced by Hiorth & Østlyngen in the mid 50. Arne Tjomsland was one of Norway’s foremost souvenir designers in the 1950s...

Oceanic Carved Wood Figure Of Two Lovers 43" tall.

Valery Pchelin’s distinct approach to sculpture has been shaped by his early experience as a carpenter: different pieces of wood are assembled to construct intriguing artworks full o...

Valery Pchelin’s distinct approach to sculpture has been shaped by his early experience as a carpenter: different pieces of wood are assembled to construct intriguing artworks full o...

1537 Neapolitan hand carved wood sculpture "the Finger" Beautiful detailed carving

These handsome but quirky brothers designed by Miguel and Ilse Silva for Wooda are the result of an engaging mix of personality, love, fun and mischievousness. Los Hermanos Calavera(...

This magnificent vintage Chinese Wood Carved Kwan Yin Statuary has intricate carving works. It is all hand made and hand carved Kwan Yin sitting under the tree and holding a flower i...

Oak Artistry Unseen Force #70: Joel Escalona's Coffee Table, Sculpture Blend Sculptural coffee table made of solid wood with a natural water-based or carbonized finish. Due to the ...

Sculpture-Base Unseen Force #67: Joel Escalona's Oak Coffee Table, Unique Design Sculptural coffee table made of solid wood with a natural water-based or carbonized finish. Due to ...

Artisanal Unseen Force #68: Joel Escalona's Crafted Oak Table, Elegance & Form Sculptural coffee table made of solid wood with a natural water-based or carbonized finish. Due to the nature of the production process, each piece may vary in grain, texture, shape or even size. The dimensions provided refer to the table only. The dimensions and shape of the sculpture may vary. — About the Concept. Unseen Force Coffee Tables and Side Tables, design by Joel Escalona for NONO When Tables Talk Art...

Decor-Focused Unseen Force #69: Solid Wood by Joel Escalona, Coffee Table Art Sculptural coffee table made of solid wood with a natural water-based or carbonized finish. Due to th...

A pair of 18th century German figures of one legged beggars after the engravings of Rembrandt in box wood. Circa 1780

Step into the sophistication of 1950s French artistry with this elegant wooden male torso. Sculpted from solid wood, this piece stands as a testament...

The Eight Immortals are the eight immortals in Taoism, representing eight different groups of people, men, women, old and young, poor, lowly, rich and noble. Since the Eight Immortals are mortals who have attained Taoism, their personalities are closer to those of the common people. Recently, they have become very important representatives of the immortals in Taoism. The Eight Immortals are Tieguai Li, Zhong Liquan, Lan Caihe, Zhang Guolao, He Xiangu, Lu Dongbin, Han Xiangzi, Cao Guojiu. They are well known in Chinese folks. Size: 11in H x 4in W x 3.5in D each Origin: China Circa: 1950's Material: Boxwood Condition: Original condition, hand made and hand carved, normal age wear. Disclaimer: Due to differences in monitor/screen settings, product colors may differ slightly between product photos...

Technique: Tempera and oil on wood Dimensions: 25 x 11 x 8 cm Description: This exceptional work from the 12th century represents the Seated Virgin with Child (Sedes Sapientiae), standing out as an artistic treasure from medieval Spain. The portrayal of the Virgin enthroned with the Child on her lap is emblematic of Romanesque art, and this particular piece is a valuable and authentic example of that era. The current polychromy belongs to the Gothic period and overlays the original Romanesque layer. It is crucial to highlight that the current state of the artwork is the original, without any cleaning interventions, imparting a unique authenticity. The work exhibits architectural characteristics typical of Romanesque art, evident in the sides of the throne. The rigidity and symmetry characteristic of this style are reflected in the firm presentation of the Baby Jesus, noticeable in his gesture while holding his son. The Virgin wears a crown, symbolizing her royal character as the Queen of Heaven and Creation. Both figures retain traces of polychromy on the face and attire, adding layers of history and authenticity. While similar Romanesque Virgin...

This exceptional sculpture, finely carved from solid wood and dating back to the 18th century, pays tribute to the devotion and artistic skill of its era. Depicting the Virgin Mary, ...

3-660 hand carved hardwood Cambodian princess.

An angel lost a wing... and I picked it up for Christmas time...

An angel lost a wing.. and I picked it up for Christmas time.. I cannot write the exact sizes of this wing because 1stdibs deletes every number.

Hans Bolling for Orskov & CO teak and beech wood figurine with furry mustache. Stamped on the bottom. Made in Denmark

A Sicilian Marionette head depicting a Saracene, it's a part of " Opera dei Pupi " inspired by The French poem " La Chanson de Roland ". This one it's in original condition with consistent signs of use and age, original fabric and natural hair. A Late 19th Century Hand-Carved Wood Sicilian Head...

Immerse yourself in the timeless elegance of 1950s French artistry with this elegant wooden female torso. Sculpted from solid wood, this piece stands as ...

An Indian angel lost a wing... and I picked it up for Christmas time...

This hand-built ceramic sculpture is set on a lucite frame that’s attached to a solid cherry base. There is a crack on the lucite frame, and we’ve priced it accordingly

An unusual pair of sculptural candle or joss stick holders- a pair of jolly grinning men holding up smiling fish and standing on stylized rockery bases carved of a piece with the re...