19th Century French Oxblood Massier Cherub Jardiniere Pedestal

A monumental ceramic vase with iridescent glaze in an elongated bulbous shape by the legendary French ceramist Pierre Clement Massier (1845-1917). Massier is widely considered as...

Tibetan Buddhist thangka from the late 18th early 19th century. Distemper on cloth (either silk or cotton) Depicting a Buddhist deity with multi arms and Buddhist religious relics ...

Carousel Horse (American, 19th C) Wood carved with traces of paint with stand. An amazing decorative statement; this charming wood carved carousel horse shows character with traces of its original paint and jointed construction. The glass eye balls and facial features is a focal point from tail to hoof. Probably coming originally from a Long Island New York fair carousel ride, this bold yet soft piece draws eyes and complimentary statements as soon as guests see it. Comes with decorative wood stand! Attributed to Parker carousel horses...

An important and exceptional tall cameo vase by Emile Galle. Circa 1900 in the Art Nouveau period. The technique is wheel carved, acid etched and carving to produce this over 20 Inch masterpiece of Tiger Lilies in their various open and closed stages. Galle was foremost a botanist and drew out and designed all his conceptions. What cant be seen in the photos is the cream shadows encompassing all the background flowers and stems. This vase is for serious collectors and those with impeccable taste. Signed: Galle in cameo Measures: Height: 20.2 Inches Diameter: 4.75 Inches Condition: Excellent AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return policy if the items are not as described. Gallé born on 4 March 1846 in the city of Nancy, France. His father, Charles Gallé, was a merchant of glassware and ceramics who had settled in Nancy in 1844, and his father-in-law owned a factory in Nancy which manufactured mirrors. His father took over the direction of his mother's family business, and began to manufacture glassware with a floral design. He also took over a struggling faience factory and began make new products. The young Gallé studied philosophy and natural science at the Lycée Imperial in Nancy. At the age of sixteen he went to work for the family business as an assistant to his father, making floral designs and emblems for both faience and glass. In his spare time he became an accomplished botanist, studying with D.A. Godron, the director of the Botanical Gardens of Nancy and author of the leading textbooks on French flora. He collected plants from the region and from as far away as Italy and Switzerland. He also took courses in painting and drawing, and made numerous drawings of plants, flowers, animals and insects, which became subjects of decoration. At the age of sixteen he finished the Lycée in Nancy and went to Weimar in Germany from 1862-1866 to continue his studies in philosophy, botany, sculpture and drawing. In 1866, to prepare himself to inherit the family business, he went to work as an apprentice at the glass factory of Burgun and Schwerer in Meisenthal, and made a serious study of the chemistry of glass production. Some of his early glass and faience works for the family factory at Saint-Clémont were displayed at the 1867 Paris Universal Exposition. In early 1870 he designed a complete set of dishware with a rustic animal designs for the family enterprise. During this time he became acquainted with the painter, sculptor and engraver Victor Prouvé, an artist of the romantic "troubadour" style, who became his future collaborator in the Nancy School. He enlisted for military service in the Franco-Prussian War in 1870, then was demobilised after the disastrous French defeat in 1871 and the French loss to Germany of much of the province of Lorraine, including Meisenthal where he had done his apprenticeship. Thereafter the Cross of Lorraine, the patriotic symbol of the region, became part of his signature on many of his works of art. After his demobilization Gallé went to London, where he represented his father at an exhibition of the arts of France, then to Paris, where he remained for several months, visiting the Louvre and Cluny Museum, studying examples of ancient Egyptian art, Roman glassware and ceramics, and especially early Islamic enamelled...

Fine Daum Partial Gilt, Enameled and Acid-Etched Glass “Au Gui L'an Neuf” Bowl with Silver Mount, circa 1895. Art Nouveau Vase Parlant. Marks: Daum, (Cross of Lorraine), Nancy Heig...

A large carved wooden purbha sculpture Tibet 15th - 16th Century With the triangular blade issuing from the mouth of a makara, the grip with stylized endless knot, the finial with t...

An exceptionally executed antique, circa 1900, French majolica figural jardinière stand by Clement Massier (French, 1844-1917). Hand-crafted in Golfe-Juan, Southern France, around the turn of the late 19th / early 20th, period Art Nouveau styling, sculptural tripartite pedestal form in a visually striking mottled blue / brown drip glaze, featuring three griffin dragon supports rising on paw feet, accented by stylized foliage, resting on conforming triangular plinth base. Signed; 'Clement Massier Golfe Juan' embossed on base. Impressed mark at base. Used as a outdoor jardinière...

This Directoire Jardiniere is narrow and long and will be wonderful under a window. Very nice and simple line, it can match with any style of furniture.

French Majolica jardinière signed Onnaing, circa 1880. Measures: H / 9.3”, 12” by 9”.

A charming later 19th century Jardiniere - Porte Plante from the South of France. Beautifully constructed from painted iron. A wonderful accent piece for any interior or garden. T...

A very lovely later 19th century French Faux Bois jardinière - planter beautifully crafted from concrete - beautiful patina. A wonderful accent piece for any interior or garden.

A very lovely 19th century set of 3 Medici style urns from the South of France. Wonderfully crafted from painted cast iron. Lovely patina.