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1970s Potpourri Holder in Gilt Metal with Real Ostrich Egg by Christian Dior



A 1970s potpourri holder in gilt metal mounted with real ostrich egg centre by Christian Dior Home. Stamped on the side "Christian Dior".


  • Creator
  • Dimensions
    Height: 11.82 in. (30 cm)Diameter: 6.7 in. (17 cm)
  • Style
    Mid-Century Modern (Of the Period)
  • Materials and Techniques
  • Place of Origin
  • Period
  • Date of Manufacture
  • Condition
    Wear consistent with age and use. Very good condition with no damage or wear.
  • Seller Location
    London, GB
  • Reference Number
    Seller: ACE 1191stDibs: LU2138318291052

Shipping & Returns

  • Shipping
    Rates vary by destination and complexity.
    Customs Duties & Taxes May Apply.
    Ships From: London, United Kingdom
  • Return Policy

    A return for this item may be initiated within 3 days of delivery.

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About the Maker

Christian Dior

Christian Dior (1905–57) was born in Granville, on the Normandy coast, in 1905. His prosperous haute bourgeois parents wanted him to become a diplomat despite his interest in art and architecture. However, they agreed to bankroll an art gallery, which Dior opened in 1928 in Paris with a friend. This was the start of Dior’s rise in the city’s creative milieu, where he befriended Pablo Picasso and Jean Cocteau. After seven years as an art dealer, Dior retrained as a fashion illustrator, eventually landing a job as a fashion designer for Robert Piguet, and in 1941, following a year of military service, he joined the house of Lucien Lelong. Just five years later, with the backing of industrialist Marcel Boussac, the ascendant Dior established his own fashion house, at 30 avenue Montaigne in Paris. There, the visionary couturier would alter the landscape of 20th century fashion. Just two years after the end of World War II, the fashion crowd and the moribund haute couture industry were yearning, comme tout Paris, for security and prosperity, desperate to discard the drab, sexless, utilitarian garb imposed by wartime deprivation. They needed to dream anew. And Dior delivered: He designed a collection for a bright, optimistic future. “It’s quite a revolution, dear Christian!” exclaimed Carmel Snow, the prescient American editor-in-chief of Harper’s Bazaar, famously proclaiming, “Your dresses have such a new look.” The press ran with the description, christening Dior’s debut Spring/Summer haute couture collection the New Look. “God help those who bought before they saw Dior,” said Snow. “This changes everything.” Dior’s collection definitively declared that opulence, luxury and femininity were in. His skirts could have 40-meter-circumference hems, and outfits could weigh up to 60 pounds. They were cut and shaped like architecture, on strong foundations that molded women and “freed them from nature,” Dior said. Rather than rationing, his ladies wanted reams of fabric and 19-inch waists enforced by wire corsets, and the fashion world concurred. The debut got a standing ovation. In the subsequent decade, Paris ruled as the undisputed fashion capital of the world, and Christian Dior reigned as its king. With the luxuriously full skirts of his New Look, suits and his drop-dead gorgeous evening dresses and ball gowns worthy of any princess — an expansive collection of which can be found on 1stDibs — Dior gave women the gift of glamour they’d lost in the miserable years of war.
About the Seller
5 / 5
Located in London, United Kingdom
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