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1960s Ian Thomas Lime Green Beaded Chiffon Dress

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    This is an absolutely stunning full-length layered black lace gown from the 1930’s. It features an integral black satin slip with thin black velvet st...
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  • 1950’s Black Ceil Chapman Crossover Cocktail Dress
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    Great little black dress from American designer Ceil Chapman. Featuring pretty cross over and ruching detail to the front and a sexy low neckline to the back this is the perfect par...
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  • 1920’s/30’s Sequined Long Black Flapper Dress.
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    A stunning full-length flapper dress of haute couture quality. This dramatic black chiffon gown is fully lined in black satin and features sequined panels attached around the skirt ...
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    1930s Evening Dresses and Gowns

  • 1920s Black Satin and Tulle Lace Flapper Dress
    Located in London, GB
    This incredible original 1920s black satin flapper dress has a black satin slip integral to the dress with a beautiful scrolling floral embroidered tulle lace...
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    Early 20th Century Art Deco Evening Dresses and Gowns

  • 1950s Blue Floral Wiggle Dress
    Located in London, GB
    This original 1950s dress has a super feminine silhouette and nicely executed details such as the small, square neckline that features a modesty panel with a sailor collar and bow. T...
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    1950s American Aesthetic Day Dresses

  • 1970s Lee Jordan Multi-Coloured Sequin Maxi Dress
    Located in London, GB
    Superb quality Lee Jordan of New York all over floral sequinned three quarter length column dress. Lee Jordan made very high end department store occasion wear for the affluent American market from the 1960s through to the 1980s. This dress is most likely from the late 1960s to early 1970s. Rows of wavy iridescent sequins overlay an abstract design in georgette fabric in a striking neon rainbow...
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    1970s American Aesthetic Day Dresses

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    With the original hand-sewn off-white unbranded rectangular label of Paris-based Maison Martin Margiela, this asymmetrical plunging v-neck black jersey pullover gown was designed in 1994 by Belgium fashion-designer-cum-artist Martin Margiela. In his early deconstruction style, it partly appears to be a ruched halter dress that is positioned on a bias to add curves to shape the waist, while its open overlapping wrap skirt enables ample draping on one side that conceals a high slit from the waist down. Recalling the construction found in two of Martin Margiela's seminal collections--both the upcycled-split 1950s ballgowns of Spring/Summer 1991 and the draped "Stockman" garments of Spring/Summer 1997--this stretch-viscose dress is likewise a bodice with a split skirt, while its 3/4-length sleeves can recall Margiela's famous "shouldered arm bands" if worn with protruding breasts fully exposed. The top has a wide deep gapping chest or back, along with the option to position the looped "halter" cord that hangs from the torso in one of several ways by pulling over the head. For example, if the dress is worn "backwards" with the brand label resting on the upper chest, the cord from the ruching that is positioned in back can be pulled overhead and under the arms, which can secure the front shoulders of the top by pulling the loop overhead again in the other direction to rest on the back of the neck--like the Martin Margiela Spring/Summer 1997 "Stockman evening dress" in the museum collection of TheMet (see our pic of its smaller open-front black halter and half skirt with the neck strap worn this way.) No doubt the buyer will try more creative ways, too! You may be inspired by our other listing for arguably one of Martin Margiela's best Artisanal Line 0 pieces--a couture body harness--that, like his fashion manifesto, enables endless repurposing of button-down tops to create a plunging v-neckline with a distinct rolled collar. The Italian-size 42 dress...
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