Baroque Snuff Boxes and Tobacco Boxes

Snuff Box Snuff Box Venetian landscape is in 925/1000 sterling silver gold plated 24 carats.. Snuff Box Snuff Box Venetian landscape has translucent fired enamel on guilloche and min...

Snuff Box noble coat of arms is in 925/1000 sterling silver. Snuff Box noble coat of arms has White fired enamels on guilloché and handpainted miniature of arabesques with noble coat...

Snuff Box Princess Albert De Broglie is in 925/1000 sterling silver. Snuff Box Princess Albert De Broglie has openwork lid, and handpainted fine round miniature diameter cm. 4 hand p...

Snuff Box Silver is in 925/1000 sterling. Snuff Box Silver has fired enamelled handmade portrait of Tsarina Alexandra Fedorovna Romanova by the painter Beatrice Mellana. Snuff Box Si...

Shaped table snuff box in 925/1000 sterling silver gold plated with fine fire-enamelled baroque style engraving. Very fine hand engraving on all surfaces. Dimensions cm. 6.2 x 7.8 cm...

Round table snuffbox in 925/1000 sterling silver gold plated with translucent blue fired enamel on guillochè and with the insertion of pure gold “paillons” in the shape of stars to c...

Rectangular snuffbox in 925/1000 sterling silver gold plated with fine hand-engraving Baroque style on the lid, with fired enamel black type “niello”. Measurements cm. 4,3 x 7 x 2. W...

Snuffbox Rectangular for table with rounded corners in sterling silver 925/1000 gold plated with very fine fire-enamelled miniature hand-painted by the painter Renato Dainelli repro...

Shaped snuffbox in 925/1000 sterling silver gold plated with fired enamel inserted in a fine hand engraving and with round miniature diameter cm. 3.3 hand painted always with fire enamels depicting a sailing ship. Early 19th century Viennese Baroque style. Fine hand engraving on all sides and bottom. Measurements cm. 7.5 x 7.5 x 2. Weight gr. 151. Designed by Franco Salimbeni in 1976 on inspiration of ancient original artifacts and manufactured in Florence at the Salimbeni company headquarters in several specimens, also with different colors and miniatures, with completely manual execution by artisan artists with thick slabs and large reinforcements suitable for supporting numerous high-fire enamelled firings at approximately 750 < 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. Hand-painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750 ° C, the chosen subject is painted using miniature colors which are as many colored crystals, ground and reduced to a very fine, almost impalpable powder washed and purified in distilled water with the addition of small quantities of deoxidizing acids which, diluted with essential oils (usually essential oil of solder), can be mixed to form a palette of colors. With very fine sable hair brushes you draw the subject starting from the perimeter and then gradually adding various layers of color. It is necessary to carry out various firings very often so that the colors harden and are not absorbed by the underlying glaze as, during the subsequent firings at 750 ° C, during liquefaction, it would spread irremediably. Hence the need to form the painting a little at a time, cooking it numerous times. Therefore it is necessary to proceed with numerous retouching, often overlapping different colors that only the painter's experience knows. A beautiful miniature needs from 20 to over 50 firings and is finished when the painter deems he does not have to further intervene. Some colors must have darker tones than others because then, by superimposing the transparent enamel placed at the end of the miniature, they fade. This transparent layer, called “fondant” in jargon, must be smoothed and polished like all other translucent enamel colors. The miniatures with water tempera colors are painted on real ivory...

Round snuff box in 925/1000 sterling silver gold plated with fired enamel on the enameled edge with vertical stripes and fine monochrome miniature hand painted by the painter Renato Dainelli. Diameter cm. 6.2 cm high. 3.4. Weight gr. 222. Designed by Franco Salimbeni in 1967 and produced in Florence in the Salimbeni company headquarters with manual workmanship by skilled artisan artists with thick slab and large reinforcements suitable for withstanding numerous high-fire enamelled firings at approximately 750 < 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. Hand-painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750 ° C, the chosen subject is painted using miniature colors which are as many colored crystals, ground and reduced to a very fine, almost impalpable powder washed and purified in distilled water with the addition of small quantities of deoxidizing acids which, diluted with essential oils (usually essential oil of solder), can be mixed to form a palette of colors. With very fine sable hair brushes you draw the subject starting from the perimeter and then gradually adding various layers of color. It is necessary to carry out various firings very often so that the colors harden and are not absorbed by the underlying glaze as, during the subsequent firings at 750 ° C, during liquefaction, it would spread irremediably. Hence the need to form the painting a little at a time, cooking it numerous times. Therefore it is necessary to proceed with numerous retouching, often overlapping different colors that only the painter's experience knows. A beautiful miniature needs from 20 to over 50 firings and is finished when the painter deems he does not have to further intervene. Some colors must have darker tones than others because then, by superimposing the transparent enamel placed at the end of the miniature, they fade. This transparent layer, called “fondant” in jargon, must be smoothed and polished like all other translucent enamel colors. The miniatures with water tempera colors are painted on real ivory...

A charming early tobacco box or tea cannister Unusual, large size Lovely soft contours which enhances the reflection of light in the interior Original condition including hinges length 21cm., 8 1/4" depth 7.5cm., 3" height 11cm., 4 1/2". The Dutch were the main importers of tobacco in the 18th century and manufactured tobacco boxes to sell with...