FOMOBOY Paintings

Rene Beckley. City Streets, 1965. Oil on artist board, 16 x 20 inches; 18 x 22 inches framed. Signed and dated lower right.

Fabulous illustration depicts a costume for Broadway production. Gouache on illustration board, image measures 10.5 x 16.5 inches; 15 x 22 inches framed. Excellent condition in ori...

Beautiful painting depicts a young black man holding skull and flip phone. Gouache on illustration board, image measuring 8 x 10 inches; 16 x 20 inches framed. Signed lower left.

Beautiful abstract Minimalist painting by unknown artist. Dated 1977. Oil on canvas measures 36 x 60 inches. Signed and dated lower right.

Bernard Segal (1907-1986). Cubist composition, 1966. Gouache and watercolor on paper, sheet measures 12 x 14 inches; 20 x 26 inches framed. Signed with monogram lower right. Estate stamp on verso. Excellent condition. Frame is a custom vintage construction in metal with soldered corners. Bernard Segal (1907 - 1986) Lived Active: New York / Pennsylvania Known For: figure, abstract painting, collage, and illustration - cartoons. Bernard Segal was born in Cincinnati, Ohio and attended Cincinnati University and the Cincinnati Art Academy. In the 1920's and 1930's, he lived in New York City and attended The Art Students League where he was creative with a number of artistic styles of the period. During World War II, he worked as a cartoonist for a government issue newspaper paper called 10-SHUN that was published in Greensboro, North Carolina. Bernard worked under the penname Seeg, and was the author of the comic strip Hank and Honey, that appeared in the New York Herald Tribunefrom the 1940s through the 1950s. This cartoon was syndicated and published in Quebec under the title Louise et Louis. The strip was later retitled to Ellsworth. Segal also illustrated a number of books that were published by the Union of American Hebrew Congregations, and Bible stories. In the 1950's Segal moved to Bucks County, Pennsylvania, and became a member of the New Hope Modernists. He worked with esteemed artists such as George Nakashima, Charles Evans, Louis Stone, and Charles Ramsey. Segal's most noted work was made during the 1960's, during which time he produced paintings and collages in the abstract expressionist style. He enjoyed painting bright abstract oil...

Alberto Ulloa Burgos (1 January 1950 – 1 October 2011). Street After Rain (Santiago de Chile), 1970. Oil on masonite panel measuring 20 x 24 inches; 26 x 30 inches framed. Signed and...

Elegant and glamorous fashion illustration from the 1920's, Original signed gouache painting on paper. Monogrammed V.S. lower right. Site: 10"x 7.75" Frame: 19.25"x 17"

Beautiful illustration art painting depicts a gentleman calling on a Southern belle. Oil on canvas measures 16 x 20 inches; 18 x 22 inches framed. Signed lower left.

Maurice Pozzetto (1911-?) 20th Century French Primitive artist best known for paintings Original signed oil painting on board Signed lower right--see photos Board:17.75"x 13.75...

MAURICE POZZETTO-French Primitive-Original Signed Oil-Corniche Harbor Marseille Maurice Pozzetto (1911-?) 20th Century French Primitive artist best known for paintings Original ...

Beautiful ca. 1950s painting depicts Parisian cityscape. Artist unknown. Oil on canvas measures 16 x 20 inches; 24 x 28 inches framed. Signed lower right. The painting has some water...

Bill Crawford (1913-1982). Original illustration artwork depicting teams as they advance to the World Series. Depicted are representations of the St. Louis Cardinals and The Brooklyn...

Shay Rieger (1923-1975). Fiddler and Dancers, 1975. Oil on canvas, 38 x 50 inches. Some ares of paint loss and flaking as documented in detail photos. No tears or punctures in canvas...

Painting depicting Sun Inn or Sun Hotel, ca. 1880. Oil on academy board measures 8 x 10 inches. Signed lower right. Excellent condition. Unframed. The painting notes that the buil...

Beautiful painting of a reclining nude by unknown artist. Oil on paper measures 11 x 20 inches. signed and dated lower right margin. Measuring 19 x 27 inches in original period mahog...

