Cute Pair of Late 19th Century Gilt and Patina Bronze Chenets / Bookends

A Fine Pair of Late 19th Century Gilt and Patina Bronze Chenets Each of a lion seated and roaring on a gilt base with a flower reef design.

An interesting pair of late 19th century gilt bronze chenets Each depicting Bacchus, wrapped in grape vines, flanked by a cherub and standing on a bronze base.

A Nice Pair of Late 19th Century Gilt Bronze Chenets Each with swagged flaming-urn finial, flanked by pine cone finial.

A very fine late 19th century gilt bronze fireplace fender The centre of the fender with a wreath and scrolling foliage with berries, each end with a child reaching toward a flame...

A Pair of late 19th/ early 20th century Bronze Chenets. Modeled with scrolling acanthus.

A beautiful late 19th century gilt and patina bronze inkwell Depicting a bronze sleeping cherub lying on a gilt bronze settee, opening up to two ink holders.

A fine pair of French 19th century Japonisme Louis XV style Gilt-Bronze and Marble Figural Chenets (Andirons) by BOUHON FRES, each depicting a flaming dragon atop an "L" shaped base surmounted with an allegorical gilt-bronze and marble urns with floral garlands and paw-feet, the base with a draped ormolu design and raised on tapered feet. Stamped: "B&H". Circa: Paris, 1890-1900. The bronziers Bouhon et Cie. Bouhon Frers. specialized in bronze-decorated fire-places and fire-fittings. These large and fine chenets are supreme examples of their output. The firm participated in the 1878 and 1900 Paris Expositions Universelles. Japonisme[a] is a French term that refers to the popularity and influence of Japanese art and design among a number of Western European artists in the nineteenth century following the forced reopening of foreign trade with Japan in 1858. Japonisme was first described by French art critic and collector Philippe Burty in 1872.[3] While the effects of the trend were likely most pronounced in the visual arts, they extended to architecture, landscaping and gardening, and clothing.[4] Even the performing arts were affected; Gilbert & Sullivan's The Mikado is perhaps the best example. From the 1860s, ukiyo-e, Japanese woodblock prints, became a source of inspiration for many Western artists.These prints were created for the commercial market in Japan. Although a percentage of prints were brought to the West through Dutch trade merchants, it was not until the 1860s that ukiyo-e prints gained popularity in Europe. Western artists were intrigued by the original use of color and composition. Ukiyo-e prints featured dramatic foreshortening and asymmetrical compositions. Japanese decorative arts, including ceramics, enamels, metalwork, and lacquerware, were as influential in the West as the graphic arts. During the Meiji era (1868–1912), Japanese pottery was exported around the world. From a long history of making weapons for samurai, Japanese metalworkers had achieved an expressive range of colours by combining and finishing metal alloys. Japanese cloissoné...

A pair of French Early 19th century Louis XV gilt bronze figural Chenets Andirons. The scrolled and pierced body, each surmounted with a figure of a young boy and a young girl, both ...

A very fine and charming pair of French 19th-20th century Louis XV style Belle Époque figural gilt-bronze chenets. The finely chased whimsical ormolu andirons, each surmounted with a...

A Magnificent Pair of Large Antique 19th Century French Louis XVI Style Two-Tone Patinated and Dore Bronze Dog and Cat Form Chenets/Andirons Modeled after Jacques Caffieri...

A pair of French 19th century Baroque Revival style steel and patinated bronze figural chenets (Andirons). Each with a posing male figure holding a satyr shield next to decorative sp...

Pair of French 19th-20th century baroque style patinated bronze figural chenets (Andirons). Each chenet topped with a cherub standing on a stand flanked by styrs and royal goat-heads...