Sculpture of a Hare by Knud Max Möller

A fine antique white marble sculpture of madame Recamier after the famous sculpture by Joseph Chinard (1756-1813). Chinard was a Frenc...

A fine patinated terracotta sculpture from around ca.1900 of a lion signed A. Fagotto. Armand Fagotto was a Italian sculptor working during the end of the 19th century and early 20th...

TRULS MELIN, born in 1958. Drowning sailors. Painted metal sculpture Provenance: Galleri Lars Bohman, Stockholm.   

A small bust of a woman head made of silvered bronze. Signed on the back but we do not know by who. A truly nice piece of art.   

A sculptured head of an American Indian Chief. It is said that this really is a self-portrait of Gunnar Nylund, the artist. It has its original wooden stand . The height is 42 cm wi...

This is a study for one of the figures that is part of Tore Strindbergs large sculpture "The five continents" placed in Gothenburg, Sweden. This one represents Asia. The sculpture ...

Stoneware Sculpture of Boy with Bear in ceramic by Knud Kyhn Stoneware sculpture of boy with bear from Royal Copenhagen. Additional information:...

White marble sculpture of a hare Firenze 1840 Decorative sculpture from 1840 by PIetro Freccia (1814-1856) in Firenze. It is made of white Carrara marble. The sculpture is reminiscen...

Whimsical large animal sculpture (dog? kangaroo? giraffe? or trippy made up animal? whatever it is, it's cool!) signed by artist Knud Albert, Denmark, 1960...

A wonderful late 19th Century Animalier bronze group of a hare resting on its hind legs with its ears raised in an alert position with excellent rich olive green and golden patina and fine hand chased surface detail, signed Dubucand, stamped with the EV Foundry stamp and Numbered 875 ADDITIONAL INFORMATION Height: 10 cm Condition: Excellent Original Condition Circa: 1880 Materials: Bronze Book reference: Animals in Bronze by Christopher Payne SKU: 9017 ABOUT Dubucand Hare Alfred Dubucand (25 November 1828 – 1894) Dubucand was born in Paris and was a French animalier sculptor of the 19th century. His works were often entered into the annual Salon art exhibition in Paris where he contributed works over the course of his career. He was one of the prize pupils of Antoine-Louis Barye. Dubucand made his debut at the 1867 Salon with a wax model of a dead pheasant, a rather inauspicious start when considering the higher quality sculptures he would submit later in his career. He modelled mainly animal groups, producing a number of deer, dog, and horse sculptures. His better casts feature a warm, mid-brown patination, sometimes coming in even lighter shades bordering on a very light yellow, being nearly the colour of the bronze metal itself. He frequently experimented with chemical patinas, learning the patination process from his teacher and mentor Barye who stretched the boundary with his now famous dark green patinas. Dubucand paid strict attention to the anatomical detail of his subjects, often being so concise that he actually showed the veins in the legs of his deer and elk sculptures...

A Brutalist bronze sculpture by the American sculptor Max Fleisher (1914-1977). This sculpture depicts a seesaw with an abstract figure on each end. The seesaw can be tilted to eithe...

A large 1958 sculpture in welded steel, brass, bronze, and copper on a small plate mount by California-based artist Max Finkelstein. Entitled “Jacob’s Ladder,” the piece displays Fin...