Dynamic jungle drummer scene by unknown NYC American artist. Oil on canvas measuring 20 x 26 inches. Signed "T 42" in ink on verso. Anco stretchers and Grumbacher NYC store stamp con...

Moses Soyer (December 25, 1899 – September 2, 1974. Cuban Dancer, ca. 1950s. Oil on panel measuring 15.25 x 18 inches. Signed upper right. Two original ACA Galleries labels affixed o...

Beautiful WPA era ca. 1930s portrait of a ballet dancer signed F. Miller. Oil on canvas measuring 18 x 24 inches; 24 x 30 inches in contemporary frame. Signed on back.

Beautiful painting of a cubist juggler. Oi on masonite, panel measures 6.5 x 10 inches; 12.5 x 16 inches in original velvet frame. Signed lower left.

Sherman Yee. Mr. Jack Barrow, 2019. Watercolor on paper, 9 x 12 inches; 10 x 13 inches frame. Signed on both front and back. Sherman Yee is a talented a...

Sherman Yee. Untitled (Male Nude Leather Daddy), 2019. Watercolor on paper, 9 x 12 inches; 10 x 13 inches frame. Signed on both front and back. Sherman ...

Sherman Yee. Brock, Rebar, 2019. Watercolor on paper, 9 x 12 inches; 10 x 13 inches frame. Signed on both front and back. Sherman Yee is a talented artis...

Sherman Yee. Purple, 2020. Watercolor on paper, 9 x 12 inches; 10 x 13 inches frame. Signed on both front and back. Sherman Yee is a talented artist base...

Beautiful Mid-century painting depicts what is probably a Mexican of Latin American market scene. Oil on canvas glued down to panel measuring 9.75 x 15.25 inches; 11 x 16.5 inches fr...

Richard Mann (1940-1990). Duino Elegies, 1981. Mixed media on rag paper, consisting of 43 sheets, each measuring 18 x 24 inches. Each vertical edge is hinged with mounting tape, resu...

Beautiful painting depicts Bahamian fishing boats by Phoebe Towbin. Bahamian Fishermen, 1952. Alkyd on masonite panel measuring 16.5 x 22.5 inches; 22.5 x 28.5 inches framed. Signed ...

A pair of evocative beach still life painting that flirt with surrealism by outsider artist, John Prue. Oil on masonite panel, each measures 12 x 24 i...

Jeremy Blake (American, 1971-2007) Blues Before Sunrise (diptych), 2002-03 oil on canvas signed Jeremy Blake (verso) 12 x 21 inches. Property from a Corporate Art Collection Provenance: Feigen Contemporary, New York Condition Scuffs on frame with some loss to silver leaf. Overall basic good and stable condition. Framed: 13 1/2 x 22 1/2 inches. Jeremy Blake (October 4, 1971 – July 17, 2007) was an American digital artist and painter. His work included projected DVD installations, Type C prints, and collaborative film projects. Education and career Blake graduated from the School of the Art Institute of Chicago with a B.F.A. in 1993 and the California Institute of the Arts with an M.F.A. in 1995.[1] Still from Blake's Winchester Redux, a five-minute digital video with sound, continuous loop (2004) His work was selected for the Whitney Biennial in 2000, 2002[2] and 2004.[3] His "Winchester" series, inspired by the story of Sarah Winchester and the Winchester Mystery House, was shown at the San Francisco Museum of Modern Art in 2005.[4] He also was selected to participate in the Renaissance Society group exhibition, "All the Pretty Corpses", in 2005.[5] Blake also created the painted abstract interlude sequences for Paul Thomas Anderson's fourth film Punch-Drunk Love, and contributed images and video for Beck's album Sea Change. Blake was also involved in creating and commissioning a soundtrack album called The Forty Million Dollar Beatnik with Neil Landstrumm and Mike Fellows in 2000 on Scandinavia Records and Pork Salad Press to accompany an L.A. drawings/script show by Blake of the same title. His work is held in the collections of the Museum of Modern Art[6] and the San Francisco Museum of Modern Art.[4] Personal life Blake was the boyfriend of filmmaker, cultural critic and video game designer Theresa Duncan. In February 2007, the couple moved from Los Angeles to New York City, and resided in the East Village. He was also the son of Anne Schwartz Delibert and the brother of Adrienne Morningstar Delibert.[7] Death On July 10, 2007, Blake found Duncan dead in their apartment, the result of an apparent suicide. On July 17, 2007, Blake was reported missing off New York's Rockaway Beach in Queens. According to press reports, a woman had called 911 to report that she saw a man walking out into the ocean. Blake's clothes and wallet were reportedly found along with a suicide note that referred to Duncan. On July 22, 2007, Blake's body was found by a fisherman in the waters off Sea Girt, New Jersey. Blake's cause of death was presumed to be suicide by drowning.[8] According to statements by acquaintances of the couple that have appeared in published reports (including an article in the January 2008 Vanity Fair), Blake said that he and Duncan were being followed and harassed by Scientologists prior to his disappearance. Blake also included his allegations of harassment by Scientologists and others in a 27-page "chronicle" he prepared for a lawsuit he planned to file.[7] The Law & Order episode "Bogeyman" in season 18 is loosely based on the deaths of Duncan and Blake. In the episode, the body of the character paralleling Theresa Duncan has forensic evidence that calls into question her suicide, while the Jeremy Blake parallel character survives his suicide attempt. A legal case against him is disrupted by the cult group Systemotics, resulting in a near mistrial followed by a plea accepted after the ADA implies both he and the judge are connected to Systemotics. The nightclub Bungalow 8, which operated in New York City from 2001 to 2009, was named for Blake's 1998 video work. David Berman...

