Oliver Cole Gallery More Art

Stainless Steel Sculpture by Chen Zhiguang Title: Tree is not Wood #1 Material: Stainless Steel Dimension: 218 x 118 x 70 cm Date: 2021 About the artwork: Bonsai (Potted landscap...

This monumental face sculpture is a captivating testament to the enduring power of art to evoke emotions, spark imagination, and provoke thought. Crafted on a grand scale, this strik...

Three vertical links make up this piece that transmits firmness and solidity. The chain, always a symbol of unity, security and permanence, can also have a playful sense reflected in...

Jake Michael Singer works across different mediums, including sculpture, photography, drawing and painting. His art focuses primarily on materiality, myth, and catharsis. Singer ca...

“Carte” is the French word for map. This piece, light in appearance as a large sheet of paper, emulates an ancient map that is unfolded for the first time in a long time. The depth t...

Jake Michael Singer works across different mediums, including sculpture, photography, drawing and painting. His art focuses primarily on materiality, myth, and catharsis. Singer ca...

"She Carried Water", 2019 (Abstract Free Standing Tabletop Sculpture in Shades of White, Grey and Black) 31 x 12 x 8 inches Precision board, Venetian plaster, pigments, beeswax The ...

Zofia Butrymowicz (1904-1987, Warsaw, Poland) was one in a select group of Polish textile artists who were first introduced in Chicago, USA in the 1970s by legendary dealers Anne and Jacques Baruch. Butrymowicz's body of work continues to influence the fiber art world to this day. "New experiments in art have always been of interest to me" Butrymowicz once observed, "whether I agree with them or not, and therefore I never pass by and I am never indignant at any expression in art. I strongly believe that in the wide range of experiments there will also be some elements of the development of culture." During the post-war period, when the countries of Eastern Europe were locked down behind the Iron Curtain, weavers there found materials in short supply. As a result, many of these artists turned to unconventional materials such as metal, paper and reeds. Zofia Butrymowicz, of Poland, recognized for innovative works in 60s and 70s, used heavy, irregular wools, barely spun at all. In 1969, she visited Canadian weaver, Mariette Rousseau-Vermette and her husband, painter and ceramicist, Claude Vermette, outside Montreal where the couple lived and worked. Zofia and Mariette had both been participants in International Tapestry Biennials in Lausane, Switzerland in the 60s and in Wall Hangings at the MoMA in New York in 1969. Butrymowicz stayed with the Vermettes for several months, using Mariette’s looms to create tapestries that were displayed with Claude’s ceramics at a local gallery. Butrymowicz used wool from Mariette’s source. Mariette was particular about the color and intensity of her wool — she worked with technicians to perfect the spinning and dyeing so that the wool had a silky luster and dyed “more beautifully” than mechanically spun wool. The wool was a marked departure from the material Butrymowicz had access to in Poland. She “painted” her weavings with colors and shadings of yarns, including only a shimmering suggestion of a shape, often a circle, as she had done in the past, but the glisten and sumptuousness of the yarn in these works set them apart from her previous weavings. Selected exhibitions: Central Museum of Textiles, Lodz, Poland; Museum of Contemporary Art, Chicago, Illinois; National Museum, Poznan, Poland; National Museum, Warsaw, Poland; Skopje Museum of Contemporary Art, Poland; Exempla, Munich, Germany; Museum of Modern Art, Pasadena, California; Pierre Pauli...

Abstract geometric three-dimensional wood wall sculpture in pale grey, light blue, light taupe, and beige, with accents of stormy blue "In, Out, Over, and About", hand-carved woode...

Vernika Singh - Dynamics-1 SS, and aluminium 16.5”w x 14.5”h x 10”d ( Inches ) Interested in human figures and the movements which are encountered by the body. It is the most beauti...

Dynamic and whimsical, Aron Hill’s mobile is a joyful contemporary kinetic sculpture. Three separate discs are covered in a curated collage of shapes and brilliant colours. The colour profile here is Hill’s characteristically vivid palette-- orange, yellow, blue, red, and green punctuated by black and white. Delicately balanced, the sculpture moves in the air redefining the space and affording the viewer a fresh ‘view’. Mobiles have existed for millennia—at first as windchimes, then re-imagined by Russian sculptors...

"Skulls Alphabet Nr. F" Bronze and Steel Sculpture 1/1 by Sergii Shaulis 9.5" x 6" x 8'' inch Weight: 14 lbs SKULLS "ALPHABET" series: The project i...