"Geniuses of the Arts" Gilded Bronze and Marble Clock Set by G. Fabre, c. 1900

Marked on the dial Furet & Bon, Hrs du Roy, à Paris Measures: Clock – Height 98 cm (38 1/2 in.), width 70 cm (27 1/2 in.), depth 25 cm (9 3/4 in.) Candelabra – Height 116 cm (45 ...

Dial signed Polti Frères Measures: With base or glass: Height 61 cm (24 in.), width 51,5 cm (20.3 in.), depth 23.5 cm (9,2 in.) Without base: Height 52 cm (20,5 in.), width 42 cm (16.5 in.), depth 12.5 cm (4.9 in.) Important philhellenic clock in burnished and amati gilded bronze, finely chiseled, representing on the terrace a couple elegantly dressed in "the turkish style", and richly decorated with foliage, scrolls and flowers. The feet, decorated with water leaves, rest on an oval wooden base covered with a globe. The theme of the clock comes from The Giaour, a fragment of a Turkish Tale, an English poem by Lord Byron published in may 1813 which tells the thwarted love of a Venetian, the Giaour – term by which the Turks designate infidels and especially Christians – and of Leila, a slave belonging to Hassan’s seraglio, military leader of a Turkish province. The betrayal of Leila discovered, she will be thrown into the sea and her lover will avenge her by killing Hassan, then taking refuge in a monastery. Symbol of prestige and modernity, the decorative clocks are a reflection of the taste of the era of a wealthy bourgeoisie and may be the subject of diplomatic gifts or between individuals. Beyond the purely decorative aspect of such objects, watchmaking in the 19th century is part of a subtle mix of political, historical and literary references. This philhellenic movement converning the West finds a particular echo in France, one of the countries with the United Kingdom and Russia having suported the Greeks during their war of independance (1821-1830) to free oneself from the grip of the Ottoman Empire. Many clocks...

A black and red marble clock in the shape of an Egyptian temple attributed to G. Servant, flanked by double columns inscribed with hieroglyphs and ornated with a winged uraeus, all made in two patina bronze. The clock is surmounted by a patinated bronze sphinx. Resting on four bronze faces wearing the nemes and terminating in lion paw feet. Georges Emile Henri Servant (circa 1828-1890) who took over his father in 1855 at their foundry, rue Vieille-du-Temple, in Paris, specialized in the production of neo-Egyptian style clocks, very popular in France since 1860s, and also the making of Greek style decorative objects. He drew considerable attention to the high quality of his bronzes at the 1855 Paris Universal Exhibition and then at the 1862 London Exhibition. At this time Servant exported up to 40% of his production, principally to the United States, where for instance, his sphinx clocks were sold with great success by Louis Tiffany Inc. or Hamann & Roche of New York (A similar clock is now exposed at the Metropolitan Museum of Art, New York). But his success came really at the 1867 Paris Universal Exhibition, where he was awarded a gold medal for his neo-Greek and Egyptian works (Les Merveilles...

Dial signed H. Houdebine, Fabricant de Bronzes, Rue de Turenne 64, Paris and clockwork signed Japy Frères & Cie – Médaille d’Honneur A very fine neo-Greek style clock set made up of...

Signed D’Aureville et Chameroy, Maison Barbot A very fine Greek style clock made in gilded bronze, standing on four claw feet. Topped with two cherubs reading a floor plan. The...

Amusing bronze with double patina and porcelain clock in the shape of a covered jar. This clock, with a dial with Arabic numerals decorated in its center with a seated lute player, i...

Detailed marble French clock set embellished with gilded bronze.

A fine antique French Gilt bronze and white marble garniture set of three putti playing in Thor's chariot. Rendered in crisp and bronze, a pair of Rams in dynamic poses pull the char...

Truly unique clock set in pink marble and bronze decorative piece of art the clock is modelled in the image of an 18 century sedan chair that is covered ...

Magnificent composition for this clock in marble and chiselled, gilded and patinated bronze depicting Venus disarming Cupid, who begs the goddess to return him bow and arrow. The whi...

A fine 19th Century French Neoclassical White Marble and Gilded Bronze Mantel Clock Set with its original and exceptional movement. Bears the makers mark, Finot a Versailles. The dial supporting a reclining bronze classical muse on a rectangular white Carrara marble base decorated by a row of gilt bronze beads, the set rests on four feet. The cross in the hand of the bronze muse can be removed (see photos). This 19th Century figurative clock is very decorative, interesting for its technicality of the dial and provenance. The bronze feminine muse and its shape has a perfect patina and is a remarkable conversational piece. The garniture set are a pair of fine neoclassical bronze vases with brown and golden patina that rest on white Carrara marble embellished with gilt bronze figural handles...

Magnificent clock set three pieces executed by Prosper Roufoel working 26 place Vendome a Paris, one of the most pretigious place in paris where is the great jewwelers and the ritz ...