Stone and Press Gallery Paintings
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Strangelove
Located in New Orleans, LA
Discover the warmth and depth of "Strangelove," an oil painting on linen by Alessandro Tomassetti. This artwork shows a person not facing the artist, wrapped up in ribbons, against a...
Category
2010s Contemporary Portrait Paintings
Materials
Oil, Linen
Untitled 4 - Bird and Man in Nature
Located in New Orleans, LA
Self taught outsider art by African American artist from New Orleans with work in major museum and private collections. White created a bold c...
Category
1990s Outsider Art Animal Paintings
Materials
Foam Board, Felt Pen
Untitled 5 - Herd Animals
Located in New Orleans, LA
Self taught outsider art by African American artist from New Orleans with work in major museum and private collections. White created a bold c...
Category
1990s Outsider Art Animal Paintings
Materials
Foam Board, Felt Pen
Untitled 6 - Animals in the Light
Located in New Orleans, LA
Self taught outsider art by African American artist from New Orleans with work in major museum and private collections. White created a bold c...
Category
1990s Outsider Art Animal Paintings
Materials
Foam Board, Felt Pen
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No Pasaran - Lone Soldier Symbolizing the Human Desire for Equality and Freedom
By William Blake (b. 1991)
Located in Chicago, IL
Hugh Goffinet stares out from the canvas in the dress of a soldier, without being one. He is a reenactor of an African American volunteer in the Abraham Lincoln Battalion. His inspiration is the Lincolns—the battalion’s volunteers—but they are pictured only symbolically, in his dress. Their inspiration was Lincoln, who many decades earlier helped give meaning to the American Civil War, but who is invisible in the painting except by implication—the pose of Hugh Goffinet—which carefully emulates Lincoln’s pose in the celebrated presidential portrait by George Healy. Entirely hidden, at the deepest layer of history, is the true source of inspiration: the human desire for equality and freedom. To understand, honor, and preserve it requires remembrance, in this case with history animating reenactors who animate art that animates memory.
"No Pasaran" - an expression of determination to defend a position against an enemy - channels the spirit of Winslow Homer's war imagery, bringing it into the contemporary world, asking us to reflect upon the decisions forced to be made in wartime, some of which will never leave us. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This piece is unframed. Please contact the gallery for framing options.
William Blake
No Pasaran
oil on linen
48h x 30w in
121.92h x 76.20w cm
WIL047
Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war.
The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War reenactments, the reanimation of the past encourages a review of history and aids in its continuous revision.
For his second exhibition with Gallery Victor Armendariz, William Blake presents A Great Battlefield, a collection of new paintings depicting US Marines at the Gettysburg National Military Park. A Great Battlefield, takes its title from Lincoln’s Gettysburg Address which poetically looks to the battlefield as a site of rebirth. Following the tradition of nineteenth-century American history painting...
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2010s Contemporary Figurative Paintings
Materials
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Ramparts - Inspiration Portrait of a Lone Soldier Staring Out at Viewer, Oil
By William Blake (b. 1991)
Located in Chicago, IL
William Blake’s oil painting asks us to perceive the powerful layers of history that shape both art and memory. In Blake’s painting is a man, but what Blake painted is an idea. Hugh Goffinet stares out from the canvas in the dress of a soldier, without being one. He is a reenactor of an African American volunteer in the Abraham Lincoln Battalion. His inspiration is the Lincolns—the battalion’s volunteers—but they are pictured only symbolically, in his dress. Their inspiration was Lincoln, who many decades earlier helped give meaning to the American Civil War, but who is invisible in the painting except by implication—the pose of Hugh Goffinet—which carefully emulates Lincoln’s pose in the celebrated presidential portrait by George Healy. Entirely hidden, at the deepest layer of history, is the true source of inspiration: the human desire for equality and freedom. To understand, honor, and preserve it requires remembrance, in this case with history animating reenactors who animate art that animates memory.
Artist, William Blake channels the spirit of Winslow Homer's war imagery, bringing it into the contemporary world, asking us to reflect upon the decisions forced to be made in wartime, some of which will never leave us. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This piece is unframed. Please contact the gallery for framing options.
William Blake
Ramparts
oil on linen
24h x 30w in
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WIL048
Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war.
The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War reenactments, the reanimation of the past encourages a review of history and aids in its continuous revision.
For his second exhibition with Gallery Victor Armendariz, William Blake presents A Great Battlefield, a collection of new paintings depicting US Marines at the Gettysburg National Military Park. A Great Battlefield, takes its title from Lincoln’s Gettysburg Address which poetically looks to the battlefield as a site of rebirth. Following the tradition of nineteenth-century American history painting...
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English 19th century Folk art portrait of Chickens, landscape with maple frame
Located in Woodbury, CT
English 19th century Folk art portrait of Chickens, landscape with maple frame
A wonderful and well-painted piece of rare English Folk Art. The scene is of a group of Chickens in an extensive landscape pecking at their food on the ground.
This style was very popular during the early Victorian period and all barnyard animals were painted by these folk art painters, with most of the painters never signing their work.
This is a very good example of what are now very rare subjects to find.
It is framed in an Antique Maple frame...
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"Feelers" - Contemporary Figurative Oil Painting
By Chelsea Gibson
Located in East Quogue, NY
"Feelers" - Contemporary figurative oil painting of a man's torso by Chelsea Gibson
Medium: Oil on linen
Size 25 x 20 inches. Offered unframed.
"Feelers" is part of Chelsea Gib...
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2010s Contemporary Figurative Paintings
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