Lacquer

A Fine Lacquer Incense Burner with Makie Gold Design. This fine lacquer incense burner is a stunning example of Japanese craftsmanship. It is dated to the Edo-Meiji period, 19th cen...

An antique Japanese traveling altar of Aizen Myoo or Ragaraja. I believe the object to be older than the 'early 20th century' guess I offered, but I'm ...

We have a unique Japanese aesthetic sense. And only we can introduce unique items through our purchasing channels in Japan and the experience we have gained so far, in such a way tha...

Image without original frame 13.5 by 19.5 inches Pham Chinh Trung is a Vietnamese lacquer born in 1955 in Vietnam. ...

With frame Width 23, Height 16 inches This lacquer bt Pham Chun Trung is signed and dated 92 in the lower left corner. The artist was born in 1955 and was graduated in 1979 from Hanoi University of Industrial Fine Arts. He specialized in the technique of lacquer on wood and began to exhibit his works in the early nineties of the twentieth century. Lacquer is an ancestral traditional Vietnamese art...

This stunning Chinese hand carved cinnabar lacquered plate has Intricate lacquer carving arts of Chinese traditional Floral scene design, an original works of art in the tradition of...

This a Lacquer on wood signed and dated in the lower left corner. Pham Chinh Trung was born in 1955 in Vietnam. He graduated from Hanoi university of industrial fine arts in 1979. Sp...

Japanese Inro from the Meiji Period (1868-1912). Beautiful Inro, created in Japan during the Meiji imperial period, circa 1870. It was carefully crafted in carved precious wood with...

Antique wine or water container canteen made of wood, cloth, leather and parchment. Wonderful patina to the surface. The Characters on the front reference a medicine shop and on back some mention of the Long March. The 6,000-mile historic trek of the Chinese communists...

A fine and elegant Korean black lacquer and abalone mother of pearl inlay "longevity" box, circa 1930s, Korea. The box, most likely used to sto...

19th century Japanese chinoiserie painted gold lacquer. chest with brass handle. Chest depicts Japanese countryside and mountains in raised chinoi...

Pham Chinh Trung is a Vietnamese artist born in 1955. This lacquer is signed and dated 93 in the lower left. Pham Chinh Trung graduated from Hanoi University of Industrial Fine Arts...

Uncommon ecru lacquer tea caddy (natsume) with a nice golden hiramaki-e (low-relief design) of cart wheels submerged in a wild swirling stream. The design...

Makie Paper Lacquered Storage Box Depicting Cranes. This early paper lacquered storage box is a stunning example of Japanese craftsmanship. It is dated to the Edo period, 18th-19th ...

A simply gorgeous pair of Asian black lacquer and gold leaf floral decorated tazzas. A tazza can be just for decorative value, while a compote is used to hold something such as food....

A good Japanese carved cinnabar three case inro with mixed metal ojime, Meiji period, late 19th century, Japan. The three case inro of standard form, comprised of three container se...

An exquisite Japanese tall lacquer box for incense implements, kobako, with a scene from The Tales of Ise, chapter 9, "The Ivy Way Through Mt. Utsu", Edo ...

Betel Box, Kun It Burma Late 19th/early 20th century Bamboo, lacquer H: 7.5 in x D: 8.5 in :: 19 cm x 21.5 cm Intricately painted motifs (including chili seed pattern, Nga Y...

Introducing an extraordinary and exceptionally rare pair of Chinese Cinnabar Carved Lacquer Vases from the Qianlong period. These monumental vases stand as magnificent examples of Ch...

