‘Maasai Girl’ Original Sculpture by Annie Marsters, 2015

An exceptional and large impressive French Art Deco earthenware figural study of a seated young naked girl sat between two Borzoi hounds by Armand Godard produced by Marcel Guillard (1896-1932) for Editions Etling, Paris and dating from around 1925. This huge pottery figure is mounted on a long rectangular shaped integral base and portrays the naked girl...

A stunning Minton majolica pottery figure depicting a girl harvester figurine dating from 1864. The figure sits raised on a round pedestal base and holds a large oval shaped basket u...

A stylish vintage Danish Knabstrup Keramiek pottery sculpture of a nude maiden with a swan seated on an oval pedestal base and decorated in white glazes with...

A fine and scarce antique English Staffordshire figure of a girl with a very large sheep dating from the mid 19th century. The figure stands on molded rock...

A scarce Danish Royal Copenhagen porcelain figure of two girls with a doll designed by Christian Thomsen (1860-1921) and dating from the mid 20th century. The figure stands raised on...

A scarce and stylish Austrian Art Deco Goldscheider, Wien, pottery figure of a young girl with a dog dating from circa 1930. The novelty young girl figure stands on a rectangular bas...

Sculptures in hand-hammered aluminum by Jacques Jarrige. Jacques Jarrige has always explored the relationship between line and space, material and void to its very limit in his sc...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2015. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world...

This is an interesting multiple artwork signed by the author Annie Lambert, a talented young artist of years 80' in Italy. This is a multiple of a numbe...

Annie Maume - La Borne Original and unique piece signed at the base Realised circa 1970 Large brown stoneware ceramic sculpture penguin form Original eprfect condition ...

Set of three monumental concrete figures by Signe Solberg. Signed Signe Solberg, 'Mini monument '1, 2, 3’. Signed. Solbergs work explores the emotional dynamic between the view...

Aluminum and stainless steel hanging sculpture by Peter Shire, 2015. Approx: 48" diameter x 48" high Peter Shire: Peter Shire is an LA-based artist whose work eludes all attempt...