Enrique Medina (b.1935). La Entrada, 1986. Acrylic on canvas, measuring 32 x 32 inches; 33 x 33 inches framed. Signed lower right. Signed, dated, titled on verso. Personal Information...

Enrique Medina (b.1935). La Puerta, 1985. Acrylic on canvas, measuring 32 x 32 inches; 33 x 33 inches framed. Signed lower right. Signed, dated, titled on verso. Personal Information...

Sol Wilson (1896-1974) End of Pier, Provincetown MA. ca. 1950s, panel measuring 9 x 12 inches; 16 x 19 inched framed. Signed lower right. Solomon ...

Etienne Ret (1900-1996). Portrait of a Young Woman, ca. 1965. Oil on panel measuring 12.5 x 17.5 inches; 20 x 25 inches framed. Signed upper left. Excellent condition. Custom carved ...

Renee Theobald (1926-2014). Passage, ca. 1965. Oil on canvas, 13 x 16 inches, 18.5 x 21.5 inches framed. Painting is in excellent condition; frame has minor loss and has been repainted but is original to the piece. Studied at the Sorbonne and the Ecole des Beaux-Arts, Paris GROUP SHOWS and SPECIAL EXHIBITIONS Salon des Jeunes Peintres, Catalogue 1954-55-58 Museum of Modern Art: Selection of the Pacquement Prize “Les Peintres Temoins de leur Temps” Musée Galleria, Paris, 1967 Europeinture Group in Frankfurt, Germany “Les Artiste Français” Montreal, Quebec Tapestry design: Chartres 1971 Guilhall Art Gallery, London 1972 “Les Peintres Temoins de leur Temps” Japan 1973, 1974 First exhibition of French Art at the Museum of Fine Art of Kuwait , 1975 First contemporary French Art...

Constance Clark Lewis (1911-2004). Untitled, ca. 1950s. Gouache on paper, sheet measures 12 x 18 inches. Signed on verso at center. Crease in sheet upper right. Otherwise excellent condition. Unframed. This Louisville, Kentucky painter, graphic artist and educator was born in East Hampton, Long Island, New York, into a Louisville family who had summered there since the early 1900s. She spent 30 years of her life in Amagansett, New York. Her early art studies in Rome, Italy, led her to the Art Students League in New York City and then to the University of Louisville, where she studied with Ulfert Wilke. Other artists she studied with included Carlos Merida, Worden Day...

Marc-Luc (French, active 1920s-30s). Boys Fashion Illustration, ca. 1920s. Watercolor and pencil on paper, image measures 8 x 11 inches on panel measuring 12.5 x 18 inches. Signed lo...

Beautiful 1945 painting by American artist, Eve Peri. Watercolor on tissue paper, image measures 18 x 14 inches; 20.5 x 24.5 inches matted behind scratched plexiglass. Artwork and ma...