Japanese Inro from the Edo period (1615-1868) created by Kajikawa. Beautiful Inro, created in Japan by one of the Kajikawa family during the Edo period (1615-1868), circa 1810. Has been carefully crafted in carved precious wood with applications of gilding maki-e and decorated with Japonism patterns. All dan trays are attached together with a himo cord. The detailed craftsmanship was a true pleasure to behold. Period: Edo period (1615-1868). Shogunate. Approximate Date: 1790-1810 Motif: A family of birds consisting of a cockerel, the hen and three chicks. Drawers: Five. Shape: Rectangular navette. Technique: Carved wood, lacquer and decorated in iroe-hiramaki-e on a gold ground. Ojime: 15mm 20mm, oval carved from natural translucent agate. Netsuke: None Weight: 47.70 Grams. Measurements: Inro is 78 mm by 55 mm by 18 mm (3.07 x 2.17 x 0.71 Inches). Signatures: Kajikawa Saku, in the underside with the signature KAJIKAWA. By a member of the Kajikawa family, signed Kajikawa 梶川 Japan, late 18th century to early 19th century, Edo period (1615-1868). The Kajikawa family Kajikawa family, flourished in the 19th century, they was Japanese lacquerware artists whose school in Edo (now Tokyo) flourished for more than 200 years. This family is perhaps the most famous of all the dynasties of Japanese lacquer artists, and certainly the name most often found on inro. The family is said to have been founded by Hikobei at Edo in the early 17th century, although some claim that the family’s great reputation really stemmed from his son and pupil Kyujiro. In any event, Hikobei worked for the shogunate, as did his successors until well into the 19th century. Kijirō excelled in designing particularly delicate lacquer inrō, portable medicine cases...

A highly important Japanese export lacquer cabinet with depiction of the Dutch East India Company tradepost Deshima and the annual Dutch delegation on its way to the Shogun in Edo Edo period, circa 1660-1680 H. 88 x W. 100.5 x D. 54 cm This cabinet includes a later European japanned stand, but also a modern powder-coated steel frame. The latter can be designed and added to your specific needs. The sides and front of the rectangular two-door cabinet are embellished in gold and silver hiramaki-e and takamaki-e on a black roiro lacquer ground with a continuous design. The two doors depict a long procession of numerous figures travelling on foot and horseback along buildings and a pagoda into a mountainous landscape. This is the annual court journey, Hofreis, of the Dutch from Nagasaki to the Shogun’s court in Edo. Three horseback riders are dressed as Dutch merchants and a fourth figure, probably het Opperhoofd, is seen inside a palanquin, norimon. Just about to cross the bridge, two men are carrying a cabinet like the present one. Many Japanese figures on either side of the procession are engaged in various activities; some play musical instruments on board of small boats, others are fishing; figures inside buildings are depicted playing go, and farmers are tending to their rice paddocks. The upper part of the right door shows a large mansion, probably the local daimyo’s castle, with men kneeling before a man in the central courtyard. The court journey fits in with the foreign policy of the shogunate which accorded a role to the VOC alongside China, Korea, and the Ryukyu Islands who also had to pay tribute. However, the VOC employees were traders, having low status in Japan’s social hierarchy, and they were received with less deference than were the state embassies from Korea and the Ryukyu Islands. Nevertheless, the contacts with the Dutch were a welcome source of information to the Shogun about Europe and European science and technology. The left side of the cabinet depicts, in mirror image, a rare view of the artificial fan-shaped Deshima Island, the trading post for the Dutch in Japan. The island, where the Dutch flag flies, is surrounded by small Japanese boats and an anchored three-masted fluyt (cargo ship), flying Dutch flags, with on the stern the VOC monogram. On the bottom right a busy street of Nagasaki is shown, bordered by shops and leading up to the stone bridge. On the island the trees are beautifully painted, two cows can be seen, and the flagpole, all in very fine detail. Dutchmen and enslaved Malay are visible outside the buildings and two Japanese figures, probably guards, sit in a small hut in the centre. A maximum of fifteen to twenty Dutchmen lived on the island at any time and soldiers or women were not allowed. Restrictions on Deshima were tight, and the merchants were only allowed to leave the island by special permission. The Opperhoofd had to be replaced every year, and each new Opperhoofd had to make a court journey to pay tribute, present gifts, and to obtain permission to Margaret Barclay eep on trading. In the distance, many birds fly above the hills and a four-story pagoda can be seen. The right side of the cabinet is painted with other horse riders and their retinue journeying through mountains. The pair of doors to the front open to reveal ten rectangular drawers. The drawers are decorated with scenes of birds in flight and landscapes with trees and plants. The reverse of the left door with two thatched buildings, one with a ladder, underneath a camelia tree with large blooms; the right door with a three-story pagoda nestled among trees and both doors with a flying phoenix, ho-oo bird. The cabinet, with elaborately engraved gilt copper mounts, hinges, lock plates and brass handles, is raised on an 18th-century English japanned wood stand. A pair of large cabinets...

