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Christian Dior 2004 "Poiret Style" Oversized Coat Museums & Collectors Rare Item

US$22,000

About

Rare F/W 2004 by John Galliano for the House of Dior. This collection featured oversized silhouettes, including the high drama of "Poiret-style" coats. This coat is look # 1 and opened the runway show. Oversized coat fashioned of fine heavy wool in a faux patchwork pattern of leopard and plaid in bright contrasting colors of gold and turquoise with splashes of brown and orange. The coat features a huge oversize collar; wide dolman sleeves with cut-away front closure of pleated layers of green and chartreuse yellow silk organza. The back portion of the collar is wool and structured to be raised and lifted at back of neck. There is a pleated overlay of silk organza with an oversized hand made organza flower at back neckline. Interior lined in green silk charmeuse. Oversized single turquoise button hand wrapped in silk with matching color center seeds. Single hook and eye closure. This Dior coat designed by John Galliano is documented in Kerry Taylor’s book “Galliano” page 267. Size: one size fits most. Condition: excellent; no wear.

Details

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  • Shipping
    US$110 Standard Parcel Shipping
    to anywhere in the world, arrives in 4-5 weeks.
    We recommend this shipping type based on item size, type and fragility.
    Ships From: Los Angeles, CA
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    This item cannot be returned.

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About the Designer

Christian Dior

Christian Dior (1905–57) was born in Granville, on the Normandy coast, in 1905. His prosperous haute bourgeois parents wanted him to become a diplomat despite his interest in art and architecture. However, they agreed to bankroll an art gallery, which Dior opened in 1928 in Paris with a friend. This was the start of Dior’s rise in the city’s creative milieu, where he befriended Pablo Picasso and Jean Cocteau. After seven years as an art dealer, Dior retrained as a fashion illustrator, eventually landing a job as a fashion designer for Robert Piguet, and in 1941, following a year of military service, he joined the house of Lucien Lelong. Just five years later, with the backing of industrialist Marcel Boussac, the ascendant Dior established his own fashion house, at 30 avenue Montaigne in Paris. There, the visionary couturier would alter the landscape of 20th century fashion. Just two years after the end of World War II, the fashion crowd and the moribund haute couture industry were yearning, comme tout Paris, for security and prosperity, desperate to discard the drab, sexless, utilitarian garb imposed by wartime deprivation. They needed to dream anew. And Dior delivered: He designed a collection for a bright, optimistic future. “It’s quite a revolution, dear Christian!” exclaimed Carmel Snow, the prescient American editor-in-chief of Harper’s Bazaar, famously proclaiming, “Your dresses have such a new look.” The press ran with the description, christening Dior’s debut Spring/Summer haute couture collection the New Look. “God help those who bought before they saw Dior,” said Snow. “This changes everything.” Dior’s collection definitively declared that opulence, luxury and femininity were in. His skirts could have 40-meter-circumference hems, and outfits could weigh up to 60 pounds. They were cut and shaped like architecture, on strong foundations that molded women and “freed them from nature,” Dior said. Rather than rationing, his ladies wanted reams of fabric and 19-inch waists enforced by wire corsets, and the fashion world concurred. The debut got a standing ovation. In the subsequent decade, Paris ruled as the undisputed fashion capital of the world, and Christian Dior reigned as its king. With the luxuriously full skirts of his New Look, suits and his drop-dead gorgeous evening dresses and ball gowns worthy of any princess — an expansive collection of which can be found on 1stDibs — Dior gave women the gift of glamour they’d lost in the miserable years of war.
About the Seller
4.9 / 5
Located in Los Angeles, CA
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