Abstract Industrial Welded Steel Sculpture "Source" by David Tothero

This large floor piece "Diptych 2" consists of two clear Lucite panels that encase pinhole photo transparencies with images taken from under an urban expressway. The panels are held ...

This large floor piece "Diptych 1" consists of two clear Lucite panels that encase pinhole photo transparencies with images taken from under an urban expressway. The panels are held ...

Whimsical wheeled ceramic and plaster sculptures by artist Scott Rosenthal. The larger sculpture is fired ceramic, and the two smaller car sculptures are pl...

Beautiful and unique cast lucite sculpture "Damocles" by New Jersey based artist Karen Brown. This piece is a modern take on the ancient Roman parable, the Sword of Damocles. A guill...

Mysterious and unique cast lucite sculpture "TTGTY" by New Jersey based artist, Karen Brown. A female torso is surrounded by curved orange rods, all of which are embedded in a block ...

Striking and detailed bronze relief sculpture from Benin, now known as Nigeria, in Africa. This piece was modeled after ancient Benin bronzes, but is from the 20th Century. The intri...

1970’s Brutalist Abstract welded steel sculpture on a wooden base. In original vintage condition. Measurements: 19” Wide, 10.5” Deep, 20.5” High. Base is 11.5” Wide, 4” Deep.

Really cool and unique abstract solid steel with brass welded rods wall sculpture can be hung in many positions. it can be used as a wine rack.

Modernist abstract welded steel sculpture "Explosion" by Robert Brock. Intricately designed, precision welded steel rods, intentionally made to look as if it was blasted open, truly ...

A large welded steel table sculpture "Interdimensional Antennae" by sculptor David Phillips. Acquired from the collection of the artist. Trained as a...

Ramp steel Measures: 6 x 8 x 42 in. Artist statement: I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable. The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum. Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is primitive. It exists because it is sacred. Biography: Scott Gordon was born in Ridgewood, New Jersey in 1966. He attended the University of Denver where he studied business and the University of Washington where he pursued an MFA in creative writing. While he was in Seattle, he was introduced to steel as an employee of the David Gulassa Company, a fabrication shop which produced custom furniture and architectural fixtures. At Gulassa, after hours and on weekends, Scott worked on personal projects, applying the tools and techniques used in his daily work. Lacking resources to purchase stock materials, much of the steel he used came from the scrap bins at Gulassa. He also used steel found along the railways, shipyards, and industrial corridors of Seattle. The characteristics and limitations of the material helped him to define his aesthetic and his approach to sculpture. He currently lives and works in Vermont. Inspirations: David Smith, Anthony Caro, John Chamberlain, Julio Gonzalez, Richard Stankiewicz, Tony Smith...

Shaman steel, found objects 20 x 6 x 20.5 in. Artist statement I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable. The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum. Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is primitive. It exists because it is sacred. Bio Scott Gordon was born in Ridgewood, New Jersey in 1966. He attended the University of Denver where he studied business and the University of Washington where he pursued an MFA in creative writing. While he was in Seattle, he was introduced to steel as an employee of the David Gulassa Company, a fabrication shop which produced custom furniture and architectural fixtures. At Gulassa, after hours and on weekends, Scott worked on personal projects, applying the tools and techniques used in his daily work. Lacking resources to purchase stock materials, much of the steel he used came from the scrap bins at Gulassa. He also used steel found along the railways, shipyards, and industrial corridors of Seattle. The characteristics and limitations of the material helped him to define his aesthetic and his approach to sculpture. He currently lives and works in Vermont. Inspirations: David Smith, Anthony Caro, John Chamberlain, Julio Gonzalez, Richard Stankiewicz, Tony Smith...