Japanese lacquered box decorated with birds and foliage signed Lacquered inside and outside Late 19th Century Without key Some scratches and losses Ideal for storing jewelry.

Japanese Inro from the Edo Period (1603-1867). Beautiful Inro, created in Japan during the Edo period (Shogunate), circa 1800. It was carefully crafted in carved precious wood with ...

Chinese cinnabar covered jar. Decorated all over with scenes of figures, pavilions, pine trees and mountains. Marked "CHINA" on the bottom, circa 1890s.

A pair of Edo period black and gold lacquer Samurai helmet boxes (Hakko Bako), each of ribbed cylindrical form with a lid, a black lacquer interior,...

A Chinese vintage red lacquered box from the mid-20th century with golden motifs. Created in China during the midcentury period, this decorative box features a red lacquered ground a...

This Meiji-period lacquer tray represents the mastery of Japanese craftsmen in the art of lacquer work. Precious materials are precisely inlaid in the lacquer base, creating a highly...

Oriental Pair of Hand-Painted Lacquer Vases with Wooden Base

A crisply carved antique Chinese red cinnabar lacquer lidded round box with blue enamel interior and brass fittings. The "dragon's blood" trinket box has a fine peony, foliate and fl...

A rare Japanese export lacquer medical instrument box Edo-period, 1650-1700 L. 19 x W. 6 x H. 8.5 cm This unconventionally shaped lacquer b...

19th C. Chinese Figural Carved Wood Lacquer Scholars/ Offering / Opium Stand Chinese 19th Century A truly unique and remarkable piece from 19th-century China, this figural carved w...

DIMENSIONS Height: 9.25 inches Width: 11.5 inches Depth: 10.5 inches ABOUT MEIJI PERIOD The Meiji Era was the 44-year period of Japan's history from 1868 to 1912 when the country was under the rule of the great Emperor Mutsuhito. Also called the Meiji Emperor, he was the first ruler of Japan to wield actual political power in centuries. It was during the Meiji period that Japanese art students first went to Europe to study Western painting, and developed a new style of painting based on these techniques, known as yoga (or ‘Western style’). Yoga painting...

19th century Chinese Lacquered Wooden Plate. Rare antique Chinese Lacquered Wooden plate depicting a Folklore scene. Gilt painting of a Folklore story si...

Nice black lacquer tea caddy (natsume) with a colourful hiramaki-e (low-relief design) of a folded yellow kimono with a silver and red chrysanthemum flower pattern. The base with a few golden stylized ‘fog’ streaks. The interior finished with shiny black lacquer. Including original wooden signed and sealed tomobako (storage box) with a leaflet about the artist Takahashi Masayoshi. Who became an independent lacquer artist in 1975 and lives in the town Yamanaka, Ishikawa prefecture. Period: Japan – Late Shôwa period/Heisei period (Late 20th century/Modern). Japanese natsume...

An 18th century Chinese Export Lac de Bergaute tea chest, of octagonal shaped form with hinged lid and red paper-lined interior. Decorated in mother of pearl with figures in a garden...

Kobako box decorated with stylized foliage in black and gold hiramaki-e lacquer. The motif is karakusa, a growing plant extending in all directions. It symbols prosperity and longevi...

A Japanese lacquered tea caddy (known as Natsume) with fine Maki-e decoration circa 18-19th century Edo to Meiji period. The large-sized nat...

Precious and rare small kazaridana lacquered on all sides with two drawers and three panels decorated with fish, landscapes and birds. The removable panel reveals a locker with a sma...

Hailing from illustrious Meiji-period Japan, this lacquer tray showcases the mastery of Japanese craftsmen. Precious materials are precisely inlaid in the lacquer base, creating an a...