Beautiful 1931 painting by American artist, Giovanni Martino (1908-1997). Oil on canvas measures 25 x 30 inches. Measures 35 x 39 inches framed. The scene depicts what is definitivel...

Timothy Berry (b.1948). Savage Garden, 1996. Oil on canvas, 34 x 32 inches. Sigh on verso. Original gallery label affixed on verso. Canvas stretched over...

Still Life with Flowers, 1962. Gouache and ink on paper, 16.25 x 22 inches. Signed and dated center right. Framed measurement: 26 x 31 inches. original frame and glass. Excellent con...

Sylvia Bernstein (1918-1990). Portrait of a Young Woman, ca. 1960. Gouache on paper, image measures 9.5 inch h.., 10 inches w. ; 17 x 17 inches framed measurement. Signed lower right. Excellent condition. Born : New York City Education : National Academy of Design Exhibits (group) Juried Shows at : Allied Artists; Audubon Artists; National Society of Painters in Casein; Hudson River Museum; Butler Institute of American Art; Portland Summer Art Festival; Columbia Painting Biennial; Columbia Museum; Riverside Museum; Brick Store Museum; First National Exhibition of American Art, Chautauqua, New York; New York City Center; Pennsylvania Academy of Fine Arts; Philadelphia Watercolor Annual; Brooklyn Museum International Watercolor Exhibition; Art-USA; J & M Ringling Museum; 9th Annual American Watercolor Traveling Show; Whitney Museum of American Art; Parrish Museum; American Academy of Arts and Letters; Wadsworth Atheneum. Solo Exhibits 1956 Ruth White Gallery; 1959 Ruth White Gallery; 1959 Silvermine Guild of Artists; 1960 Ruth White Gallery. Awards : National Association of Women Artists, 1954, 1957; New York City Center 1956; 1957 Honorable Mention National Arts Club, Allied Artists, Jane C. Stanley Memorial Award, Grumbacher Award in Watercolor at New England Painting...

Augustus Edwin John (Welsh, 1878-1961). Portrait of Barbara, ca. 1930. oil on canvas, 11 5/8 x 14 5/8 inches. Framed dimension: 16 x 19 inches....

Bobert Brown (British, b.1936). Perugia, Italy. Oil on canvas measures 14.5 x 22 inches; 19.5 x 27 inches framed. Signed lower left. One faint area of scratching on paint surface in ...

Beautiful ca. 1965-70 painting of a horse carriage at night. 13 x 18 inches; 19 x 24 inches framed. Signed indistinctly lower left. Excellent condition.

Margaret Layton (20th century). Greenwich Village shops (pair). Oil on board, each measures 6 x 13 inches; 10 x 17 inches framed. Each is signed lower left. No damage or conservation...

Nestor Fruge (1916-2012). New Orleans, ca. 1970. Watercolor on paper, 11 x 15.75 inches. Unframed. Excellent condition. Signed lower right. Unframed. Born in Bayou Lafourche, Louis...

Nestor Fruge (1916-2012). Courtyard, French Quarter, New Orleans, ca. 1970. Watercolor on paper, 12 x 16.5 inches. Unframed. Excellent condition. Signed lower right. Unframed. Born...

Nestor Fruge (1916-2012). Bayou Landscape, ca. 1970. Watercolor on paper, 11 x 15.25 inches. Unframed. Excellent condition. Signed lower right. Born in Bayou Lafourche, Louisiana i...

Louise Delorme (b. 1928). Vase of Flowers, 1969. 26 x 36 inches; 27 x 37 inches framed. Signed lower left. Titled and dated on verso. Excellent condition.

Joseph Kardonne (1911-1985).Male Figure at Beach, 1952.. Gouache on cardboard panel, 9 x 10 inches, 14.5 x 15.25 inches in maple frame. Signed, dated lower left. Born in Newark, New...

Beautiful mid-century painting of a female dancer by J. Steven. Oil on canvas measures 12 x 30 inches, 21 x 39 inches framed. Signed lower left with arti...

