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Amelric Walter Pate De Verre Cricket Pendent

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  • Amalric Walter Pate De Verre Nude Boy Figure
    By Amalric Walter
    Located in Dallas, TX
    Almeric Walter and Henry Mercier Pate De Verre Art Nouveau Figure of a Nude Cherub or boy seated with his hand on his head. A wonderful pâte-de-ver...
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  • Gabriel Argy Rousseau Pate De Verre Knight
    By Gabriel Argy-Rousseau
    Located in Dallas, TX
    Gabriel Argy-Rousseau Pâte de Verre Chevalier Paperweight, Circa 1920 Art Nouveau - Art Deco period mottled glass is shades of red, pink, orange and purpl...
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  • Francois Decorchemont Pate De Verre Art Deco Paperweight
    By Francois Decorchemont
    Located in Dallas, TX
    Francois Decorchemont Pate-de-Verre Chameleon Paperweight sculpted with orange and clear bubbled glass. Francoise Decorchemont pioneered the pate de Verre industry in the turn of the...
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  • Henri Cros Pate De Verre Rampant Lion Large Plaque, circa 1910
    By Henri Cros
    Located in Dallas, TX
    Another rare pate de verre item by Henri Cros in collaboration with his son Jean Cros. A very nice size at 10.75 Inches by 8.65 Inches. translucent; this plaque can be lit up from be...
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    Vintage 1910s French Art Nouveau Animal Sculptures

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    Art Glass

  • Francois Emile Decorchemont Pate De Verre Mask of Pan
    By Francois Decorchemont
    Located in Dallas, TX
    A rare and large pate de verre molded sculpture of the mythological God Pan. Very thick and heavy; this glass piece is primarily bluish green with yellow, reds and orange. The likeness is uncanny with perfectly modeled facial features and traces of his goat horns. This piece was said to exhibit at the Brooklyn Museum in 1971 but there is no documentation. The mask is stamped Decorchemont on his right cheek. For serious collectors of Art Deco - Art Nouveau rare and beautiful glass, circa 1915. Measures: Height: 7.75 inches (19.75 cm) Width: 5 inches (12.8 cm) AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return if the items are not as described. François-Emile Décorchemont...
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    Vintage 1910s French Art Deco Figurative Sculptures

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  • Francoise Emile Decorchemont Pate De Verre Mold of a Woman’s Face
    By Francois Decorchemont
    Located in Dallas, TX
    François-Emile Decorchemont Pate-de-Verre Glass Mold Of A Female Ladies Face. A rare, large and very heavy sculpture of either a mask or a modeled face. At 3.5 inches thick in glass with a peach, pink or rose color; this statue was exhibited in the Brooklyn Museum, New York in 1971. With much research; I haven’t seen or heard of a similar form by Decorchemont. The original Brooklyn Museum loan sticker is on verso with the Decorchemont stamp on her left cheek. For serious collectors or rare Art Deco, Art Nouveau glass. Circa 1910 Molded Signature DECORCHEMONT Height: 7 Inches (13.3 cm) Width:. 5.2 Inches (16.5cm). AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return if the items are not as described. François-Emile Décorchemont French, 1880-1997 François Décorchemont, originally an accomplished painter and potter of recognized ability, turned to the making of glass in 1904. Pâté de verre was the medium in which he excelled and for which he is best known. After studying decorative art in Paris, François Décorchemont returned to his native Conches in 1910 to develop new techniques in stained glass, particularly in the use of crystal to give multicolored and faceted panes. After 1909, while continuing to produce fine glass paste pieces, Francois Decorchemont began to experiment with a new casting technique. François Decorchemont, Emile's son and also an artist, helped out in his father’s studio, in particular helping him to research the possibilities of creating jeweled adornments in pates d'email (enamel pastes) for Gerome's polychrome sculptural creations. Francois Décorchemont, a potter and painter at the outset of his career, became fascinated with the IDEA of developing and utilizing a thin translucent glass material in his work. It was in essence the revival and an adaptation of a long forgotten Egyptian glass-making process using colored crystal powdered glass, metallic oxides and an adhesive paste. This "new" material, known as pâte de verre was developed around the turn of the century, principally at the Sevres porcelain factory, by a number of artists working there, notably Henri Cros and Albert Dammouse. The end of the 19th century was an illuminated period in the history of art. Impressionist painting appeared and created an interest in glass as material. Traditional sculpting materials such as bronze and marble made way for glass with its possibilities of light and color. Henry Cros and François Décorchemont became the leaders of French pâte de verre and facilitated the proliferation of this colorful glass. His first major work, in 1934, was inn the Eglise Sainte-Odile near Porte Champerret in Paris, some 300 square meters of brilliant colors. After the war, he devoted his work to churches in the Eure, including of course Beuzeville where, thanks to the generosity of the local council, the church is lit at night so that his work can be admired from outside. During the first half of the 20th century a number of French artists became famous for their work in pâte de verre, and Francois Decorchemont among them. March 2014, 20th Century’s Greatest Art Dealer Felix Marcilhac’s Collection Privee at Sotheby’s - Chang Yi Entrusts Antoine Leperlier in the Bidding of a Francois Decorchemon's Original. It has been reported that Felix Marcilhac’s Collection Privee auction at Sotheby’s brought in 33,125 Euros (28,000 RMB), three times the estimated price. Marcilhac is considered the greatest Art Deco dealer...
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    Vintage 1910s French Art Deco Figurative Sculptures

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    Art Glass

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  • Almaric Walter Pâtes de Verre Art Glass Figure of Pan Playing his Pipes
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    A rare and fine French pâtes de verre cast glass figure of Pan by Victor Amalric Walter and believed to have been made in Nancy circa 1920. This charming...
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  • "Langouste" Pâte De Verre Vide-Poche by Walter and Bergé
    By Henri Bergé and Amalric Walter
    Located in New York, NY
    A French Art Nouveau pâte de verre vide-poche by Amalric Walter and Henri Bergé. This piece features a brown lobster resting on a blue-green shaped dish, circa 1900. A similar vid...
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  • Almeric Walter Pate de verre Vase Designed by Corretic, France, circa 1925
    By Almeric Walter
    Located in West Palm Beach, FL
    Almeric Walter Pate de verre vase, designed by Corretic, France, circa 1925 molded mark A Walter/Nancy, Corretic/Sc. Measures: Height 4.5...
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  • Amalric Walter and Henri Bergé "Flying Fish" Pâte de Verre Vide-Poche Glass Dish
    By Henri Bergé and Amalric Walter
    Located in New York, NY
    A ravishing compromise between the Art Deco and Art Nouveau styles, this hexagonal pâte de verre vide poche by Amalric Walter and Henri Bergé features a strong architectural shape softened by a lush vortex of pastel colors. A flying fish with raised spine and rigid ribbing on its splayed fins swims languidly through a shallow pool of aqua ripples and speckled kelly green kelp, its body twisting into a serpentine "S," perfectly filling the space within the hexagonal form. Item #: P-20232 Artist: Amalric Walter, Henri Bergé Country: France Circa: 1920 Size: 1.25" height, 7.75" width, 7.25" depth Materials: glass Literature: A similar vide-poche is pictured in Amalric Walter (1870-1959), by Keith Cummings, Kingswinford: Broadfield House Glass Museum, 2006, p. 44, cat. no. 66 The pâte de verre technique is an ancient form of kiln casting, used since the time of the Egyptians, and literally translates to "paste of glass...
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