Beautiful Japanese box in red lacquered wood; 19th century The lid is decorated with a landscape with a bird, trees and a setting sun. The inside of the box is covered with a lacque...

Pretty Japanese lacquered box decorated with birds and foliage. signed Lacquered inside and outside Late 19th century Without key Nice lock Ideal for storing jewelry.

A rare palace size Chinese carved cinnabar lacquer figural box and cover, Qing Dynasty This palace size box and cover is a rare and exquisite piece of art made in the 19th century...

Hiramaki-e lacquer, nashiji and fundame Edo period, 19th century Length: 10.5 cm, height: 6.5 cm Since the Heian period, The theme of deer and autumn plants has been ut...

Splendid and vintage Burmese Box, red lacquered and engraved, unusual size. O/5307 -

This is a beautifully designed and fabricated Japanese pagoda-shaped tall chest of drawers. The chest dates to the late 20th or early 21st century and is in very good to excellent ov...

An exceptionally fine and unusual Japanese lacquer writing implements box, suzuribako, in the form of a zither, koto, Edo Period, 18th century, Japan. With a modern wood storage box,...

In this ad you get the chance to buy a beautiful hand-painted Russian lacquer box from the 1800s. It is cylindrical in shape, slightly curving in...

Great used condition.

A matched set of Antique Chinese Lacquered Wooden Plates. Sculpted cut Elm wood sections joined together with wooden pins, wire banding and lacquer from the Qing Dynasty. A rare set of Antique Chinese Lacquered Plates...

A very attractive Japanese wood table top jewelry or collector's chest with marquetry and lacquer decoration, Meiji period, circa 1900, Japan. Previously in the collection of Asbjorn Lunde (1927 - 2017). The chest is crafted in the form of a Chinese seal...

Natsume in dark red lacquer, decorated with autumn leaves and cherry blossoms in hiramaki-e and nashiji. Interior in black lacquer. Maple leaves (Momiji) are celebrated in literatur...

This is a good papier mâché, rectangular shaped black lacquered lidded box, hand enamelled and gilded, made in Asia, possibly Japan during the mid 20th Century. This rectangular s...

A Japanese lacquered Sake Drinking set circa late 19th century (end of Meiji period), The assemble consists of a red lacquer stand open frame support and a lid that encloses a storage space with black lacquered interior. The lid features a and a cup holder in the center and four heart shape cutouts on the corners. There are three maki-e decorated sake cups with gradual sizes. The cups showcase on the red background elaborate gold hiramaki-e paintings...

Antique Victorian Papier-Mâché wall shelve with Edelweiss Decoration A rare antique Papier-Mâché corner shelve with hand painted alpine landscape and edelweiss decoration. Manufactu...

Beautiful set of three black Japanese lacquer nesting boxes with their two keys. Decorated with birds and orange, gold and green foliage. The 3 boxes fit together. The escutcheon ...

An extremely rare, possibly unique, Chinese export lacquer bureau for the Dutch market Canton, circa 1737 H. 118 x W. 102.5 x D. 63 cm Provenance: - Private collection, The Netherlands - J.K. Driessen Antiques, Arnhem (Art Fair Breda, 1989) - Noble collection, Belgium Literature: - C.J.A. Jörg, ’De handel van de V.O.C. in Oosters lakwerk in de 18de eeuw’ in: Nederlands Kunsthistorisch Jaarboek , Jr. 31 (1980), pp. 355-363 (ill.) - Annigje Hofstede, Nederlandse meubelen van Barok tot Biedermeier, 1700-1830, Waanders, Zwolle 2004, pp. 35-37 (ill.) This lacquer bureau is one of the four writing desks purchased in Canton in 1737, and as far as is known, this is the only remaining bureau of its type from the period. As the VOC believed that large pieces of import took up too much valuable space in their trading ships...

Beautiful Japanese box in red lacquered wood. The lid is decorated with golden herons and flowering tree branches and signed by the artist. Black flowers are painted around the box. ...

A very good quality early 20th century Chinese Coromandel lacquer eight fold screen. Depicting a classical Pagoda buildings with numerous courtiers wondering around. Bordered with fa...