Bruno Lucchesi (b.1926). Mother and Child, ca. 1960. Oil and charcoal on sized paper mounted to masonite, measuring 11 x 21 inches; 15.5 x 25.5 inches in original gold leaf frame. Si...

Louis Russomanno (b.1948). Still Life, ca. 1975. Oil on canvas, 16 x 24 inches; 20 x 28 inches framed. Signed upper right. Excellent condition. Detail is simply amazing in this photorealistic original painting. Gallery label affixed on verso. Contact number with no area code suggests a mid-1970's range in which to date the piece. A native of New York, Russomanno has exhibited widely and with success and is the recipient of numerous prizes and juried awards including from the Phillips Mill...

Beautiful ca. 1970s Pop Art painting of a reclining nude woman based on Tom Wesselmann's 1968 screenprint, Nude with Still Life. Oil on canvas, 30...

Margaret Layton. Wellfleet #3, ca. 1950. Watercolor on paper, image measures 5.5 x 16.5 inches in a frame measuring 13 x 24.5 inches. Signed lower left. Beautiful abstract study of...

Norris Rahming (1886-1959). New Hope Canal, Bucks CO. PA., 1944. Watercolor on paper, image measures 14.75 x 19.5 inches; measures 22 x 26 inches in original frame. Signed lower righ...

Barbara Shermund (1899-1978). Society Satirical Cartoon, ca. 1940s. Gouache on heavy illustration paper, image measures 17 x 14 inches; 23 x 20 inches in matting. Signed lower left. Very good condition but matting panel should be replaced. Unframed. Provenance: Ethel Maud Mott Herman, artist (1883-1984), West Orange NJ. For two decades, she drew almost 600 cartoons for The New Yorker with female characters that commented on life with wit, intelligence and irony. In the mid-1920s, Harold Ross, the founder of a new magazine called The New Yorker, was looking for cartoonists who could create sardonic, highbrow illustrations accompanied by witty captions that would function as social critiques. He found that talent in Barbara Shermund. For about two decades, until the 1940s, Shermund helped Ross and his first art editor, Rea Irvin, realize their vision by contributing almost 600 cartoons and sassy captions with a fresh, feminist voice. Her cartoons commented on life with wit, intelligence and irony, using female characters who critiqued the patriarchy and celebrated speakeasies, cafes, spunky women and leisure. They spoke directly to flapper women of the era who defied convention with a new sense of political, social and economic independence. “Shermund’s women spoke their minds about sex, marriage and society; smoked cigarettes and drank; and poked fun at everything in an era when it was not common to see young women doing so,” Caitlin A. McGurk wrote in 2020 for the Art Students League. In one Shermund cartoon, published in The New Yorker in 1928, two forlorn women sit and chat on couches. “Yeah,” one says, “I guess the best thing to do is to just get married and forget about love.” “While for many, the idea of a New Yorker cartoon conjures a highbrow, dry non sequitur — often more alienating than familiar — Shermund’s cartoons are the antithesis,” wrote McGurk, who is an associate curator and assistant professor at Ohio State University’s Billy Ireland Cartoon Library & Museum. “They are about human nature, relationships, youth and age.” (McGurk is writing a book about Shermund. And yet by the 1940s and ’50s, as America’s postwar focus shifted to domestic life, Shermund’s feminist voice and cool critique of society fell out of vogue. Her last cartoon appeared in The New Yorker in 1944, and much of her life and career after that remains unclear. No major newspaper wrote about her death in 1978 — The New York Times was on strike then, along with The Daily News and The New York Post — and her ashes sat in a New Jersey funeral...

Larry Price (1940-1989). Plaza del Toros, ca. 1961. 33 x 37.5 inches. Provenance: Estate of Larry Price. COA available from Estate by request. Larry Price, A...

