Christian Lacroix Vintage 1998 Limited Edition Silver Plated Unicorn Paperweight

At a time when sharp padded shoulders and crisp lines were trending, Christian Lacroix created venturesome clothing that was bubbly, flirtatious and exuberant.

The iconic French fashion designer, whose body of work includes handbags and purses, evening dresses, jackets and lots more, has always favored theater over fashion. He has long integrated corsets and bustles into his work, drawing on diverse cultures and citing epic historical dramas as inspirations. Today he is creating opera costumes, so it shouldn’t come as a surprise that his colorful and voluminous garments captured the excesses and defined the extravagant frivolity of the 1980s as well as the sensuality and boldness of the 1990s.

Lacroix studied art history at the University of Montpellier and museum studies at École du Louvre and the Sorbonne in Paris. He aspired to become a museum curator or costume designer but instead entered the world of fashion, specifically haute couture, with the support of his now-wife Françoise Rosenthiel, who helped get his sketches to Hermès. Lacroix was offered an assistant job at the legendary luxury brand and later worked as a designer at the House of Patou in 1981.

Lacroix’s career flourished and his profile soared from then on, as he established his own label in 1987, using layers of fabric and consistently clashing prints in his designs for opulent pouf skirts, vibrant floral maxi day dresses as well as jewelry and watches that commanded attention. He created a ready-to-wear line for Italian manufacturer Genny and dressed dancers at the American Ballet Theatre company.

Lacroix became the artistic director of Italian fashion house Emilio Pucci in 2002, and, over time, he continued to secure work in the fields of theater, opera and other performance art, designing costumes for a range of stage productions. Alongside designs by Stella McCartney, Karl Lagerfeld and others, Madonna wore a corset during her 2004 “Re-Invention World Tour” that was created for her by Lacroix.

Today, the maison founded by the designer in 1987 is owned by the Falic Fashion Group, but Lacroix continues to design womenswear for brands such as Desigual as well as for the stage. His larger-than-life aesthetic has also been translated into a range of accessories and fragrances as well as various interior furnishings such as tableware and household linens. Lacroix has completed interior design projects at a number of hotels and has partnered with the likes of Christofle and other firms over the years. In whatever form it takes, the sumptuousness and glamour of a Lacroix design is unmistakable.

Find a range of vintage Christian Lacroix clothing, jewelry and accessories on 1stDibs.

Although he started his career as a jeweler in 1830 — after apprenticing with his copper jeweler brother-in-law years earlier — Charles Christofle (1805–63) recognized that Second Empire France had an untapped audience for luxury silverware and tableware.

Gold and silver gilt had been the high-end standard in the 18th century, yet society after the Industrial Revolution demanded a more affordable, but still refined, approach. So in the 1840s, Christofle cornered the market on electrolytic gilding and silver plating, dominating the hold on patents in the country for over a decade. His work soon attracted the attention of Louis-Philippe I and then Napoleon III, under whom he was named Fournisseur de l’Empereur, cementing the prestige of his brand.

While Christofle created decadent centerpieces and tableware for the French palaces — as well as prominent clients like the Orient Express — the company’s electroplating of silverware that was far less expensive than that made by silversmiths attained widespread popularity. At a time when many who could not afford gold or silver still used wooden utensils, Christofle was a game changer for at-home dining. An appearance at the 1893 World’s Columbian Exposition in Chicago furthered the company’s reach to American consumers who would soon rival the manufacturer’s European clientele.

The 20th century saw Christofle adapting to changing tastes in its offerings, such as the Aria collection, which debuted in 1985 with column-like lines on its flatware designed by Bernard Yot, and the playful egg-shaped silverware container introduced in 2015 that opens to reveal a full flatware set. The company also now sells barware, home accessories and even jewelry, harkening back to its roots. Now almost two centuries old, Christofle maintains its reputation as a leading flatware and silverware company under the ownership of the Chalhoub group, its utensils gracing tables in homes, hotels and restaurants all over the world.

Shop authentic Christofle serveware, ceramics, decorative objects and more on 1stDibs.