Larry Price (1940-1989). Untitled, ca. 1959. 23.5 x 29.5 inches. Provenance: Estate of Larry Price. COA available from Estate by request. Surface exhibits paint shrinkage consistent with age. Paint surface is stable with no flaking or loss. No conservation. Larry Price, American 1940-1989 Craryville, NY Exhibitions 1985 -1989 Group exhibitions at the Albany Institute of History and Art, Harmonius Beaker Center, Albany, NY. 1987 Albany Institute of History and Art, solo exhibition. Harmonius Beaker Center, Albany, NY. 1984 ‘The First Underground Show,’ Group exhibition curated by painter Thornton Willis, 456 Broome Street, New York City, NY. 1970 Bronx Community College, Solo exhibition, Bronx, New York, City, NY 1968 National Commercial Bank, Solo exhibition, Albany, NY. 1964 -1965 Various group exhibitions, New York City, NY. 1957-1959 Studied painting with brother Melville Price at Fleischer Art Memorial, Philadelphia, PA; Painting classes at The Art Student’s League with Bernard Klonis, New York City, NY 1969 - 1989 Self employed as conservator of gilded objects...

Larry Price (1940-1989). Pegasus, ca. 1961. 49 x 23 inches; 50 x 24 inches framed. Provenance: Estate of Larry Price. COA available from Estate by request. Surface exhibits long cracking and paint shrinkage consistent with age. Paint surface is stable with no flaking or loss. No conservation. Larry Price, American 1940-1989 Craryville, NY Exhibitions 1985 -1989 Group exhibitions at the Albany Institute of History and Art, Harmonius Beaker Center, Albany, NY. 1987 Albany Institute of History and Art, solo exhibition. Harmonius Beaker Center, Albany, NY. 1984 ‘The First Underground Show,’ Group exhibition curated by painter Thornton Willis, 456 Broome Street, New York City, NY. 1970 Bronx Community College, Solo exhibition, Bronx, New York, City, NY 1968 National Commercial Bank, Solo exhibition, Albany, NY. 1964 -1965 Various group exhibitions, New York City, NY. 1957-1959 Studied painting with brother Melville Price at Fleischer Art Memorial, Philadelphia, PA; Painting classes at The Art Student’s League with Bernard Klonis, New York City, NY 1969 - 1989 Self employed as conservator of gilded objects...

Barbara Shermund (1899-1978). Showgirls Cartoon for Life Magazine, 1934. Ink, watercolor and gouache on heavy illustration paper, matting window measures 16.5 x 13 inches; sheet measures 19 x 15 inches; Matting panel measures 20 x 23 inches. Signed lower right. Very good condition with discoloration and toning in margins. Unframed. Provenance: Ethel Maud Mott Herman, artist (1883-1984), West Orange NJ. For two decades, she drew almost 600 cartoons for The New Yorker with female characters that commented on life with wit, intelligence and irony. In the mid-1920s, Harold Ross, the founder of a new magazine called The New Yorker, was looking for cartoonists who could create sardonic, highbrow illustrations accompanied by witty captions that would function as social critiques. He found that talent in Barbara Shermund. For about two decades, until the 1940s, Shermund helped Ross and his first art editor, Rea Irvin, realize their vision by contributing almost 600 cartoons and sassy captions with a fresh, feminist voice. Her cartoons commented on life with wit, intelligence and irony, using female characters who critiqued the patriarchy and celebrated speakeasies, cafes, spunky women and leisure. They spoke directly to flapper women of the era who defied convention with a new sense of political, social and economic independence. “Shermund’s women spoke their minds about sex, marriage and society; smoked cigarettes and drank; and poked fun at everything in an era when it was not common to see young women doing so,” Caitlin A. McGurk wrote in 2020 for the Art Students League. In one Shermund cartoon, published in The New Yorker in 1928, two forlorn women sit and chat on couches. “Yeah,” one says, “I guess the best thing to do is to just get married and forget about love.” “While for many, the idea of a New Yorker cartoon conjures a highbrow, dry non sequitur — often more alienating than familiar — Shermund’s cartoons are the antithesis,” wrote McGurk, who is an associate curator and assistant professor at Ohio State University’s Billy Ireland Cartoon Library & Museum. “They are about human nature, relationships, youth and age.” (McGurk is writing a book about Shermund. And yet by the 1940s and ’50s, as America’s postwar focus shifted to domestic life, Shermund’s feminist voice and cool critique of society fell out of vogue. Her last cartoon appeared in The New Yorker in 1944, and much of her life and career after that remains unclear. No major newspaper wrote about her death in 1978 — The New York Times was on strike then, along with The Daily News and The New York Post — and her ashes sat in a New Jersey funeral home...